A few days ago, Alia had posted on her Instagram story about her back being hurt. Well, this started speculation that the actress got injured while shooting for Sanjay Leela Bhansali’s Gangubai Kathiawadi. However, the actress today took to Instagram to clarify that she didn’t get injured on the sets of the film.
She posted on her Insta story, “To all those articles out there saying that I have hurt myself on the sets of my film.. they are NOT true.. This is an old injury that has been acting up for a while and just gave way one day at HOME.. No accident or nothing.. pls pls do clarify next time before printing long long articles on what happened to me.. Having said that thanks to few days of complete rest and being horizontal I’m back in action and am resuming shoot from today! Thank you for all the get well soon messages as i have got wel very very soon.”
It is good to know that Alia is back in action. It was a few days ago when the first look posters of Gangubai Kathiawadi were unveiled and Alia’s look as Gangubai was appreciated a lot. The film will be hitting the screens in September this year.
2020 is going to be a very busy year for Alia Bhatt as she will have as many as four releases this year, Sadak 2, RRR, Brahmastra and Gangubai Kathiawadi. The actress also has Karan Johar’s directorial Takht in her kitty, but the movie will reportedly hit the screens in 2021.
North Korean leader Kim Jong Un, expressed his fury after witnessing a major accident during the launch of the latest North Korean warship, on Thursday. Kim considers this malfunction in the mechanism of the warship as a shame to the nation’s prestige.
As per Korean Central News Agency (KCNA), parts of the 5,000 ton destroyer’s bottom was damaged, and went off-balance as it eased into water during the launch. Parts of the destroyer’s hull was crushed, leaving the bow stranded on the shipway.
No casualties or injuries were reported after the incident.
The mishap took place in Kim’s presence, along with a large crowd from northeastern part of Chongjin, which added to his humiliation. He commented the accident as “criminal act”, and “carelessness”, from those in charge. He declared that those involved with the error will be held responsible and punished.
Multiple state institutions are considered responsible the accident – including the Munitions Industry Department, Kim Chaek University of Technology and the central ship design bureau.
Yang Wuk, an Asan Institute for Policy Studies military expert commented on the failed launch of the warship, embarrassing for the country.
According to a South Korean military analysis, the damaged warship is on their side in the water. The South Korean military spokesperson, Lee said that he expected the damaged destroyer to be equipped like the Choe Hyon.
“If the ship does not move together, the stresses will tear the hull apart,” said Sal Mercogliano, Professor at Campbell University and a maritime expert.
North Korea lacks floating docks usually found in shipbuilding states. Therefore, "Pushing from the side is the most basic, simplest and cheapest, if done right,” said Chol Il, retired South Korean submarine commander.
Kim called the warship a “breakthrough” in the country’s naval forces. Therefore, he ordered for the destroyer to be restored before the late June plenary session of the ruling Worker’s Party.
A milk product sold in Northern Ireland has been urgently recalled due to fears of contamination with a potentially deadly strain of E. coli bacteria. Kenneth Hanna's Farm Shop has issued a recall for its Ken's Raw Jersey Milk following the possible detection of Shiga toxin-producing Escherichia coli (STEC), a dangerous form of the bacteria.
The recall applies to all batch codes and use-by dates of the two-litre bottles sold in Northern Ireland. Consumers have been advised not to consume the product. Instead, the milk should either be returned to the place of purchase or safely disposed of.
The Food Standards Agency (FSA) has issued a public health warning, stating: “The possible presence of STEC in this product. Symptoms caused by STEC organisms include severe diarrhoea (including bloody diarrhoea), abdominal pain, and sometimes haemolytic uraemic syndrome (HUS), a serious condition that can lead to kidney failure and can be fatal.”
STEC is a specific strain of E. coli that produces Shiga toxins, which are capable of causing serious illness. One of the most recognised strains is E. coli O157:H7, commonly linked to foodborne outbreaks associated with undercooked meat, unwashed produce, and unpasteurised dairy products.
Symptoms of an STEC infection typically develop within three to four days of exposure but can appear anytime between one and ten days. They include stomach cramps, diarrhoea—often bloody—and in some cases, fever. These symptoms may last for up to two weeks. While many recover without complications, the infection can result in severe outcomes in certain individuals.
One of the most serious complications is haemolytic uraemic syndrome (HUS), which affects approximately 5 to 10 percent of STEC cases. HUS primarily impacts young children and the elderly, and symptoms include reduced urination, pale skin, fatigue, swelling, and unexplained bruising. In severe cases, the condition can lead to kidney failure and, in rare instances, death.
The FSA has advised anyone experiencing these symptoms to stay at home and avoid attending work, school, or nursery until they have been symptom-free for at least 48 hours to minimise the risk of spreading the infection.
