Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
FORMER Yorkshire cricketer Azeem Rafiq has urged everyone to do their bit to end discrimination in the world, according to a report.
He made the appeal while taking part in the March of the Living to Auschwitz-Birkenau, an annual walk between the original labour camp at Auschwitz and Auschwitz-Birkenau, the site of the murder of 1.1 million people between 1942 and 1945, a few kilometres away on Thursday (28).
Rafiq also spent a couple of days visiting notable sites across Poland with a small group of British multi-faith leaders.
“I can’t remember ever studying the Holocaust in school. When I started playing cricket academic work wasn’t something I paid that much attention to. I don’t know what stage of school this is taught but I don’t remember it at all. I’d genuinely never heard of it before I met Lily Ebert. I’m embarrassed to say that because everyone kind of goes: ‘Are you sure, mate?’ But I genuinely hadn’t," Rafiq told TheGuardian.
“But like they say, once you listen to a witness you become a witness. That’s the responsibility of all of us who have come and learned about it to encourage other people to learn about it.
“It’s not for everyone to come here, but to learn about Jewish life, Jewish history, what they went through as a community and what they continue to go through, if that doesn’t move you there’s something wrong with you.”
This year 3,000 people participated in the March of the Living.
Azeem Rafiq takes part in a candle lighting ceremony during a reception to mark Holocaust memorial day and the 75th publication of Anne Franks diary for the Anne Frank Trust at the InterContinental Hotel (Photo by Chris Jackson - Pool/Getty Images)
According to the report, Rafiq was treated as something of a celebrity during the event, regularly being pulled away to film a video or pose for a photograph.
The trip to Poland was the result of unexpected consequences that followed Rafiq’s sudden rise to prominence.
In November, while he was speaking to the parliamentary DCMS committee about his experience of racism, the Times published a decade-old text exchange between him and another cricketer, Ateeq Javid, in which he suggested a third player’s reluctance to spend money at a team dinner amounted to behaving like a Jew.
He immediately apologised to the Jewish community and promised to “take time to understand and learn and educate myself”.
Within days he had been taken to a synagogue in London where he met Lily Ebert, a 98-year-old survivor of Auschwitz, and heard for the first time about the Holocaust.
“I don’t want to downplay the messages in any way. They were hurtful, they hurt people, and I got the backlash from that and deservedly so," he pointed out.
Rafiq, once the youngest captain in Yorkshire's history, spoke to the media about his experiences of racism at Yorkshire. He had described how his experiences had left him feeling suicidal and led to his early exit from the professional game.
It had led to regime change at Headingley, a long-overdue intensification of efforts to increase diversity in the county game, and the England and Wales Cricket Board being ordered to “get its house in order” by the sports minister, Nigel Huddleston.
The revelations turned Rafiq from a relatively obscure former cricketer into a public figure and campaigner against discrimination, The Guardian report said.
“I feel like I’ve been handed this responsibility where a lot of people get in touch with me across the spectrum, from different sports. I know what it was like when I was on my own looking for help and no individual wanted to help me and no organisation wanted to help me. I know how it felt to be completely left on my own and I can’t do that to someone else, as much as it takes a lot out of me every time I speak to someone," he was quoted as saying by the newspaper.
“I’m just a normal person from Barnsley and I haven’t really got the tools to help everyone, but it won’t be through lack of trying. One thing I’m not prepared to do is look the other way, because I know how close I came to me taking my own life and in my head I can’t think that someone might get in touch with me and I don’t help them and that takes them over the edge. I feel like I’ve been handed responsibility from Allah and I’ve just got to fulfil it.”
Rafiq mentioned a recent experience with a cricketer with a disability.
“I had someone from disability cricket come up to me the other day and just. I don’t think you realise how much of a difference you’ve made to my life.’ I’ve had parents contact me about the opportunities their kids are getting now. Coaches, administrators," he told The Guardian.
“That means a hell of a lot and it’s something I can look back on with some sort of pride. But I know with these things in the short-term there can be a lot of energy and slowly it sort of wilts away.
