Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
THE UK faces significant job losses in the steel and oil refining sectors this month, with around 6,000 jobs set to be cut, according to government sources. The job cuts will affect major plants in Wales, England, and Scotland.
Port Talbot, a major steel plant in Wales owned by Tata Steel, is expected to see 2,800 jobs go. In Scunthorpe, North Lincolnshire, up to 3,000 jobs at British Steel could be lost. Meanwhile, 400 positions are set to be cut at Scotland's only oil refinery in Grangemouth, reported the BBC.
Unions had hoped that the arrival of a new Labour government might bring fresh investment to protect jobs. However, government sources indicate that the chances of this have diminished.
The government stressed that it must make difficult decisions and has ruled out blanket financial bailouts, suggesting that taxpayer money should not be used to support outdated and loss-making industrial operations.
Labour had pledged £2.5 billion to support the revival of the UK steel industry in its election manifesto. However, the new government, like its predecessor, is focusing on funding greener, more sustainable steel production methods, rather than propping up existing plants that rely on carbon-intensive processes.
Tata Steel's plant at Port Talbot, Wales.(Photo: Getty Images)
Tata Steel, which operates Port Talbot, and Jingye, the Chinese owner of British Steel’s Scunthorpe plant, have both reported daily losses of £1 million from their operations.
The government is negotiating a £500m grant to help Tata cover the £1.25bn cost of building an electric arc furnace to replace the existing blast furnace at Port Talbot.
Electric arc furnaces, which recycle scrap steel, produce less carbon dioxide compared to traditional blast furnaces that use coke and coal to produce new steel. However, not all types of steel can be made with electric furnaces, particularly those used in construction and rail.
Unions at Port Talbot, including the GMB and Community unions, have offered a redundancy package to members, providing 2.8 weeks of pay for each year worked, up to a maximum of 25 years. Workers can also opt into a one-year retraining programme, receiving £27,000 during this period.
Union leaders hope the actual number of compulsory redundancies will be lower than the predicted 2,800, thanks to natural attrition and workers taking up voluntary redundancy. Over 2,000 employees have already expressed interest in the redundancy package.
In contrast, the situation in Scunthorpe has become more dire. Unions had hoped for a government support package worth up to £600m for Jingye, which would allow one blast furnace to remain open while a new electric arc furnace is constructed over the next three years. However, it appears this plan may not materialise, leading to the potential loss of up to 3,000 jobs.
A senior government source has admitted that the next few weeks will be "grim." Unions have warned that closing blast furnaces at both Port Talbot and Scunthorpe could mean the UK loses its ability to produce virgin steel.
However, some industry experts argue that since raw materials like coking coal and iron ore are imported, bringing in virgin steel from abroad would not significantly impact the industry.
Meanwhile, in Scotland, the Grangemouth oil refinery is expected to shut down early next year and transition to an oil and gas import terminal with fewer jobs. This move aligns with broader plans to expand renewable energy in Scotland, although it may be too late to save the 400 jobs at risk.
The government has reiterated its commitment to decarbonisation while supporting industrial jobs. "Decarbonisation does not mean deindustrialisation," a government spokesperson said. "We will continue to work with unions and businesses to create stable jobs and boost economic growth."
British Steel representatives in Scunthorpe have confirmed they are in ongoing discussions with the government regarding future plans, but no final decisions have been made yet.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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