COMMEMORATING 20 years of the Kargil War, the IAF Monday (24) turned the Gwalior air base virtually into a theatre of conflict with a dramatic reenactment of some milestones of the 1999 operation.
In a symbolic recreation of the Tiger Hill attack in Jammu and Kashmir's Drass-Kargil area, the air force used the Mirage 2000 aircraft and explosives were blown up on a 'model hill' to recreate the crucial events of the war.
The chief guest for the event is Air Chief Marshal BS Dhanoa.
The IAF has planned several activities at the air base to commemorate the 20 years of the war and the symbolic recreation of the Tiger Hill attack was one of them.
Five Mirage 2000, two MiG 21s and one Sukoi 30 MKI were on static display at the base. One of the Mirage 2000 aircraft showcased the Spice bomb carrier. The bomb was used in the Balakot airstrike in February.
The aircraft is undergoing upgrade which will extend its life by another 20 years, said Air Marshal Rajesh Kumar, Air Officer Commanding-in-Chief of Central Air Command (CAC) of the IAF.
Three squadrons of Mirage are based at the Gwalior Air Force Station.
"The Kargil conflict offers an exemplary experience in the use of air power in warfare in high mountains conditions and is key to full understanding of India's emerging posture," a senior IAF official said. Several gallantry award winners, both serving and retired, who participated in 'Operation Vijay' are attending the event.
The Indian armed forces displayed exceptional valour while successfully dislodging the enemy from the strategic hill in the Drass-Kargil area, an official said.
The Mirage-2000 aircraft played a crucial role in the battles fought during the war and also hit enemy targets bunkered in at the Tiger Hill.
During the war, the IAF had conducted operation Safed Sagar as a part of Operation Vijay of the Army.
A number of events have been planned by the Army in Delhi and in Jammu and Kashmir's Dras town next month to mark the 20th anniversary of the 'Kargil Vijay Diwas', officials had earlier said.
The anniversary celebrations for this year will be spread over three days from July 25-27.
"However, as part of the build up to the main event, numerous activities have been planned all over the country from the first week of July," an official said.
The celebrations in the national capital will begin on July 14 with the illumination of a 'Victory Flame' from the National War Memorial in Delhi, which would traverse through 11 towns and cities to finally culminate at Dras where it will be merged with the eternal flame at the 'Kargil War Memorial', he said.
The objective of these celebrations is to evoke feeling of patriotism through nationwide campaigns, especially among the youth and to pay homage to the valiant soldiers.
"The Kargil War will always be remembered for its strategic and tactical surprises, the self-imposed national strategy of restraint in keeping the war limited to Kargil-Siachen sectors, and the swiftly executed tri-services military strategy and plans," the Army had said.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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