The recall also sheds light on the ongoing debate around raw milk consumption. Ken's Raw Jersey Milk is an unpasteurised product, meaning it has not undergone the heat treatment process used to eliminate harmful bacteria. While supporters of raw milk claim it offers health benefits such as improved digestion and a richer nutrient profile, health authorities continue to warn of the risks associated with its consumption.
Raw milk can carry pathogens including E. coli, STEC, Listeria, and Salmonella. These bacteria are typically destroyed during pasteurisation, a process not applied to raw milk products.
This incident serves as a reminder of the potential dangers of consuming unpasteurised dairy. The FSA continues to monitor the situation, and consumers in Northern Ireland are urged to heed the recall notice and take appropriate safety precautions.
For further updates or health advice, consumers are encouraged to consult the FSA’s official website or contact their healthcare provider if symptoms appear.
STEEL tycoon Sanjeev Gupta is racing against time to prevent his UK operations from collapsing, as court proceedings threaten to shut down two major plants employing nearly 1,500 workers, reports said.
The Asian businessman's company, Speciality Steel UK, appeared before the High Court on Wednesday (21) facing a winding-up petition that could force the business into liquidation. The legal action was brought by suppliers who claim they are owed substantial sums of money.
In a dramatic courtroom development, Gupta's legal team secured a crucial delay until mid-July after revealing that a mystery investor had emerged with potential interest in purchasing the struggling operation.
Barrister Daniel Judd told Judge Sebastian Prentis that "urgent meetings have been taking place" with this unnamed third party.
The reprieve provides breathing space for Gupta to negotiate a rescue deal for his factories in Rotherham, South Yorkshire, and Bolton, Lancashire. These sites produce specialised steel products for critical industries including aerospace, automotive, and energy sectors.
A company spokesperson said discussions with creditors continue, stressing their commitment to maintaining operations and protecting jobs at both facilities.
Should the rescue talks fail, the government may step in to nationalise the plants, which politicians have branded as "strategic national assets." However, ministers would only consider such intervention after the company enters formal insolvency proceedings.
This latest crisis comes just weeks after the government intervened to save British Steel, taking control of the larger steelmaker amid disputes with its Chinese owners over planned closures at the Scunthorpe facility.
Gupta had previously approached Whitehall seeking emergency support using similar legislation, but government sources confirmed his requests were rejected. This marks the second time ministers have declined to bail out his operations, having also refused assistance during the pandemic.
The current troubles stem from the collapse of Greensill Capital in 2021, a finance company that had been closely linked to Gupta's business empire. The failure left his conglomerate, known as GFG Alliance, struggling to secure funding across its global operations spanning steel, energy, and trading.
A restructuring proposal that would have forced creditors, including tax authorities, to write off significant debts was abandoned last week after failing to gain support. The plan had been designed to keep the business operating whilst addressing its financial difficulties.
Gupta built his reputation as a saviour of the steel industry, acquiring troubled plants worldwide and promising to revive their fortunes. His empire employs over 30,000 people globally, with operations across England, Scotland, and Wales.
However, his business activities have faced scrutiny since 2021, when the Serious Fraud Office launched an investigation into his empire. The company has said it is cooperating with authorities.
The steel industry has faced mounting pressures from rising energy costs and competition from cheaper overseas imports, affecting profitability across the sector.
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Brat was a cultural moment but Charli is already thinking ahead without fear
After the explosive success of Brat, Charli XCX isn’t trying to bottle lightning twice. In fact, she’s more than ready for her next album to sink. Not because she’s lost her touch but because she’s no longer creating music to top charts or break the internet. She’s doing it for herself.
Speaking at Cannes in an interview with Culted, Charli shared that she doesn’t feel the weight of trying to outdo Brat. “When I made Brat, I believed in it, but I didn’t know how people would react,” she said. “It just clicked with the audience. That wasn’t something I planned.” Now, with her next record on the horizon, she’s bracing for it to miss the mark and she’s completely okay with that. “You can’t repeat the same thing twice,” she added, “and honestly, if it flops, I’m fine with it.”
Charli XCX attends the 2025 Kering Women In Motion Awards and Cannes Film Festival Presidential Dinner at the Cannes Film FestivalGetty Images
Released in mid-2024, Brat catapulted Charli into mainstream stardom. From viral TikTok trends to sold-out arena shows, the album became a cultural mood board. That neon green cover wasn’t just aesthetic; it became a statement, one even Kamala Harris welcomed when Charli jokingly dubbed the U.S. presidential candidate “brat-coded.”
The album didn’t just resonate with fans. It grabbed three Grammy wins, including Best Dance/Electronic Album and Best Recording Package. But despite the acclaim, Charli admits she never expected to be on the Grammys’ radar. “Last year, I didn’t think I’d even be in the conversation,” she said.
