46 fun facts to mark the 46th anniversary of the 1977 Bollywood blockbuster hit
By Asjad Nazir and Dharmesh PatelMay 25, 2023
Cult classic Amar Akbar Anthony is always included in the lists of greatest Bollywood films of all time. The highest-grossing Hindi movie of 1977 had a star-studded cast, memorable music, magical moments, and a legendary story of three brothers, brought up in different faiths after being separated as children.
The Manmohan Desai-directed entertainer, which was released on May 27, 1977, marks its 46th anniversary this week, and to celebrate, Eastern Eye decided to share 46 fun facts connected to it.
Desai was inspired to write the story of Amar Akbar Anthony after seeing a newspaper article about an alcoholic man named Jackson abandoning his children in a park.
After just directing films for a long time, this was the first film Desai made as an independent producer.
This was the first film Desai and Amitabh Bachchan officially signed together. They would become a dream team and deliver multiple hits.
Bachchan was hesitant about acting in the film, but Desai convinced him otherwise by saying, “after the release you will be known as Anthony Bhai”, and that is exactly what happened, as it became one of his career-defining roles.
Dharmendra had turned down Vinod Khanna’s role due to a busy schedule, but still supported the movie and sounded the opening clapperboard at its launch in June 1975.
Zeenat Aman was first offered Parveen Babi’s role in the blockbuster hit while shooting for Dharam Veer (1977) with Desai but turned it down. She later regretted that decision.
There originally wasn’t going to be a heroine opposite Khanna, but he insisted because his fellow leads had love interests and Shabana Azmi was signed.
Even though Khanna plays Bachchan’s elder brother in the movie, in real life he was four years younger than him.
The original name of Bachchan’s character was Anthony Fernandes. It was changed by music directors Laxmikant-Pyarelal and named Anthony Gonsalves, after their music teacher.
The villain role played by Yusuf Khan was named after professional wrestler Stanislaus Zbyszko. Later pro wrestling legend Larry Zbyszko also adopted that same name.
Parts of the nonsensical musical monologue preceding the film’s song My Name Is Anthony Gonsalves were taken from an 1878 speech by British politician Benjamin Disraeli.
The movie’s song Humko Tumse Ho Gaya Hai is the only one in the history of Bollywood to feature the voices of legendary singers Lata Mangeshkar, Kishore Kumar, Mohammad Rafi, and Mukesh together.
The one line given to Bachchan’s character in the Parda Hai Parda song was supposed to be sung by Kishore Kumar, but he deliberately charged a high fee as he didn’t want to do it. His son Amit Kumar sang it instead but he was not credited.
The clothes worn by Rishi Kapoor’s character were purchased from the famous Linking Road in Mumbai.
The colourful vests and metal crosses worn by Bachchan became a fashion trend after the film was released.
Neetu Singh plays a character named Dr Salma. A blooper in the movie saw Kapoor calling Neetu by her real name, instead of Salma. (It was actually noticed in the first cut, but deliberately kept in).
A subtle mistake that goes unnoticed is Parveen Babi telling Pran on the phone his son who was lost 25 years previously had been found, when the separation time in the movie is 22 years.
Another famous blooper in the film is Bachchan’s bruises disappearing from his face after the jail scene, during his first encounter with Pran, and then reappearing when he returns to the police station.
The mirror scene where Bachchan’s intoxicated character is speaking to himself was improvised, without the director present. Desai was so impressed that he vowed to only work with him after that.
Talking of that unforgettable mirror scene, Desai was shooting the climax of Bachchan starrer Parvarish (1977) on another floor of the studio, at the same time.
There were striking similarities between the famous scene where Nirupa Roy regains her sight through divine intervention and one in National award-winning Punjabi film Nanak Naam Jahaz Hai (1969), where a blind character receives a holy light from the Golden Temple and can see again.
Bachchan thought Desai was crazy for creating a hospital scene where all three brothers give blood to their mother at the same time, as it’s a medical impossibility. Desai’s vision paid off and it became a symbol of communal harmony.
The yellow Volkswagen Beetle in which Parveen Babi’s character arrives at the church belonged to Yusuf Khan, who played her bodyguard in the scene.
Khanna explained that although Bachchan had a bigger role, the reasoning behind him winning their onscreen fight was that he played the elder brother.
Erasers with the images of lead stars Khanna, Kapoor, and Bachchan were sold to students to promote the movie.
