Stuart Broad: James Anderson is addicted to cricket
Anderson, who will turn 41 next month, is expected to be part of Friday's (16) Ashes opener at Edgbaston after recovering from a groin injury
By Eastern EyeJun 14, 2023
Veteran seamer James Anderson is still addicted to cricket at 40 and only getting better with age, his strike partner Stuart Broad said, with the prolific England pair expected to play key roles as they enter their ninth Ashes campaign.
Anderson appears to be improving with time and has shown no signs of losing his edge. He is England’s leading bowler in Tests with 685 wickets and became the oldest player to top the ICC Test rankings earlier this year.
Anderson, who will turn 41 next month, is expected to be part of Friday’s (16) Ashes opener at Edgbaston after recovering from a groin injury. It will be Anderson’s 10th Ashes campaign and Broad said he was still champing at the bit to get going.
“Jimmy’s incredibly competitive. That’s his number one strength,” Broad said on the Legends of the Ashes podcast, a 10-part series from Global launching on June 15.
“He’s probably the most competitive person I’ve seen bar Jos Buttler in any sport that he plays. But he’s very driven. He’s an addict to cricket, to be honest. He’s an addict to training, an addict to getting better, improving all the time.
“That’s showing now, he’s 40 and he’s probably bowling better now than he was four years ago. It’s an incredible testament to himself and the game.”
Anderson and Broad, 36, were surprisingly omitted from England’s tour of West Indies in the wake of a 4-0 defeat in Australia in the last Ashes, and the team struggled in the Caribbean last year without their experience. Although the “Bazball” style of play under captain Ben Stokes and coach Brendon McCullum that has taken England to 10 wins from 12 Tests relies predominantly on aggressive batting, they need wickets to back it up.
Broad and Anderson, who were recalled under the new leadership, form the most lethal bowling partnership in Test history with a combined 1,017 wickets in 134 Tests together and England will be keen to have them bowling in tandem against Australia.
“He’s probably grown as much in the past year as anyone, with Baz and Stokesy taking over,” Broad added.
“How I view our partnership is our job is to figure out conditions in those first 10 overs with the new ball quicker than the opposition batters. That’s when we make breakthroughs and that comes through communication. It’s just a constant, like, information stream that comes our way and there’s no doubt that’s taken our partnership to the next level.”
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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