Bangladesh garment sector ‘back in business’ after pay hike protests
A labour ministry official said that a separate review committee is currently assessing the industry’s capacity to revise the wage structure and is expected to submit a report soon.
The
garment industry accounts
for more than 80 per cent of
Bangladesh’s export earnings
By Eastern EyeOct 10, 2024
MOST garment factories in Bangladesh reopened on Tuesday (7), a day after violent protests over a pay hike left one worker dead and several others injured, officials said.
Bangladesh, one of the world’s largest garment producers and a supplier to western brands such as H&M (HMb.ST), Zara (ITX.MC) and Carrefour (CARR.PA), has been facing widespread protests in recent weeks, leading to the closure of dozens of factories.
The protests have worsened an already significant production backlog caused by recent political turmoil and devastating floods, industry insiders said. “Most of the factories are open today, and everything is going well so far,” said Abdullah Hil Rakib, senior vice president of the Bangladesh Garment Manufacturers and Exporters Association (BGMEA).
He added only five or six small factories remain closed, as they were unable to clear payments.
Rakib said that unrest persists in the sector, largely due to certain groups spreading rumours and taking advantage of the worsening law and order situation.
He urged the government to enhance security measures, as some factory owners are unable to operate due to vandalism and ongoing disruptions. “Stronger security is essential to keep production running smoothly and protect our industry,” Rakib said.
A labour ministry official said that a separate review committee is currently assessing the industry’s capacity to revise the wage structure and is expected to submit a report soon. The government is also reviewing police cases filed against workers to ensure they are not subjected to harassment, the official added.
Garment factory owners have called on the government to take immediate steps to restore order and ensure the safety of their operations, as the unrest threatens to disrupt an industry that accounts for more than 80 per cent of the country’s export earnings.
Last year, Bangladesh was ranked the third-largest exporter of clothing globally, after China and the European Union, exporting $38.4 billion (£29.3bn) worth of garments in 2023, according to the World Trade Organization.
The ongoing unrest comes at a critical moment for Bangladesh, as its interim government, led by Nobel Peace Prize laureate Muhammad Yunus, has taken control following Sheikh Hasina’s ouster.
The former prime minister fled to India in early August after the deadliest violence in Bangladesh since its independence in 1971, which claimed over 700 lives.
Industry leaders have warned that if the unrest continues, global brands may shift production to other countries.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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