LAHORE police have booked 400 people who allegedly harassed and molested a YouTuber girl on Pakistan's Independence Day, officials said.
The police got into action following the videos of her harassment and molestation that went viral on social media with calls to prime minister Imran Khan and Punjab chief minister Usman Buzdar to take action against the culprits.
The alleged incident took place on August 14 when hundreds of youngsters were celebrating Independence Day at Azadi Chowk near Minar-i-Pakistan in Lahore.
In the videos, hundreds of young men can be seen throwing the girl in the air for fun, dragging her, tearing her clothes and molesting her. They also took off her shalwar (trouser) and molested her. "After the videos went viral on Tuesday (17), the police approached the girl on the order of the high-ups and persuaded her to register an FIR," a senior police officer said.
He said the girl was still traumatised and broke into tears while narrating what had happened to her on Independence Day. She said in the FIR that she and six other members of her YouTube channel visited Azadi Chowk to record a video of the Independence Day celebrations.
"We were shooting the clip when a good number of youngsters started teasing me. They were joined by more and more. Seeing the suspects harassing me, the security guard of the Minar-i-Pakistan Park opened the central gate to let me enter to take shelter. When I crossed the gate and entered the park, the suspects came after me.
“They tore my clothes and molested me. They dragged and tossed me up in the air for fun. They also beat my team members, and used abusive language," she said and added the humiliation continued for an hour before some people finally managed to rescue her.
She alleged that her cell phone, a gold ring and cash worth PKR 150,000 (£662) were snatched as well.
The police officer said the suspects will be arrested soon with the help of video footage.
There were reports on social media that the girl was carrying two flags - a Pakistani and an Indian - to use them for her TikTok video clip in connection with the Independence Day of both countries.
Someone from the crowd raised an objection to this, following which the incident took place.
The police, however, did not confirm this social media report.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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