Bangladesh's Test cricketers were just a few minutes from being caught up in Friday's massacre in New Zealand when they arrived at a Christchurch mosque as shooting began, a team spokesman said.
In a chilling account, Khaled Mashud described how most of the Bangladeshi team drove up to the Masjid al Noor in a bus just as the attack got underway.
At least 49 people died in attacks on two mosques during Friday prayers in what appeared to be the worst assault on Muslims in a Western country.
"We were very close, we could see the mosque. We were maximum 50 yards away. I would say we are very lucky," Mashud told reporters in Christchurch.
"If we were there three to four minutes earlier, we would have been in the mosque, massive thing might have happened."
Mashud said about 17 Bangladeshi players and team staff on the bus watched as blood-soaked victims staggered from the building.
"It looked like video, what we usually see in a movie. From the bus we saw bloodied people coming out of the mosque," he said.
"We were in the bus about eight to 10 minutes. We kept our heads down in the bus, in case of any firing (towards them).
"Later we realised terrorists could come out and attack us, they would get then the lot of us in the bus and big incident would happen. Then we all decided to leave the bus."
A Bangladesh cricket reporter posted footage of grim-faced players walking briskly from the scene as a police car with sirens wailing speeded in the other direction.
- 'Heart is hurting' -
Bangladesh Cricket Board spokesman Jalal Yunus later said the team were "shocked" but unharmed and had been ordered to stay in the team hotel.
"They are safe. But they are mentally shocked. We have asked the team to stay confined in the hotel," Yunus told AFP.
Opening batsman Tamim Iqbal called the near-miss "frightening", while team-mate Mushfiqur Rahim tweeted: "We r extremely lucky... never want to see this things happen again.... pray for us."
"Just escaped active shooters!!! Heartbeats pumping badly and panic everywhere!!" posted Bangladesh high performance analyst Shrinivas Chandrasekaran.
The third and final Test match of Bangladesh's tour, scheduled to start in Christchurch on Saturday, was quickly scrapped.
As condolences poured in for the victims and their families, All Blacks centre Sonny Bill Williams, a devout Muslim, said his "heart is hurting" and posted an emotional video tribute.
"Inshallah (God willing) everyone who's been killed today... you guys are all in paradise," he said, wiping away tears as he spoke.
"Just deeply, deeply saddened that this would happen in New Zealand."
Record-breaking ex-All Blacks fly-half Dan Carter, a long-time player for Christchurch's Crusaders team, tweeted: "Sending love to everyone in Christchurch right now."
The All Blacks, New Zealand's all-conquering rugby team and the reigning world champions, tweeted: "Christchurch, we stand with you during this time.
"Our thoughts and sympathies are with everyone affected by today's tragedy. Stay strong. Kia Kaha."
Wales captain Alun Wyn Jones, whose team is coached by New Zealander Warren Gatland, also sent a message of support.
"On behalf of the Welsh Rugby Union players and staff, I'd just like to pass on my respects to everyone affected" he said, adding that "a lot of our staff have close links with New Zealand."
As a minute's silence was held at the Chiefs v Hurricanes Super Rugby game, a New Zealand derby, Indian cricket captain Virat Kohli called the killings "shocking and tragic".
His dismay was shared by Pakistani cricketer Mohammad Hafeez.
"Shocked to see the visuals of shooting inside Christchurch's Mosque. Are we not even safe inside places of worship now?" he tweeted.
And Pakistan prime minister Imran Khan, a former star cricketer, tweeted: "This reaffirms what we have always maintained: that terrorism does not have a religion."
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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