The superhit film ran for 25 weeks in 25 theatres in Mumbai. If inflation is taken into account, it remains one of the highest-grossing Hindi movies in history.
Even though it was his biggest box office hit, Desai didn’t regard Amar Akbar Anthony as his best work and called its success a fluke. He believed Naseeb (1981) was far superior.
Bachchan finally received his first Filmfare Best Actor award for the movie.
The emergency period in India caused many delays, which meant Desai had four films – Parvarish, Dharam Veer, Chacha Bhatija and the top grosser Amar Akbar Anthony – released in 1977.
Rishi Kapoor
The movie was a huge hit across the West Indies and turned Bachchan into a big star in the Caribbean islands.
Amar Akbar Anthony was officially remade in Tamil as Shankar Salim Simon (1978), in Telugu as Ram Robert Rahim (1980) and in Malayalam as John Jaffer Janardhanan (1982).
Meanwhile, in Pakistan, the film was unofficially remade in Punjabi as Akbar Amar Anthony (1978).
Sohail Khan had wanted to remake the film with him and his brothers Salman, and Arbaaz in the title roles. However, it was shelved for unknown reasons.
Even though they had great chemistry in the movie, Desai never romantically paired Bachchan and Babi again. Both were cast in his films Suhaag (1979) and Desh Premee (1982), but not as romantic interests.
Director Desai had wanted to repeat the male cast members for his film Naseeb, but Vinod Khanna had quit Bollywood and was replaced by Shatrughan Sinha. Desai also wanted to repeat the casting of Parveen Babi and Neetu Singh, but both had stepped back from Hindi cinema for different reasons.
Bachchan starrer Andhaa Kanoon (1983) featured three villains named Amar, Akbar, and Anthony, as a tribute to the film.
Desai’s movie Mard (1985) also pays homage to Amar Akbar Anthony with Bachchan’s character in disguise again as Father Anthony, and through a similar mirror scene.
There was a spoof of the finale song Anhoni Ko Honi Karde in Eena Meena Deeka (1994), featuring original stars Vinod Khanna and Rishi Kapoor with Juhi Chawla.
Amitabh Bachchan and Parveen Babi (top), Vinod Khanna and Shabana Azmi (left), Rishi Kapoor and Neetu Singh (right)
There is a book titled Amar Akbar Anthony written by Sidharth Bhatia, which is a tribute to the iconic movie.
The 2013 gangster film Once Upon A Time in Mumbai Dobaara had a cover version of Amar Akbar Anthony song Tayyab Ali.
The 2013 film Bol Bachchan contains a homage to My Name Is Anthony Gonsalves, with Amitabh Bachchan making an entry out of an Easter egg and delivering a similar nonsensical monologue.
There was a suggestion of remaking the movie with the lead stars’ actor sons Ranbir Kapoor, Abhishek Bachchan, and Akshaye Khanna. But Ranbir said he would only do it if he could play the role of Anthony.
Shah Rukh Khan paid tribute to the film in Om Shanti Om by wearing a pendant representing all three faiths.
The title of British film Amar Akbar & Tony (2015) was inspired by the classic.
A viral 2022 meme compared Hindu UK prime minister Rishi Sunak, Muslim London mayor Sadiq Khan, and Christian King Charles, to Amar Akbar Anthony.
During a press conference for 2023 blockbuster hit Pathaan, Shah Rukh Khan referred to Deepika as Amar, himself as Akbar, and John Abraham as Anthony, in a sincere effort to promote unity in the industry and with audiences. The majestic movie remains a classic that has united Bollywood 46 years after its release, and we celebrate it.
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
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Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.
Identical twins Croo and Sach have gained recognition in the fashion and digital space for their vibrant content, often shot in scenic locations. Heavily inspired by cinema, the ambitious Indian duo make bold style statements with their eye-catching outfits and have big plans ahead.
Eastern Eye asked the rising social media stars to share the 10 things that creatively inspire them most.
Rajesh Khanna’s acting and fashion: The legendary Hindi cinema icon has always been a huge inspiration for us. His romantic aura, unique walk, and killer fashion sense – especially those retro fits – influence a lot of our personal style. We love turning up in vintage clothes because they instantly bring out that old-school Bombay mafia gangster vibe we admire.