"I’ve been given a platform, and it’s important that I use that platform and make sure that not only cricket but other sports and society as a whole knows these things are not going to be acceptable anymore.”
Heidi Klum and daughter Leni walked the Venice Film Festival red carpet in matching corset-style gowns.
The supermodel opted for a blush pink silk design, while Leni wore an inky black version.
Both gowns were created by Italian lingerie brand Intimissimi, for which they are ambassadors.
The mother-daughter duo previously fronted a controversial campaign for the same brand.
Heidi Klum's Venice Film Festival appearances always generate headlines, but this year she doubled the impact by walking the red carpet with her daughter Leni. The pair stunned in co-ordinated gowns from Italian intimates brand Intimissimi, bringing high fashion and red carpet glamour together in one of the festival’s most talked-about moments. Their matching corset silhouettes highlighted the duo’s modelling credentials and added a striking family twist to the opening night of the prestigious event.
Heidi and Leni Klum pose together in co-ordinated Intimissimi gowns at the Venice Film Festival Instagram/heidiklum
What did Heidi Klum wear at the Venice Film Festival?
For the opening night on 27 August, Heidi Klum chose a blush pink silk gown featuring corseted boning, a plunging neckline and a sheer bodice. The dress also showcased a dramatic thigh-high slit and hip cut-out, adding a lingerie-inspired edge. She paired the look with diamond chokers and styled her hair in rocker-style waves with new bangs, completing a striking combination of Old Hollywood glamour and modern sensuality.
Arriving at the festival by boat, Heidi shared behind-the-scenes photographs on social media showing her preparation at her Venetian hotel. Her posts included affectionate moments with Leni, with the caption that she was “having the best time with my baby” at the festival.
At just 21, Leni Klum is following closely in her mother’s modelling footsteps. On the red carpet she mirrored Heidi’s gown in a bold black version, also by Intimissimi. The design featured the same sheer corsetry and plunging neckline but offered a slightly younger twist, with symmetrical hip cut-outs and strappy sandals.
Leni accessorised her look with an emerald and diamond necklace, contrasting the darker gown with a pop of colour. She wore her hair in soft waves, echoing her mother’s style while adding her own youthful touch. Together, the pair created a co-ordinated but distinctive appearance that quickly became one of the highlights of the Venice Film Festival’s first night.
Leni Klum mirrors her mother’s red carpet style in a striking black corset gown at VeniceInstagram/heidiklum
Why is the Heidi and Leni Klum appearance significant?
This Venice outing is not the first time the duo have collaborated with Intimissimi. In 2022, Heidi and Leni starred together in a lingerie campaign for the Italian brand, which received mixed reactions. Their latest red carpet moment is seen as an extension of that partnership, bringing the lingerie-inspired designs into a high-profile international film setting.
For Heidi, the event underlined her ongoing relevance in fashion, while for Leni it marked another high-profile step in her rising career. Their joint appearance shows the generational handover in the modelling world, with Leni carving her own identity while still closely linked to her mother’s legacy.
Which other stars were spotted at the Venice Film Festival?
The 82nd Venice Film Festival, which runs from 27 August to 6 September, attracted global stars to Italy’s most glamorous red carpet. Cate Blanchett, Tilda Swinton and Julia Roberts were also photographed arriving for premieres, with Roberts making headlines for her quirky cardigan covered in portraits of Italian director Luca Guadagnino.
The festival opened with the premiere of Paolo Sorrentino’s La Grazia, a drama exploring political and personal dilemmas in Italy. With its combination of star power, fashion statements and cinematic showcases, Venice once again affirmed its position as one of the world’s most influential cultural events.
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Ahaan Panday says years of blind optimism kept him going before Saiyaara
Ahaan Panday opens up on being ‘wronged’ before his Bollywood debut
Actor admits he spent years in ‘blind optimism’ waiting for launch
Saiyaara has become the highest-grossing love story in Indian cinema history
The Mohit Suri directorial collected £53 million (₹563 crore) worldwide
Bollywood newcomer Ahaan Panday has revealed that he felt “wronged” by people in the industry before finally making his long-awaited debut with Mohit Suri’s Saiyaara. The 27-year-old actor, who comes from the well-known Panday family, said he lived in “blind optimism” for four to five years as projects kept falling through. Despite setbacks, Ahaan maintained that he never became bitter and channelled his struggles into his performance.
