ACCLAIMED theatre play 10 Nights has commenced another UK tour at Riverside Studios, Hammersmith, London, where it will be staged until next Sunday (26).
Shahid Iqbal Khan’s Olivier Award-nominated one-man play, directed by Samir Bhamra, returns by popular demand. The multi-layered story explores themes of faith, community, and self-discovery. Versatile actor Adeel Ali follows up notable film, TV, and theatre projects by taking on the lead role in the story of a man who embarks on a journey of self-discovery after taking part in itikaf – spending the last 10 nights of Ramadan in quiet reflection at a mosque.
Eastern Eye caught up with the actor to discuss the show, theatre, his creative process and greatest inspiration.
What first connected you to acting?
I was always the confident kid in class. From a young age, I was chosen for prominent roles in school plays. The recognition grew further when my local youth club encouraged and persuaded me to join a theatre group.
What do you most love about live theatre?
The adrenaline of live theatre is incomparable. It allows the audience to connect with the characters on a much more personal and emotional level. The journey, emotions, and storytelling have always fascinated me.
How do you feel stepping into an already successful theatre play?
It’s great. I watched the show previously, and it was beautifully done. As an actor, I have found my own way of telling the story, and the success of this play only motivates me to create something enjoyable for everyone.
For those who have not seen it, tell us about the show and the character you play.
The show follows the journey of Yasser, who decides to observe itikaf for 10 nights for various personal, emotional, and spiritual reasons. Yasser is impulsive, cheeky, and conflicted. He’s living in the past while those around him have moved on. The challenges he faces in isolation force him to deeply question his life both inside and outside the mosque.
What has been the biggest challenge of playing this character?
The challenge lies in the fact that I’m not just playing Yasser but also six other roles in the play. Bringing each character’s truth to the stage to create the world around Yasser is a mental, physical, and emotional challenge.
Adeel Ali
Do you feel pressure being the only cast member in the play?
I would be lying if I said no. It has been an intense rehearsal period, but I have shaped the play in a much more intimate, creative, and meaningful way, which is rewarding and something I’ll carry forward in my career.
Why do you think this play has been so popular?
Although the play has a foundation in religion, it reflects the community, whether Muslim or not. It’s intriguing and thought-provoking, prompting us to reflect on our decisions and relationships. It makes you care and encourages you to think, which is why I believe it has been so popular.
What is your favourite moment in the show?
This is tough, as there are so many. If I had to choose one, it would be when Yasser finally sees himself as an equal. He feels empowered, enlightened, and ready to face the world, accepting his sins and confronting his fears.
Did you learn anything new while working on this production?
As an actor, I’ve learned so much. For me, it’s about the choices I make. Understanding the importance and influence of each character has been crucial in shaping the play.
What inspires you as an actor?
My dadi (grandmother). Growing up, I would sit with her and ask about her life – where she came from and who she was. For me, she was my dadi, but to many others, she was support, a friend, a guide, and a war survivor. Her life was far more colourful than mine could ever be, and it’s this depth that fascinates me in storytelling. I love exploring characters with layers beyond what we see on stage.
Why should we watch this play?
10 Nights takes you on a spiritual journey of endurance, humour, willpower, and reflection. It shows that Muslims are ordinary people like everyone else – imperfect and navigating their own journeys through life. The play builds connections between communities that might otherwise remain segregated due to misleading media narratives.
10 Nights is being staged at Riverside Studios, Hammersmith, London (until next Sunday, 26); Derby Theatre (January 27-28); The Lowry, Salford (January 30-February 1); Lawrence Batley Theatre, Huddersfield (February 4-5); and Birmingham Hippodrome (February 6-8). Visit www.phizzical. com for more information.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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