Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Black Mirror fans have much to look forward to as Netflix drops the first trailer for the latest season of Charlie Brooker’s dystopian anthology. The new season, set to premiere on 10 April, promises six new episodes filled with chilling stories that explore the dark side of technology. The trailer maintains the show’s familiar ominous tone, hinting at yet more disquieting narratives in a world where technology continues to go wrong.
An all-star cast
This new chapter brings a stellar cast to the Black Mirror universe, with familiar faces from the world of film and television making their debuts. Peter Capaldi, Issa Rae, Paul Giamatti, Tracee Ellis Ross, and Emma Corrin are just a few of the big names lined up for the new season. The trailer also confirms the return of some past stars, with Cristin Milioti reprising her role as Nanette Cole from the fan-favourite “USS Callister” episode.
The inclusion of other returning cast members such as Billy Magnussen, Milanka Brooks, Osy Ikhile, and Jimmi Simpson will see the continuation of the USS Callister storyline. Originally featured in season 4, this episode follows a crew trapped in a sinister video game created by their deranged boss, Robert Daly, played by Jesse Plemons. While Daly met his end in the original episode, it appears that the surviving crew will continue their journey in the new season.
Other returning actors include Will Poulter and Asim Chaudhry, both of whom previously appeared in the 2018 interactive special Bandersnatch. Their return to Black Mirror will take place in new storylines, offering fans more of the innovative, unsettling storytelling for which the show is famous.
New themes and directions
Series creator Charlie Brooker hinted at a few surprises in store for viewers. While Black Mirror has made a name for itself as a tech-heavy, dystopian drama, Brooker shared that this season will also dive into emotional territory. “We’re doing some things we’ve not done before,” Brooker said of the upcoming episodes. “People can expect quite a lot of emotion and, hopefully, a good mix of chills.”
Although Brooker has experimented with horror elements in the past, this season appears to return to the show’s roots. The upcoming episodes are described by Brooker as “OG Black Mirror,” with a focus on gut-wrenching narratives that deliver a powerful emotional punch. “I wrote one script, and the consensus was that it was one of the bleakest, heaviest gut punches yet,” Brooker revealed. Some episodes will continue to explore tech-related themes, but others will go in new directions, even making people cry, according to Brooker.
Brooker also teased a couple of horror stories in the last season that were labelled under a new category called Red Mirror. However, this new instalment will seemingly return to the original Black Mirror formula of blending the unsettling with the thought-provoking.
The legacy of Black Mirror
Since its inception in 2011, Black Mirror has carved a niche for itself in the realm of science fiction television. Initially broadcast on Channel 4 in the UK, the show gained a loyal following before Netflix purchased the rights and produced its third season in 2016. Over the years, Black Mirror has earned critical acclaim for its unique and often disturbing take on how technology affects modern life.
The show’s first five seasons garnered 14 Emmy nominations and won eight, with standout episodes such as San Junipero (2017), USS Callister (2018), and the interactive special Bandersnatch (2019) being recognised for their innovative storytelling. The series has inspired a wave of imitators, although none has quite managed to capture the same level of acclaim or impact.
Following the release of season 5 in 2019, Black Mirror took an extended hiatus, only to return in 2023 with a sixth season that was generally well-received. With standout performances from stars such as Salma Hayek, Aaron Paul, and Paapa Essiedu, the show reaffirmed its place as a powerful force in modern science fiction. The latest season promises to continue that momentum with a combination of familiar faces and fresh new talent.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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