Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Vikrant Massey won the National Film Award for Best Actor for his performance in 12th Fail
From emotional underdogs to intense anti-heroes, Massey has showcased unmatched versatility
His role in Sector 36 marked a dramatic shift from his usual image, earning critical acclaim
Massey's upcoming role as Sri Sri Ravi Shankar in White promises another transformation
With no industry backing, Vikrant’s steady rise proves raw talent still matters in Bollywood
Let’s just say it: Vikrant Massey is having the moment. After quietly stacking up powerful performances over the years, the 12th Fail actor finally bagged the National Award, and it feels like the whole country is catching up to what his longtime fans already knew: the man can act.
No frills, no gimmicks, no star kid privileges. Just raw talent, vulnerability, and an uncanny ability to disappear into any character, be it a lovesick small-town boy, a haunted journalist, or a cold-blooded killer. Vikrant Massey isn’t just versatile; he’s fearless.
Here’s a look at the performances that didn’t just win over audiences but proved that Massey is the quiet force Bollywood didn’t see coming.
1. 12th Fail – The underdog who became a national inspiration
In what is now his most celebrated performance, Vikrant played Manoj Kumar Sharma, a boy from rural India who fights every odd to become an IPS officer. It wasn’t just acting; it felt like lived experience. His honesty, innocence, and emotional range in this role made it impossible not to root for him. It won him a National Award, yes, but more importantly, it gave us a new kind of hero on screen: one who doesn’t roar, but rises.
Vikrant Massey’s top roles that led to his National Award win
2. Sector 36 – Massey, but make it menacing
Gone was the sweet boy next door. In this gritty thriller, Vikrant flipped his image and delivered a performance that chilled to the bone. As a morally grey character surrounded by crime and chaos, he proved that he’s not just comfortable in dark spaces; in fact, he thrives in them. It was a career-defining shift that made everyone sit up and say: he can do this too?
6 performances that prove Vikrant Massey earned his National Award
3. Haseen Dillruba – The lover, the simp, the storm
Rishu was awkward, shy, and hopelessly in love, but Vikrant gave him such layered depth that you never knew when sympathy would turn into suspicion. His slow-burn transformation from soft to scary made this twisted romantic thriller all the more unpredictable. It wasn’t just a supporting role; it was the emotional backbone of the film.
Vikrant Massey’s most powerful roles from 12th Fail to Sector 36
4. The Sabarmati Report – Truth hurts, and he made sure we felt it
Based on a real-life tragedy, this film saw Vikrant play a journalist caught between justice and politics. He brought empathy and urgency to the screen, carrying the weight of grief, truth, and moral complexity with striking restraint. Not many actors could've pulled off this kind of role without turning it preachy. Massey did it with quiet fire.
Vikrant Massey proves his acting range with these six standout roles
5. Lootera – Small role, massive impact
Even in a film headlined by Ranveer Singh and Sonakshi Sinha, Vikrant held his own. As the loyal friend Devdas, he delivered a performance so grounded and heartfelt, it lingered long after the credits rolled. No theatrics, just sincerity, and that’s always been his superpower.
From underdog to National Award winner Vikrant Massey’s finest work
6. Coming up: Playing Sri Sri Ravi Shankar in White
Vikrant is set to step into the shoes of spiritual leader Sri Sri Ravi Shankar in his upcoming biopic White. It’s yet another departure from anything he’s done before, and given his track record, we have no doubt he’ll pull it off with quiet brilliance.
Vikrant Massey to headline ‘The Sabarmati Report’ AFP via Getty Images
The bottom line?
Vikrant Massey doesn’t chase the spotlight. He earns it. While others chase stardom, he builds a legacy, one unforgettable role at a time. And honestly? We’re just lucky to watch it unfold.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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