Bangladesh have set their sights on winning both upcoming Tests against Australia and should get some inside knowledge from former Aussie leg spinner Stuart MacGill, according to coach Chandika Hathurusingha.
MacGill is close to joining another Australian, Mark O'Neill, on the Bangladesh backroom staff for the tour by the world number three-ranked nation.
Australia are due to arrive on August 18 for their first Test series in Bangladesh since 2006, if a pay dispute between their players and Cricket Australia is resolved in time.
The two Tests will be followed by a Bangladesh tour of South Africa for two Tests and three one-day internationals in September-October.
Bangladesh are looking to build on a year in which they recorded their maiden Test wins over England and Sri Lanka, before reaching the Champions Trophy semi-final in June.
"We have made some progress in Test cricket. Now we have the game-plan of winning in the sub-continent. We want to win the two Tests against Australia," Hathurusingha said.
Bangladesh already have former West Indies paceman Courtney Walsh as fast bowling coach. Former Western Australia and New South Wales all-rounder O'Neill has joined as batting consultant and MacGill is set to follow.
The Bangladesh Cricket Board has not confirmed the appointment of MacGill, who took 208 wickets in 44 Tests for Australia. But Hathurusingha insisted he would stay for at least the Australia and South Africa campaigns.
"MacGill is here for three months to see, and if he is happy and the players are benefiting, it will be long-term," said Hathurusingha.
"We didn’t have a spin bowling coach since (Ruwan) Kalpage left us. We need that help, as that’s a specialised area," he said.
"Working, for me, is easier because all these guys are good coaches and they know what they are doing."
The first Test against Australia is at Dhaka's Sher-e-Bangla National Stadium from August 27. The second starts in Chittagong on September 4.
Australia were to play two Tests in Bangladesh in October 2015 but the tour was cancelled after a wave of attacks by Islamist extremists in the Muslim-majority nation.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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