Prakash Mehra’s directorial Zanjeer is surely one of the most memorable films in the history of Indian cinema. The movie starred Amitabh Bachchan and Jaya Bachchan in the lead roles and Pran played a pivotal role in the film.
Today, Zanjeer completes 47 years of its release, so let’s look at some of the most interesting facts about the movie…
Zanjeer gave Amitabh Bachchan’s career the much-needed boost
Amitabh Bachchan is a megastar, but he didn’t have a great start in Bollywood. Big B started his career in 1969 with the film Saat Hindustani. He then starred in many films but apart from Anand and Bombay To Goa, most of them failed to make a mark at the box office. But it was 1973 release Zanjeer that gave Amitabh Bachchan’s career a boost and made him a star. After the movie’s release, he was regarded as the angry young man of Bollywood.
Amitabh Bachchan was not the first choice for the film
While Big B became a star after Zanjeer, not many would know that he wasn’t the first choice for the movie. Dharmendra was the first choice for the film, but he later opted out of it. Then the film was offered to other actors like Dilip Kumar, Dev Anand, and Raaj Kumar. However, finally, Amitabh Bachchan was roped in on the recommendation of writers Salim-Javed and Pran.
Jaya Bachchan was also not the first choice for the movie
Before Zanjeer, Amitabh Bachchan and Jaya Bachchan had starred together in films like Bansi Birju and Ek Nazar. Well, Jaya Bachchan was also not the first choice for the film. The movie was first offered to Mumtaz. It is said that Zanjeer was announced with Dharmendra and Mumtaz in the lead roles. But after Dharmendra, Mumtaz also opted out of the film and Jaya Bachchan was roped in.
No financers and distributors for Zanjeer
It is said that it was difficult for Prakash Mehra to find financiers and distributors for Zanjeer and the reason was Amitabh Bachchan. The financers and distributors were not much happy with Mehra opting to cast Amitabh Bachchan in the lead role as he had given many flops and wasn’t a big name then.
Not one or two, but four remakes
We all know that in 2013 director Apoorva Lakhia remade Zanjeer with Ram Charan and Priyanka Chopra in the lead roles, and Sanjay Dutt stepped into the shoes of Pran for the film. But well, before the 2013 release, Zanjeer was remade thrice in different languages. In 1974, Zanjeer was remade as Nippulanti Manishi (Telugu) and Sirithu Vazha Vendum (Tamil). While N.T. Rama Rao played the lead role in the Telugu remake, M. G. Ramachandran stepped into Big B’s shoes for the Tamil remake. In 1980, the film was remade in Malayalam titled Naayattu. Jayan played the lead role in Malayalam remake.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.