Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Assamese influencer Archita Phukan became viral after a saree transition reel and selfie with Kendra Lust.
AI-generated obscene content falsely linked her to the adult industry.
Police confirmed her ex-boyfriend Pratim Bora used AI tools to morph her photos and earn money from fake content.
Bora has been arrested and booked under cybercrime and identity theft charges.
A viral sensation turned into a nightmare for Assamese influencer Archita Phukan when her online fame was weaponised in one of India’s most disturbing AI-driven cybercrime cases.
Archita, known online as "Babydoll Archi", rose to internet fame through stylish reels and a viral saree transformation video set to a trending track. But what looked like a glamorous rise on Instagram soon unravelled into a calculated revenge plot, exposing the darker side of AI misuse.
Archita Phukan’s story of survival and advocacy gains attention on social media Instagram/babydoll_archi
AI-generated content falsely linked Archita to adult industry
The tipping point came when Archita posted a selfie with American adult film star Kendra Lust in early July 2025. Captioned innocently with admiration, the image ignited online speculation that Archita was entering the adult entertainment world. Meme pages and gossip forums went wild.
But what followed was more sinister than clickbait headlines. Fake profiles began circulating morphed, explicit photos and videos of Archita, some even featuring her with Kendra Lust. The content looked disturbingly real. But the truth? All of it was fake and AI-generated.
Ex-boyfriend’s revenge: Police arrest 27-year-old Pratim Bora
The Dibrugarh Police in Assam arrested Archita’s former boyfriend, Pratim Bora, on Sunday after an FIR was filed by her brother. Bora, a mechanical engineer from Tinsukia, admitted to stealing old photos from Archita’s social media accounts and using AI tools to morph her face onto pornographic bodies and scenes.
According to police, Bora initially wanted to humiliate Archita after their breakup but soon began profiting off the fake content. He earned nearly £9,400 (₹1,082,161) through a subscription‑based site, where he sold AI‑generated adult material under her name.
“This was a personal vendetta turned into a calculated crime,” said Dibrugarh SSP Shizal Agarwal. “Bora used AI technology to defame and exploit Archita. The visuals were fake, and the victim has no link to adult content.”
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AI deepfakes pose growing threat to women online
The case has sparked widespread concern, with digital rights activists warning of rising misuse of AI tools to create deepfake pornography. Archita’s case is not isolated. Experts say accessible AI apps now allow anyone with basic tech skills to create convincing fake content.
Faisal Kawoosa, Chief Analyst at Techarc, said, “AI deepfakes are evolving fast. From photos to full-blown videos, it’s becoming increasingly difficult to tell real from fake. Users must be more cautious about the images and videos they share, even in private.”
He added that platforms hosting user content must also take responsibility. “We need detection systems, labelling of AI-generated material, and better moderation.”
Tech analysts and activists are now calling for immediate legal reform. Prabhu Ram of CMR said the Archita Phukan case highlights the urgent need for laws criminalising deepfake misuse and holding platforms accountable.
“India needs strong regulatory frameworks, detection tech, and victim support systems,” Ram said. “This is not just a tech problem, it’s a societal and legal crisis.”
Currently, Bora is in police custody and has been charged under multiple sections of the Bharatiya Nyaya Sanhita (BNS) and the IT Act for cyber fraud, defamation, and identity theft. His electronic devices, including phone, laptop, tablet, and storage drives, have been seized for forensic investigation. Police are probing whether he acted alone or was part of a larger digital racket.
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A wake-up call for India’s digital future
What happened to Archita is a chilling reminder that anyone can be a target. One viral reel. One personal photo. That’s all it takes to spark a digital manhunt.
Until India’s legal system catches up with the speed of AI, public awareness remains the first line of defence. Archita’s story should push every social media user to rethink how they share content, and remind the government that digital crimes need stronger deterrents.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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