A van ploughed into worshippers leaving a London mosque on Monday, injuring 10 people in what witnesses said was a deliberate attack on Muslims.
One man, who was already being given first aid at the scene before the vehicle was driven into pedestrians, has died but police said it was not clear whether his death was directly linked. Eight others are in hospital, with two in a very serious condition.
The incident was being treated as a potential terrorist attack said Prime Minister Theresa May, which if confirmed would make it the fourth since March in Britain and the third to involve a vehicle deliberately driven at pedestrians.
"This had all the hallmarks of a terrorist incident," said Neil Basu, senior national co-ordinator for counter-terrorism policing. "This was an attack on London and all Londoners."
Shortly after midnight, the hired vehicle swerved into a group of people leaving prayers at the Finsbury Park Mosque, one of the biggest in the country, witnesses said. The attack comes during the Muslim holy month of Ramadan.
"This big van just came and went all over us," witness Abdulrahman Saleh Alamoudi told BuzzFeed News. "He (the driver) was screaming... 'I'm going to kill all Muslims'."
Police said the suspected van driver, aged 48, had been detained by members of the public before being arrested on suspicion of attempted murder.
"I would like to thank those people who helped police in detaining the man and worked with officers to calmly and quickly get him into our custody," Basu said. "Their restraint in the circumstances was commendable."
Eight people were taken to hospital and two were treated at the scene. Usain Ali, 28, who was near the mosque at the time, said he heard a bang and ran for his life.
"When I looked back, I thought it was a car accident, but people were shouting, screaming and I realised this was a man choosing to terrorise people who are praying," he told Reuters. "He chose exactly the time that people pray, and the mosque is too small and full, so some pray outside."
ATTACKS, POLITICAL TURMOIL
The attack comes at a time of political turmoil in Britain, as May, weakened by the loss of her parliamentary majority in a June 8 election, plunges into divorce talks with the European Union.
She has faced heavy criticism for her response to a fire in a London tower block last Wednesday which killed at least 58 people, and for her record on security after a series of attacks blamed on Islamist militants in recent months.
"All my thoughts are with the victims, their families and the emergency services on the scene," May said, adding that she would chair an emergency response meeting later on Monday.
The mayor of London, Sadiq Khan, said extra police had been deployed to reassure communities, especially those observing Ramadan, describing the attack as "an assault on all our shared values of tolerance, freedom and respect".
The leader of the opposition Labour Party, Jeremy Corbyn, in whose constituency the attack took place, said he was "totally shocked".
The incident comes just over two weeks after three Islamist militants drove into pedestrians onLondon Bridge and stabbed people at nearby restaurants and bars, killing eight. .
It also follows a suicide bombing at a pop concert in Manchester, northern England, in May which killed 22, while in March, a man drove a rented car into pedestrians on Westminster Bridge in London and stabbed a policeman to death before being shot dead. His attack killed five people.
Police had said hate crimes had risen after the London Bridge attack and they had stepped up their visible presence at places of worship.
The Muslim Council of Britain said Monday's attack was the most violent manifestation of Islamophobia in Britain in recent months and called for extra security at places of worship.
"It appears that a white man in a van intentionally ploughed into a group of worshippers who were already tending to someone who had been taken ill," the council said in a statement.
"HE TARGETED MUSLIMS"
Police said they were called just after 12:20 a.m. (2320 GMT Sunday) to reports of a collision on Seven Sisters Road, which runs through the Finsbury Park area of north London.
"From the window, I started hearing a lot of yelling and screeching, a lot of chaos outside ... Everybody was shouting: 'A van’s hit people, a van’s hit people'," one woman who lives opposite the scene told the BBC.
The Evening Standard newspaper said the van appeared to have been rented in Wales, although there was no immediate confirmation of this from the authorities.
Miqdaad Versi, assistant secretary general of the Muslim Council of Britain, said the van had deliberately swerved into a group of people who were helping a man who was ill and had fallen to the ground.
"Basically, a van swerved into them deliberately," Versi told Reuters, citing a witness.
He said the driver had run out of the van but a group of people caught him and held him until police arrived.
The Finsbury Park Mosque gained notoriety more than a decade ago for sermons by radical cleric Abu Hamza al-Masri, who was sentenced to life in a U.S. prison in January 2015 after being convicted of terrorism-related charges.
A new board of trustees and management took over in February 2005, a year after Abu Hamza was arrested by British police, since when attendance has greatly increased among worshippers from various communities, according to the mosque's website.
Members of the congregation in the two mosques in the area are mainly from North and West Africa.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.