Dilip Kumar’s pure acting: There is a reason he is regarded as one of the greatest actors in Indian cinema. His raw, natural style is a masterclass for us. We study his expressions and pauses to craft emotion-driven reels. Whether we shoot dialogue-heavy content or silent dramatic clips, his influence is everywhere. He helps us elevate even the simplest concept into something powerful and deeply moving.
Amitabh Bachchan’s persona and vintage style: When the superstar burst onto the scene in the 1970s, his fierce screen presence redefined intensity – and that shapes how we approach high-energy, gritty reel content. We recreate cinematic moments with hard-hitting lines, commanding expressions and dramatic walk-ins. His blazer and sunglasses look and deep baritone also inspire how we style and deliver those punchy, “don’t mess with us” characters on Instagram.
Amitabh Bachchangetty images
The timeless beauty of Madhubala: Often hailed as the most beautiful star of Hindi cinema, Madhubala’s elegance influences how we frame our female leads. Soft lighting, dreamy close-ups and graceful movements – all come from her legacy. We use her timeless charm to blend vintage aesthetics with modern storytelling in our reels.
Madhuri Dixit’s 1990s glamour and dance: The dancing queen made a huge impact in her prime. The multi-talented star’s expressions and dance finesse have definitely inspired our rhythm-based reels. We blend Bollywood thumkas with glamorous visuals and fast cuts – always with her finesse in mind. Her 1990s colour palettes and glam styling also guide how we create fashion transitions in dance reels.
Ranveer Singh’s fashion and attitude: The unique actor’s over-the-top style and wild energy are our go-to when we want to break the internet. Loud outfits, bold moves and unexpected transitions – that is Ranveer’s zone. We love channelling his “no rules” attitude into our fashion-centric reels, adding an unapologetic flair to every frame we create.
Les Twins’ dance and fashion: The French duo – dancers, choreographers, producers, models and designers – have made an impact across multiple creative fields. They completely changed the way we view dance. Their precision, swag and effortless flow inspire us to choreograph sharp, clean and stylish reels. We also love their streetwear aesthetic – it has shaped how we dress, shoot and edit our content with a fresh, global urban vibe.
Ranbir Kapoorgetty images
Shah Rukh Khan’s struggle to stardom: The superstar’s journey really hits home for us. Coming from nothing and building an empire through passion, dedication and relentless hustle – that story is our biggest motivation. We see ourselves in that grind and share the same fire to prove something. Whenever we create reels or any kind of content, we channel his energy – starting small, thinking big and pouring our heart into everything. His romantic intensity, raw vulnerability and on-screen confidence push us to dream bigger and stay true to ourselves. He reminds us that the journey matters just as much as the destination.
Ranbir Kapoor’s acting: From the newer generation of actors, Ranbir inspires us with the way he fully becomes his character without ever overdoing it. There is a softness, depth and quiet strength in his performances that we try to bring into our creative reels. His expressions often speak louder than words, and that minimal, emotional style teaches us how to connect with the audience on a deeper level.
Instagram: @vaghelabrothers
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Deepika Padukone is redefining what power looks like in Bollywood
It didn’t take a walkout on a picket line or a fiery press conference to shake the Indian film industry; it took Deepika Padukone quietly demanding, “Eight hours.” No dramatic monologue or sensational tweets. Just a simple request: humane hours, overtime pay, and a refusal to push her body and mind past the brink. And just like that, the conversation in Bollywood cracked wide open.
In an industry that glorifies overnight shoots, delayed pack-ups, and “dedication” measured in sweat, Padukone’s decision to exit a high-profile film, Spirit, over her demand for an eight-hour workday was certainly a career move for her. But beyond that, it was a cultural revolt.
Deepika’s decision is pushing conversations beyond the glamGetty Images
When “enough” becomes revolutionary
What made this moment resonate wasn't just who said it, but when. After giving birth to daughter Dua in September 2024, Padukone’s priorities naturally shifted. She didn’t demand luxury. She asked for balance. And Bollywood, unaccustomed to being told “no,” didn’t take it well.
Her terms were straightforward: eight-hour shifts, payment for overtime, profit-sharing, and a refusal to perform intimate scenes or speak in Telugu; reasonable boundaries that suddenly became controversial when voiced by one of the industry’s most bankable stars.
