TECH GIANT Google has said that it will move to a hybrid work week, where most employees spend around three days in the office and two days 'wherever they work best'.
According to a note by Google and Alphabet CEO Sundar Pichai, about 20 per cent of company's workforce will continue to work remotely after its offices reopen later this year, while about 60 per cent Googlers will come together in the office for a few days a week.
Pichai added that the company will offer opportunities for employees to apply for completely remote work based on their role and team needs.
"Since in-office time will be focussed on collaboration, your product areas and functions will help decide which days teams will come together in the office. There will also be roles that may need to be on site more than three days a week due to the nature of the work," he said.
Google has 139,995 full time employees worldwide and over 4,000 people in India.
The global firm has been investing in India as a strategic hub for its global product development. It has been expanding its employee base across product areas like Search, Cloud, Payments, AI research and has presence in four cities like Bengaluru, Hyderabad, Mumbai and Gurugram.
"Before the pandemic, we had thousands of people working in locations separate from their core teams. I fully expect those numbers to increase in the coming months as we develop more remote roles, including fully all-remote sub teams," Pichai said.
"These changes will result in a workforce where around 60 per cent of Googlers are coming together in the office a few days a week, another 20 per cent are working in new office locations, and 20 per cent are working from home."
Google staff will also be able to temporarily work from a location other than their main office for up to 4 weeks per year (with manager approval) going forward, the company said.
The company will also offer extra 'reset' days to help employees recharge during the pandemic in 2021.
Pichai added: "I am profoundly optimistic that once we do, we will be able to come back together in our offices to see all the people we have missed. And we'll be able to work together in entirely new ways that improve both our work and our lives. The future of work is flexibility."
Forget just watching trailers because Summer Game Fest 2025 felt like getting sucker-punched by pure gaming hype. Midnight drops, world premieres that actually stunned us, moments that genuinely shook the community, this year’s show proved why gaming is still one of the most exciting places to be. Let’s dive into the ten moments that had everyone talking, sharing clips, and questioning what’s possible next.
1. Resident Evil: Requiem stole the show
Capcom closed the show with Resident Evil: Requiem (27 February 2026), a franchise reboot returning to Raccoon City with chilling realism. First came whispers of a “30th-anniversary project,” then, boom: Requiem. Returning Raccoon City to its rotted roots, this 27 February 2026 release promises sweat-beaded character models and a terror so vivid you’ll feel it in your bones. That fake-out tease from Jun Takeuchi? Pure genius, and fans are still reeling.
Even though it launched just days before (3 June), Nintendo’s Switch 2 was the talk of SGF. Seeing Cyberpunk 2077 running smoothly silenced doubters. Sonic Racing: CrossWorlds showed off cross-platform play, something Mario Kart still lacks. Plus, leaks about Mortal Shell 2 and Code Vein 2 coming to Switch 2 just fuelled the fire. Everyone was talking about it, stage or no stage.
Hideo Kojima’s sequel looks like another emotional powerhouse. Elle Fanning’s voiceover, stunning visuals, and Woodkid’s score made the trailer feel like a mini-movie. Mark your calendars: Death Stranding 2 hits PS5 on 26 June. Get your tissues and DualSense ready.
SGF changed the game with instant drops. Lies of P: Overture announced its DLC and released it right then. Hitman dropped a new Casino Royale-inspired mission featuring Mads Mikkelsen as LeChiffre, sparking a month-long chase. Wildgate opened its beta minutes after reveal. Announce a game, play it instantly? Brilliant.
Day of the Devs (6 June) was a welcome dose of creativity amidst the AAA giants. Possessors mixes Metroidvania exploration with seriously creepy body horror. Big Walk from the Untitled Goose Game team turns voice chat into a brilliant puzzle tool. Ambrosia Sky (imagine Metroid Prime meets cosmic exploration) proved indie games crackle with fresh ideas.
SGF 2025 was full of "Wait, what?!" sequels. Atomic Heart 2 cranked its bizarre retro-future chaos way up. Scott Pilgrim EX brought the original devs and Anamanaguchi back for a time-bending brawler. And the whispers about Mortal Shell 2 and Code Vein 2 confirmed the souls-like scene is getting even hotter.
