Pakistan leg-spinner Yasir Shah does not know much about Clarrie Grimmett but is aware that he has a strong chance of shattering a record set by the Australian 82 years ago.
Yasir tormented New Zealand on his way to a match haul of 14-184 to help Pakistanachieve a series-leveling win by an innings and 16 runs in the second Test in Dubai on Tuesday.
The 32-year-old now has 195 wickets in 32 Tests and needs just five more in the third and final Test starting in Abu Dhabi from Monday to become the quickest bowler to reach 200 Test wickets.
In fact, he will take the record if he can pick up those wickets any time in his next three Tests as Grimmett -- also a leg-spinner -- took his 200th wicket in his 36th Test against South Africa in 1936.
Yasir admits the record is in his mind but knows little about the holder of it.
"Grimmett? I don't know much about him," said Yasir. "He played so many years ago, but I know about the record because his name comes first whenever I see the list.
"I want to beat that record."
Since taking seven wickets on debut against Australia in 2014, Yasir has been a key figure in Pakistan's Test team.
He took 12 wickets in that 2-0 series win over Australia in United Arab Emirates in 2014 and followed that with 15 against New Zealand in a 1-1 draw the same year.
That was followed by 24 wickets against Sri Lanka in 2015 and ten wickets in a match to beat England at Lord's a year later. He took 21 and 25 wickets respectively in series wins over the West Indies.
Yasir reached 100 wickets in 17 Tests, second only to Englishman George Lohmann who reached the target in 16 matches during a Test in Johannesburg in 1896.
"I am very happy to have contributed to the team's wins," said Yasir. "That is my job and I realise that responsibility to take wickets and get my team more and more wins."
Yasir's figures in Dubai are the second best match return ever for Pakistan in Test cricket, bettered only by former captain and current prime minister Imran Khan who took 14-116 against Sri Lanka in Lahore in 1982.
"I have equalled Imran Khan and that's a big honour for me," said Yasir. "My name will come with his and that's great and I await his message."
Yasir admitted the loss of his mother just days before the New Zealand series had made him anxious.
"It was tough coming here," said Yasir. "I was very tense. You are nothing without your mother. When I used to go out for the match I would call her to pray for me to get five wickets and she would reply that 'why not 10 or 15, why just five?
"I would like to dedicate this feat to my mother."
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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