Ahaan Panday says years of blind optimism kept him going before Saiyaara Instagram/ahaanpandayy
Why was Ahaan Panday’s debut delayed for so long?
Ahaan was initially expected to be launched much earlier under Yash Raj Films, but several projects were shelved before they could take off. Speaking to The Hollywood Reporter India, he admitted:
“Have I felt wronged by people? Yes, I have. It wouldn’t be right for me to get personal about that, but as an actor, that’s where you take inspiration from. I just kept putting myself into different things. The first four-five years, I was entirely delusional, and people around me could sense it.”
The actor revealed he worked as an assistant director on The Railway Men while waiting for his break, using the experience to keep his morale intact.
Ahaan Panday revealed he worked as an assistant director before landing his debut role Instagram/ahaanpandayy
Did personal struggles affect Ahaan Panday’s journey?
Alongside professional delays, Ahaan also dealt with a personal tragedy; the passing of his grandmother, whom he called his “backbone.” He said she was the only person who called him a hero every day at home and losing her left him shattered.
He recalled: “My confidence started to break after that. The only way I could deal with it was to keep working. To even be on a film set was a privilege. I was never bitter because millions dream of this opportunity.”
This resilience, he said, helped him stay focused until the right opportunity arrived.
How did Yash Raj Films and Mohit Suri shape his launch?
Eventually, YRF head Aditya Chopra reached out to Ahaan’s parents, assuring them he would be launched under the banner. That led to Saiyaara, directed by Mohit Suri and co-starring fellow newcomer Aneet Padda.
For Ahaan, joining YRF was also deeply personal. His grandmother, who nicknamed him “Raj,” had dreamed of him becoming a Yash Raj hero. “It was instinctive for me to say yes. I grew up on this cinema. My Hindu name is Yash, my sister’s name is Chandni, we were filmy YRF lovers. Somewhere, I did this for her,” he explained.
Released earlier this year, Saiyaara has become a record-breaking success. The romantic drama is now the highest-grossing film headlined by newcomers and the biggest love story in Indian cinema history.
The film has grossed an estimated £53 million (₹563 crore) worldwide, making it the second-highest-grossing Indian film of 2025 so far. Its success has firmly established Ahaan as one of Bollywood’s most promising new actors.
Though the actor has not announced his next project yet, industry watchers believe Ahaan’s grand debut has positioned him strongly for future big-ticket films. With Saiyaara breaking records and his candid reflections on the struggles behind the glamour, Ahaan has become a name audiences are eager to follow.
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Jio Platforms includes India’s largest telecom operator, Reliance Jio Infocomm, with more than 500 million users. (Photo: Reuters)
RELIANCE Industries plans to take its telecom and digital arm, Jio Platforms, public by mid-2026, chairman Mukesh Ambani said on Friday. The announcement sets a new timeline for the long-awaited IPO of a business analysts value at over $100 billion.
At its annual general meeting (AGM), Reliance also announced the launch of an artificial intelligence unit in partnership with Google and Meta.
Ambani had first indicated plans in 2019 to list Jio within five years. On Friday, he told shareholders the company is preparing to file for an IPO next year.
Reuters reported in July that Jio decided against launching an IPO in 2025. Analysts at the time valued the company at over $100 billion.
Jio Platforms includes India’s largest telecom operator, Reliance Jio Infocomm, with more than 500 million users. Backed by investors such as Meta, Google and KKR, the business is central to Ambani’s move to diversify Reliance beyond oil and chemicals into retail, consumer and technology. AI and international expansion are now key areas of growth.
Reliance is also investing $8.8 billion in its chemicals business. It expects retail to grow sales by nearly 10 per cent a year on a like-for-like basis and plans to add 2,000–3,000 new stores annually.
“Jio is not being fully valued within Reliance's broader petrochemicals and retail portfolio, and a separate listing would help unlock higher value for the telecom and digital unit,” said Saurabh Parikh, senior analyst at ICRA Ltd.