The Xbox Showcase revealed the slick ROG Xbox Ally handheld (a Microsoft/Asus collab). But the real buzz came from Sonic Racing: CrossWorlds adding wild guest characters: Minecraft’s Steve, Persona 5’s Joker, and Yakuza’s Ichiban. Lego Voyagers also looked fun, offering split-screen chaos with a friend pass.
Sega didn’t stop at those crazy kart racer cameos. CrossWorlds getting full cross-platform play was a direct shot at Mario Kart. And they teased even more unexpected crossovers, leaving fans speculating wildly. It felt like a new era of open, chaotic fun.
SGF teased some truly unique upcoming games. Stranger Than Heaven is a noir detective story in 1940s Japan where basic needs like hunger are deadly. Killer Inn pits 24 players against each other in social deduction within a haunted mansion. The Cube hinted at a massive, ever-changing MMO set in the Atomic Heart universe. Absolute mind-bending stuff.
Beyond the main show, SGF amplified crucial voices: Day of the Devs, Women-Led Games, Black Voices in Gaming, and spotlights from Japan, Latin America, and more. These stages delivered vital perspectives, proving gaming’s future is richer and more varied than ever.
Summer Game Fest 2025 proved you don’t need a massive convention hall to make waves. It filled the void E3 left behind, sure, but more importantly, it captured the raw excitement of gaming right now. From surprise drops to wild crossover moments, it proved that the next big thing might be a studio you’ve never heard of or a feature that’s available to play right now. It was a wild week that reminded us: the future of gaming is wide open, unpredictable, and packed with potential and that’s exactly why we love it.
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Mayor Richard Chatterjee joins locals in celebrating compassion and culture at Croydon's vegan picnic
A sunny Sunday afternoon turned into a celebration of kindness, flavour, and connection as Croydon's Lloyd Park played host to a vibrant vegan picnic on 8 June. Marking The Big Lunch, a UK-wide community initiative, local vegetarians and vegans gathered with loved ones for a day of delicious food, music, and togetherness.
Plant-based plates with a powerful message
Tables brimmed with a colourful spread of plant-based dishes, proof that vegan food lacks neither taste nor variety. But this picnic wasn’t just about food. It served as a gentle reminder that compassion can be a lifestyle choice. Veganism, rooted in the idea of reducing harm to animals, is growing steadily in the UK, not only for ethical reasons but also for its potential health benefits.
Families and friends share plant-based meals and music under the summer sun
The event was graced by the Worshipful Mayor of Croydon, Richard Chatterjee, and his wife Angelena. Councillor Manjul Hammeed also joined the gathering, lending civic support to the growing movement. Local faith institutions, including Coulsdon Hindu Mandir and Thornton Heath Durga Mandir, extended their support, underlining the event’s inclusive, multicultural spirit.
Mayor Richard Chatterjee joins Croydon's growing plant-based community at the weekend event
The Big Lunch, a UK tradition of togetherness
This celebration was part of The Big Lunch, a grassroots movement launched by the Eden Project in 2009. Backed by The National Lottery Community Fund, the idea is simple: get neighbours to connect over food and laughter. Over the years, The Big Lunch has become a calendar highlight in many communities across the UK, creating friendships and reminding people that building bonds can start with a shared meal.
Mayor Richard Chatterjee and many local faith groups support the inclusive vegan gathering
As the plates emptied, music and dance filled the park. Laughter, conversation, and rhythm took over, capturing the very spirit the Eden Project set out to nurture, community.
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Officials said work is also ongoing to redesign existing non-AC local trains to improve ventilation so that automatic door closing systems can be installed. (Photo: Getty Images)
THE RAILWAY Ministry has decided to install automatic door closing systems in existing and new local trains on the Mumbai Suburban network, following the deaths of four commuters and injuries to nine others who fell from overcrowded trains in Thane district on Monday, officials said.
A senior official said that after the incident, the Railway Minister and Railway Board officials held a detailed meeting and tasked the Integral Coach Factory (ICF), Chennai with manufacturing non-air-conditioned local trains with automatic doors for Mumbai Suburban services.
“The first train of the new design will be ready by November 2025 and after necessary tests and certification, it will be put into service by January 2026,” said Dilip Kumar, Executive Director, Information and Publicity, Railway Board, while speaking to PTI.
