A surprise family party to celebrate his 70th birthday sparked the idea of a memoir in which UK-based Ram Gidoomal charts his journey from being an Indian migrant to a successful entrepreneur
"My Silk Road: The Adventures and Struggles of a British Asian Refugee" has been published by Pippa Rann Books and Media U.K. and distributed in India by Penguin Random House
Born in a migrant Indian family of silk traders that fled British India during Partition, Gidoomal's early life in the coastal Kenyan city of Mombasa seemed charmed with wealth and success
However, losing all of this overnight through second deportation this time from Kenya to the UK, he saw the course of his life change beyond recognition
Despite having had his dreams and plans ripped away from him, Gidoomal worked tirelessly, fighting to overcome every obstacle, and finally succeeded in gaining back wealth and reputation
However, on reaching his late thirties, an unusual day trip in Mumbai changed his life forever, transforming him from someone enriching himself and his shareholders to someone enriching the world. And this time, the change was his choice
Aiming to encourage those who are struggling to move forward in life, Gidoomal shares stories that demonstrate the difference made by a can-do attitude, by a spirit of generosity and by prioritising relationships. Through all these, he shares the secrets of living a life that marries deep compassion with success, a generous life that reaps unexpected rewards.
Starting from scratch, Gidoomal built a successful career in business and was firmly on the road to prosperity and fortune.
The idea for this book sparked on his 70th birthday celebration. It was December 2020 and at the height of the lockdown due to Covid.
"Astounded on seeing a video full of wishes from relatives whom my family had never known or met, I decided drew up a family tree that extends beyond my grandfather's lineage, how the family overcame the challenges of being twice migrants and what it has taken to rebuild our lives, to achieve our former level of prosperity. With each name, memories and stories came flooding back," he says.
The outcome of this exercise is the memoir "The Silk Route"
"Over the course of my life, there were some roads I did not choose, some I did. But whether or not we have chosen the path we're on, we can always choose how we walk it. As for me, I chose to simplify my lifestyle, to find a different road, one which ironically led me to riches of greater worth than I could have imagined
"A road where the obstacles were many but never insurmountable. A road of compassion that left me with a peaceful heart. A road that led me far and wide but took me right where I belonged. My chosen path. My silk road," he writes.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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