AUSTRALIA racked up 469 in their first innings and then reduced India to 151-5 to put themselves in the box seat in the World Test Championship (WTC) final at The Oval on Thursday (8).
Having bled 327 runs on the opening day with only three wickets to show for, India staged a comeback after their seam-heavy attack bowled out Australia in Thursday's second session.
Their star-studded top order, however, let India down and Australia look on course to claim a decisive first-innings lead after dominating the first two days of the contest.
India trail by 318 runs with Ajinkya Rahane batting on 29 and KS Bharat on five at the other end.
Earlier, Australia run-machine Steve Smith, resuming on 95, duly brought up his 31st test hundred with back-to-back fours off Mohammed Siraj.
The former Australia captain also equalled Englishman Joe Root's record of nine test hundreds against India in the process.
At the other end, overnight centurion Travis Head crossed the 150-mark before Siraj (4-108) broke his 285-run stand with Smith, the highest fourth-wicket partnership at the venue.
Head, whose 163 off 174 balls included 25 fours and a six, gloved a short ball down the leg side giving Bharat his third catch of the match.
Mohammed Shami had Cameron Green caught in the slip for six and Smith departed after dragging a delivery from Shardul Thakur on to his stumps.
Smith's patient 121, which contained 19 fours, was his third test hundred in six innings at The Oval.
Alex Carey made 48 down the order before falling to Ravindra Jadeja who is India's lone spin option in the match.
India scored nearly at a run-a-ball rate in the first four overs before Scott Boland replaced Mitchell Starc and put the pressure back on the openers.
Australia captain Pat Cummins drew first blood when he trapped his counterpart Rohit Sharma lbw for 15.
In the next over, Boland dismissed Shubman Gill (13), who did not offer a shot to an incoming ball that crashed into his off-stump.
With India reeling on 30-2, Cheteshwar Pujara's ability to bat long was exactly what his team needed the most.
The 35-year-old made 14 before falling in a fashion identical to Gill's dismissal - not offering shot to a Green delivery that pegged back his off-stump.
In contrast, Virat Kohli was done in by extra bounce.
The batter had looked assured for his 14 but could only fend a steeply rising delivery from Starc to Smith at second slip.
Rahane got a reprieve on 17 when he was adjudged lbw but he stayed on after replays confirmed Cummins had over-stepped.
Jadeja made a counter-attacking 48 before edging Nathan Lyon to Smith in the slip in a late blow to India's hopes of staying alive in the contest.
"I think we're in a really strong position after two days," Boland told the official broadcasters.
"I think the pitch is going a little bit up and down, which we saw in the last couple of overs.
"So hopefully it's harder for India to bat tomorrow."
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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