“This is in addition to the 238 AC trains already under manufacturing for Mumbai suburban services,” Kumar added.
Officials said work is also ongoing to redesign existing non-AC local trains to improve ventilation so that automatic door closing systems can be installed.
The Railway Minister and Railway Board officials held a detailed meeting with the ICF, Chennai team on Monday to address the issue, officials said.
“The purpose was to find a practical solution to the issue of automatic door closing in local non-AC trains in Mumbai. The major issue with automatic door closing in non-AC trains is suffocation because of reduced ventilation,” a railway official said.
Kumar said the new non-AC trains will undergo three major design changes to address ventilation concerns.
“First, the doors will have louvres. Second, coaches will have roof-mounted ventilation units to pump in fresh air. And third, the coaches will have vestibules so that passengers can move from one coach to another and balance out the crowd in a natural way,” he said.
Four commuters died and nine were injured after falling off two overcrowded local trains in Thane district during the Monday morning rush hour, officials said.
The incident occurred near Mumbra railway station when the trains were passing each other on a steep turn.
Swapnil Nila, Chief Public Relations Officer of Central Railway, said the victims were travelling on the footboard of two trains—one headed to Kasara and the other to Chhatrapati Shivaji Maharaj Terminus Mumbai.
According to the police, the commuters were hanging from the doors of the crowded trains and their backpacks brushed against each other as the trains passed in opposite directions.
The guard of the Kasara-bound train alerted the railway authorities. The injured were taken to nearby hospitals, where four were declared dead on arrival, officials said.
(With inputs from PTI)
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The challenges WPP faces extend beyond leadership changes
Mark Read, the chief executive of WPP, has announced he will step down later this year, as the advertising agency faces growing pressure from artificial intelligence and declining share prices. Once the largest advertising group globally, WPP is struggling to keep up with the fast-moving AI technologies that are reshaping the industry.
Read, who has been at WPP for more than 30 years and held the top job since 2018, will remain in the role until the end of 2025 while the company searches for his successor.
AI upends traditional ad models
During Read’s tenure, WPP’s share value has halved, reflecting wider disruption in the advertising industry. AI-powered tools are increasingly automating advert creation, challenging traditional agencies that rely on human-driven processes. This shift has placed legacy firms like WPP under heavy competitive pressure as companies turn to faster and cheaper AI alternatives.
Leadership under scrutiny
WPP chair Philip Jansen, formerly of BT, credited Read with transforming the agency into a leader in marketing services. However, his arrival earlier this year led to speculation about a leadership shake-up. A former WPP board member said Jansen was seen as a “change agent” brought in with the expectation that Read’s departure was only a matter of time.
Since joining, Jansen has engaged with staff across the company to assess its structure and operations. One executive described him as a “cold-eyed analyser” focused on addressing administrative inefficiencies and streamlining processes.
Falling behind global rivals
WPP’s challenges extend beyond internal leadership. In 2023, the firm lost its title as the world’s largest advertising agency by revenue to French competitor Publicis. Meanwhile, Omnicom and Interpublic agreed to merge in a $13.3 billion (£10 billion) deal. In contrast, WPP’s market value is around £5.9 billion.
Traditional roots struggling to adapt to the fast-changing, AI-driven landscapeiStock
Russ Mould, investment director at AJ Bell, warned that the leadership vacuum could set WPP back further. “The fact the company hasn’t got a replacement lined up suggests chaos behind closed doors,” he said. He added that while WPP waits for new leadership, more tech-savvy rivals could continue pulling ahead.
From Sorrell to Read
Mark Read succeeded Sir Martin Sorrell in 2018, who had built WPP into a global powerhouse after buying a small basket-making company in 1985. Sorrell stepped down following allegations of personal misconduct, which he has consistently denied.
Read has overseen major restructuring efforts during his time at the helm, including merging agencies and selling non-core assets. These actions helped reduce WPP’s debt, but the agency’s share price still fell more than 25% in the past year alone.
Tech giants dominate ad space
One of WPP’s biggest challenges is the rise of tech giants like Google, Meta (formerly Facebook), and Amazon, which now dominate digital advertising. These companies are leveraging advanced AI to offer advertisers tools that automatically generate and target campaigns, making traditional agency services less necessary.
