Kidambi Srikanth assured himself of his maiden medal as he entered the men's singles semifinal after a dominant performance but defending champion PV Sindhu lost to familiar foe Tai Tzu Ying in the women's section of the BWF World Badminton Championships on Friday.
Srikanth, seeded 12th in the showpiece tournament, sent Mark Caljouw of the Netherlands packing with a 21-8 21-7 in a quarterfinal match that lasted just 26 minutes.
The 28-year-old Srikanth, a former world number one, will be the third Indian man to win a medal in the World Championships after the legendary Prakash Padukone (bronze in 1983) and B. Sai Praneeth (bronze in 2019).
Sindhu, who lost her quarterfinal match against Tai Tzu, has won five medals in the showpiece while Saina Nehwal has two medals to her name. The women's doubles pair of Jwala Gutta and Ashwini Ponnappa had also won a bronze in 2011.
PV Sindhu (Photo by Lintao Zhang/Getty Images)
The world No 14 Srikanth was ahead 11-5 at the first game's change of ends and from 14-8, he took seven straight points to pocket it in a jiffy.
The second game was no different as Srikanth completely outplayed his opponent. From 4-3, it was Srikanth all the way as he zoomed to another seven straight points. From 17-7, Srikanth pocketed another four points on the trot to win the match.
In the women's singles, Sindhu suffered a straight-game defeat to world number one Tai Tzu of Chinese Taipei to bow out of the championships.
Sindhu AP
The top-seeded Tai Tzu beat Sindhu 21-17 21-13 in an energy-sapping match that lasted 42 minutes.
Sindhu found it difficult to match Tai Tzu's speed, court coverage and drop shots as has been the case many times earlier though the Indian produced some fine cross-court smashes.
Sindhu, who also stumbled to many unforced errors during the match, was always playing a catch-up game. She managed to do that in the second game at one stage but lost steam later on.
The win extended the head-to-head record between the two top players to 15-5 in favour of the Chinese Taipei player.
The world number seven and double Olympic-medallist Sindhu had also lost to Tai Tzu in the Tokyo Games semifinals earlier this year.
Tai Tzu, on the other hand, avenged her defeat to Sindhu in the 2019 World Championships at the same stage.
The two players—friends off the court—were tied 2-2 early on but Tai Tzu shifted gears quickly to take a lead of 11-6 at the change of ends in the first game.
Sindhu made a recovery to narrow down the gap to 16-18 and then 17-19 with some fine cross-court smashes. But the Indian could not maintain the tempo till the end as she hit wide twice to lose the first game in 17 minutes.
The second game was more closely fought, but again Tai Tzu led 11-8 at the change of ends after Sindhu made an error in judgment.
But two brilliant smashes for which Tai Tzu had no answer saw the gap narrowing to just one point at 10-11.
Tai Tzu took the next point but Sindhu produced another cross-court smash to make it 11-12. The Chinese Taipei player then sent the shuttle wide for Sindhu to level the scores at 12-12.
The nimble-footed Tai Tzu took the next three points but then hit on the nets. An unsuccessful line call challenge saw Sindhu trail 13-16.
The Indian hit one to the net next and could not reach a drop shot from her great rival to trail by five points at 13-18.
Sindhu continued her unforced errors as she hit wide and then missed Tai Tzu's smash to lose the match.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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