Charli XCX at the Magnum Crack Into Pleasure party Getty Images
Her older track Party 4 U is also getting a second life, blowing up years after its quiet 2020 release. “It reminds me of lockdown, recording vocals alone, stuck inside. It was a strange, lonely time,” she reflected.
Now, while fans anticipate new music, Charli’s exploring other creative lanes too. She’s stepping into acting, with several films lined up, including an A24 project she helped create, The Moment.
Charli xcx attends the 2025 Met Gala Getty Images
Whether the next album flops or flies, Charli isn’t chasing legacy. She’s just showing up, creating from instinct, and letting go of the scoreboard. That’s what makes her cool and maybe even braver than ever.
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The camera deliberately omits certain features common in contemporary models
Fujifilm has unveiled the X Half, a new compact digital camera designed to evoke the look and feel of classic film photography. Set to launch in late June 2025, the X Half is a part of Fujifilm’s X-series, and aims to appeal to enthusiasts seeking a nostalgic, analog-inspired shooting experience in a digital format.
The X Half is priced at £849.99 and features an 18-megapixel 1-inch-type sensor paired with a fixed 32mm-equivalent f/2.8 lens. While it uses modern digital technology, the camera deliberately omits certain features common in contemporary models – most notably, it does not support RAW image capture, offering only JPEG files. This decision is part of Fujifilm’s effort to deliver a “what-you-see-is-what-you-get” experience that mirrors traditional film photography.
A redefined half-frame concept
Fujifilm’s interpretation of the “half-frame” format differs from traditional definitions. Classic half-frame film cameras, such as the Pentax 17, typically capture images sized at 18mm x 24mm, roughly half the size of a full-frame (35mm) negative. In contrast, the X Half’s sensor measures 8.8mm x 13.3mm – half the size of an APS-C sensor used in other Fujifilm models like the X100VI and X-T5. Though the physical dimensions differ, Fujifilm retains the essence of half-frame photography: portability, casual shooting, and creative flexibility.
With a body weight of just 240 grams (8.5 ounces), the X Half is small enough to fit into a small bag or even a large pocket. Its compact size is reminiscent of disposable film cameras, but unlike those, it comes equipped with a proper glass lens featuring autofocus and aspherical corrections. The lens is described by Fujifilm representatives as having “some character”, a phrase often used to indicate a unique, though not necessarily sharp, optical performance.
Dedicated to film-like shooting
A key feature of the X Half is its commitment to film simulation. The camera includes 13 built-in film simulations that mimic the look of Fujifilm’s classic analogue stocks. Uniquely, there is a second screen on the camera specifically for selecting these simulations, enhancing the tactile and immersive experience.
The camera's analogue homage continues with the absence of an electronic or hybrid viewfinder. Instead, users compose their shots using a traditional optical viewfinder or the portrait-oriented 2.4-inch touchscreen on the rear. This design further aligns the X Half with the simplicity of vintage cameras.
Since the camera does not shoot RAW, any film simulation or filter applied during shooting is permanently embedded in the JPEG image. This limits post-processing flexibility but supports Fujifilm’s philosophy of embracing imperfections and encouraging spontaneous creativity.
Companion app and analogue-inspired features
Fujifilm will also launch a companion smartphone app shortly after the X Half’s release. The app includes several features designed to expand the analogue experience. Notably, it allows users to create diptychs – side-by-side images – similar to traditional half-frame compositions. These diptychs can be made using two photos, two short videos, or a combination of both.
The Fujifilm X Half is clearly aimed at younger photographers and content creators Fujifilm
Another standout feature is the Film Camera Mode, which groups captured images into digital “rolls” of 36, 54, or 72 shots, displayed as a contact sheet. Each contact sheet includes film strip branding that corresponds to the chosen film simulation, enhancing the archival and nostalgic feel. The app even features a virtual film advance lever, which must be used between shots in Film Camera Mode, mimicking the operation of vintage film cameras.
Additional effects can be added to photos, including light leaks, expired film aesthetics, and retro date-and-time stamps reminiscent of 1990s point-and-shoots. Since the X Half only produces JPEGs, these filters become a permanent part of the image, with no option to remove or alter them in editing software later.
Targeting a new generation of film lovers
The Fujifilm X Half is clearly aimed at younger photographers and content creators who are increasingly drawn to the visual quirks and tactile charm of film photography. While cheaper alternatives like the £70 Camp Snap or £10–£20 disposable film cameras offer a similar aesthetic at a lower price point, the X Half distinguishes itself by blending those vintage sensibilities with modern digital conveniences.
It remains to be seen how the £849.99 price tag will be received by the intended market. However, Fujifilm’s offering is unique in combining authentic design elements, creative shooting modes, and high-quality digital components. If it manages to capture even a fraction of the fun and spontaneity associated with traditional half-frame photography, the X Half may prove a worthwhile tool for nostalgic shooters and creative hobbyists alike.