Earlier this month, Meta announced that it would help businesses create ads using AI-generated images, videos, and text. The move highlights the growing capabilities of AI in advertising and its impact on agencies like WPP.
Takeover speculation and uncertain future
Following the news of Read’s planned departure, WPP’s shares dipped by 1.5%, sparking fresh speculation that the agency could become a takeover target or attract activist investors seeking to restructure the business.
Mould said WPP’s traditional roots have left it struggling to adapt to the fast-changing, AI-driven landscape. “The world has gone digital, leaving the company scrabbling to play catch-up,” he said. “WPP needs a complete overhaul, and that won’t come easily or quickly.”
AI threatens agency jobs and structures
AI’s growing role in the advertising world is not just about efficiency, it’s also transforming employment structures. Automated content generation and data-driven targeting are reducing the need for large creative teams and manual campaign management, core functions traditionally carried out by agencies like WPP.
As these tools become more powerful, many routine roles within advertising risk being replaced. This technological shift is reshaping how agencies operate, forcing them to rethink their value in a market increasingly dominated by algorithms and automation.
Adapting to survive
Mark Read’s departure marks a critical turning point for WPP as it navigates these sweeping changes. The agency’s future depends on how quickly it can adapt to a landscape led by AI. For WPP and the wider advertising world, staying relevant will mean embracing technology while finding new ways to offer value that machines alone cannot deliver.
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Rooh: Within Her – A Dance Tribute Honouring the Soul of Womanhood
In a world that often measures heroism through dramatic acts and monumental moments, Rooh: Within Her presents a strikingly different narrative — one that celebrates quiet resilience, enduring strength, and the understated courage found in the everyday lives of women. Set to take place on Friday, 20 June at the Midlands Arts Centre in Birmingham, this solo dance performance by acclaimed Kathak artist and choreographer Urja Desai Thakore promises an evocative and thought-provoking exploration of womanhood across time. Rooted in the classical Indian dance tradition yet deeply contemporary in its vision, the show captures the spirit of women who have shaped history in ways both visible and invisible.
The performance is an immersive journey through stories that span over two millennia, drawing inspiration from mythology, oral traditions, personal histories, and lived experiences. Rather than focusing on famous names or well-known figures, Thakore deliberately turns her attention to unsung heroines — women whose courage lies in persistence, nurturing, survival, and the ability to carry on in the face of adversity. From ancient civilisations to modern-day realities, Rooh: Within Her presents a dance tapestry woven with emotion, grace, and narrative depth.
Urja Desai Thakore, a highly respected figure in the British South Asian arts scene, is known for her ability to reinterpret the classical dance form of Kathak in innovative ways that speak to contemporary themes. As the artistic director of Pagrav Dance Company, she has consistently pushed the boundaries of traditional performance to reflect new dialogues around identity, gender, and society. In Rooh, her mastery of rhythmic footwork, expressive abhinaya (facial expression), and storytelling reaches new heights, offering an experience that is both poetic and powerful.
The Midlands Arts Centre (MAC), located in the heart of Birmingham’s Cannon Hill Park, provides the perfect setting for this introspective and emotive performance. Known for championing diverse artistic voices and community-driven programming, MAC continues to be a hub where meaningful cultural conversations unfold through theatre, dance, music, and visual arts. The setting adds an additional layer of resonance to the themes of the production, making it not just a performance but a shared moment of reflection for the audience.
Beyond the stage, Rooh: Within Her invites important questions about how society values women’s contributions and the kinds of stories that are told — and retold — through art. It challenges viewers to recognise and honour the subtle, often unnoticed acts of bravery that define generations of women, especially within diasporic and multicultural contexts.
Whether you are a long-time follower of Kathak, a supporter of contemporary dance, or someone seeking an emotionally rich and culturally significant evening, Rooh: Within Her offers a unique and memorable experience. It is a tribute to the soul of womanhood — layered, resilient, and ever-present.
Make sure to book your tickets early at www.macbirmingham.co.uk to witness this beautiful exploration of identity, heritage, and strength through the expressive power of dance.