When director Sandeep Reddy Vanga, known for pushing his cast in emotionally aggressive scenes, reportedly rejected these conditions, Padukone walked away from the project. She was swiftly replaced by Triptii Dimri. Vanga later alluded to “script leaks” and an unnamed actor who had “put down” a younger co-star, setting the entire social media ablaze with speculation.
— (@)
But Deepika wasn’t dragging anyone down; she was raising the floor.
Behind the glamour, Deepika Padukone is leading a quiet revolution in work cultureGetty Images
Not a diva, just done
What’s shocking is how quickly people defaulted to calling her “difficult.” And yet, actors like Shah Rukh Khan are known for avoiding night shoots and Akshay Kumar famously doesn’t work Sundays. No one raises eyebrows when they draw boundaries because it’s framed as “professionalism.” But when a new mother does it? Suddenly, it's "unreasonable."
Director Siddharth P. Malhotra, who worked with Rani Mukerji during Hichki, exposed this double standard: “Rani asked for eight-hour shifts to be with her daughter. Kajol only did one shift a day for We Are Family. It’s only a problem when women say it aloud.”
The industry responds. Some with applause, some with alarm
The dominoes have finally started falling. Mani Ratnam called it a necessary reset. Pankaj Tripathi described his own past of 16-18 hour days as “soul-draining,” while Barun Sobti, an actor-turned-producer, said he’d enforce 8-hour shifts if given the reins. Kajol, ever candid, deadpanned, “I love that you can work less,” while Ajay Devgn added that “honest filmmakers” would never object.
From star to changemaker, Deepika Padukone is rewriting the rules of the setGetty Images
But not everyone cheered
Director Tarun Mansukhani worried about logistical chaos. Some commented: “What happens when mid-budget films start losing their heroes to time clocks?” Others whispered about setting a dangerous precedent.
More than just a star’s schedule
This isn’t just about an actor clocking out early. It’s about rethinking the ecosystem.
Tripathi’s remark: “The actor leaves; the labourers stay”, in fact revealed the hierarchy. Spot boys, technicians, junior artists, they don’t get to negotiate. They wait, often unpaid for overtime, as the “show must go on.” The real question Deepika raises is: if she can’t get fair hours, who can?
And then there’s pay. A producer once told her they couldn't afford to pay her more because it would require cutting the male lead's salary and her response was a simple: 'Goodbye'.
The message? Equal pay isn’t a negotiation; it’s a principle.
When one woman said no to burnout, Bollywood was forced to listenGetty Images
Bollywood vs the world
Hollywood actors operate under union protections like SAG-AFTRA mandates, rest breaks, overtime pay, and hard stop hours. Violate it, and the studio pays. In contrast, Bollywood thrives on chaos masked as passion. People wear sleeplessness as a badge of honour. But glamour doesn’t justify grind.
While some southern Indian industries like Tollywood and Mollywood run leaner and faster, the Bollywood machine is notoriously disorganised, more time wasted in disarray than in shooting.
As one Mumbai-based casting director put it, “We imitate Hollywood’s sparkle but not their structure.”
Challenging the grind: how Deepika is shifting industry norms one demand at a timeGetty Images
Will the industry bend or break?
Deepika's stand has pushed the debate beyond vanity. This is about structure, safety, and sustainability. If the Federation of Western India Cine Employees (FWICE) and the Indian Film & Television Producers Council (IFTPC) don’t use this flashpoint to draw up new frameworks, the fallout will continue to be individual actors “opting out” rather than an industry choosing to change.
There’s already noise on social media from mid-tier actors who’ve faced burnout. They described enduring 14-hour shoot days with minimal breaks and have urged producers to build reasonable rest periods into their schedules. The pot’s boiling.
Deepika Padukone’s stand is making work-life balance a power move in Indian cinemaGetty Images
The curtain call
What started with one woman asking to wrap up on time has opened a conversation that Bollywood has avoided for far too long. Deepika Padukone’s quiet battle has exposed the uncomfortable truth: that this industry, which prides itself on discipline and “family vibes,” often forgets that families need time, sleep, and respect.
She didn’t just ask for eight hours. She asked for dignity and, most importantly, balance. And in doing so, she’s invited every actor, technician, spot boy, and choreographer to do the same.
This isn’t a diva’s whim; it’s like labour is stepping into the spotlight, demanding its long-overdue close-up. Bollywood’s glamour will always shine. But maybe, finally, it won’t have to come at the cost of people collapsing under its weight.
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Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.