AI Unit with Meta and Google
Reliance and Meta announced a new AI joint venture with an initial investment of around $100 million. Meta CEO Mark Zuckerberg told the AGM the venture will provide Meta’s open-source AI models to Indian businesses.
Google will partner with Reliance to deploy AI across energy, retail, telecom and financial services. It will also set up a Jamnagar Cloud region dedicated to Reliance, Google CEO Sundar Pichai said at the meeting.
The partnerships come as India-US relations face tensions following US President Donald Trump’s decision to impose 50 per cent tariffs on Indian exports in response to India’s purchase of Russian oil.
Reliance runs the world’s largest refining complex in Gujarat and is India’s biggest buyer of Russian oil.
(With inputs from agencies)
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Agha scored 53 not out from 36 balls, hitting three sixes and three boundaries, as Pakistan posted 182-7 in their 20 overs. (Photo: Getty Images)
SALMAN AGHA’s unbeaten half century and Haris Rauf’s four wickets guided Pakistan to a 39-run win over Afghanistan in the opening T20 match of the tri-series in Sharjah on Friday.
Agha scored 53 not out from 36 balls, hitting three sixes and three boundaries, as Pakistan posted 182-7 in their 20 overs.
Rauf took 4-31 while Shaheen Afridi (2-21), Mohammad Nawaz (2-23) and Sufiyan Muqeem (2-25) combined to dismiss Afghanistan for 143 in 19.5 overs in front of a 16,000-strong crowd.
Afghanistan’s chase was led by opener Rahmanullah Gurbaz, who made 38 off 27 balls with a six and three boundaries, adding 51 runs for the second wicket with Sediqullah Atal (23).
Rauf shifted the momentum in the 12th over, dismissing Atal and Karim Janat without conceding a run.
Afghanistan captain Rashid Khan kept his side in the game with 39 off 16 balls, including five sixes and a four, but was eventually removed by Rauf to seal Pakistan’s win.
Earlier, Pakistan’s innings was steadied by Agha after Sahibzada Farhan struck 21 off 10 balls at the top of the order, with two sixes and a boundary.
Agha added 53 for the fifth wicket with Nawaz, who scored 21 off 11 balls with two sixes and a boundary, helping Pakistan collect 51 runs in the last five overs.
Pakistan face hosts United Arab Emirates on Saturday. Each team will play the others twice, with the top two qualifying for the final on September 7.
(With inputs from agencies)
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The top model could match the PS5 Pro at around £699.99
Reports suggest Sony is planning three versions of its next console
One model, codenamed Canis, could function as both a handheld and a docked console, similar to Nintendo Switch
The flagship version, Orion, is expected to be the main high-spec console
Pricing speculation indicates the top model could match the PS5 Pro at around £699.99
Fresh rumours claim Sony is preparing a dockable handheld version of its next-generation console, the PlayStation 6. The device, reportedly codenamed Canis, is said to target the same hybrid market as Nintendo’s Switch and the expected Switch 2.
Details of the rumour
The information comes from YouTube channel Moore’s Law is Dead (via Push Square), which suggests Sony will release three versions of the PS6:
orion – the flagship high-powered console
canis (handheld) – a portable system that can be docked to play on a television
canis (console) / ps6 s – a smaller console variant sharing much of the handheld’s specifications
Both canis models are rumoured to be closer in performance to the PS5 and PS5 Pro, with incremental improvements rather than a major leap in hardware power.
Strategy and market positioning
If accurate, the move would signal a shift in Sony’s approach, focusing less on raw power and more on flexibility between console and handheld play. Analysts suggest this could help Sony compete directly with Nintendo’s hybrid systems, while also offering lower-cost alternatives alongside the premium model.
Price speculation
According to reports, the flagship orion may be priced similarly to the PS5 Pro, at around £699.99. If so, cheaper handheld and compact versions could be critical in attracting wider consumer interest.
Still early days
It remains early in development, and no official details have been confirmed by Sony. Industry insiders caution that such rumours should be treated carefully until the company announces concrete plans.