Still reeling from the Easter terror attacks, Sri Lanka commemorates this weekend 10 years since the end of a bloody civil war that killed at least 100,000 people, from which the scars are still not healed.
Security was tight in the north of the island, home to Sri Lanka's minority Tamils, ahead of solemn ceremonies on Saturday (18).
Sri Lanka's government and top military brass were due to hold their own commemoration in Colombo on Sunday (19).
On May 18, 2009 government forces brought their no-holds-barred military offensive to an end at a lagoon in the northern coastal district of Mullaittivu with the killing of Velupillai Prabhakaran, leader of the rebel Tamil Tigers.
Sri Lanka's then-president Mahinda Rajapakse declared an end to the 37-year separatist conflict -- marked by massacres, suicide bombings and assassinations -- between Tamil militants and the central government, which is dominated by the majority Sinhalese.
But for thousands of war widows and other victims on both sides, this marked the start of a new struggle: to find out the fate of their loved ones.
About 20,000 people are still missing, including 5,000 government troops.
Anandarasan Nagakanni, 61, is still searching for her son Arindavadas.
"He was last seen with the Sri Lankan army, and after that we haven't seen him," she told AFP at a tiny makeshift office in Mullaittivu, where a notice board was covered with dozens of photos of missing people.
Nagaraja Sureshamma, 65, who lost one son and is still looking for the other, recalled the horrors of the final months and how civilians scrambled to escape indiscriminate attacks and shelling.
"We were all going together, but my son happened to go on a different route... Ever since, we have not been able to find him," Sureshamma said.
"If they are not alive, then they need to tell us that at least," said Mariasuresh Easwari, an activist trying to help find the missing.
"Did you murder them? Did you bury them? Tell us."
Sri Lankan forces have been accused of killing about 40,000 Tamil civilians in the final months of the war, a charge successive governments have denied.
Several mass graves containing skeletal remains have been found in the past two decades, but only a handful of those buried have ever been formally identified.
Until recently, even remembering the war dead was considered subversive and annual memorial services by Tamils were trashed by government forces.
Government forces have set up memorials in the north for fallen security forces and bulldozed Tiger cemeteries, obliterating any sign of the rebels who at their zenith controlled a third of Sri Lanka.
The International Crisis Group (ICG) said in a recent report that the new government's promised political reforms and accountability for wartime atrocities have failed to materialise.
"For many Sri Lankans living in the bitterly contested north and east, the war has never quite ended," it said.
Although the pain for many families remains, and many in the 2.5-million-strong Tamil community still feel disadvantaged, the end of the war did open a peaceful new chapter in which Sri Lanka's economy and tourism boomed.
But this peace that was shattered on April 21 when Islamist suicide bombers targeted three churches and three luxury hotels, killing 258 people -- including 45 foreigners.
The attackers were homegrown extremists -- the Islamic State group also claimed credit -- and riots since saw dozens of homes, businesses and mosques of Sri Lanka's Muslim minority vandalised. One man was killed by a mob wielding swords.
According to the ICG, the Easter attacks "compounded the general anxiety, tearing again at the social fabric, unleashing further violence and complicating the road to sustainable peace".
Evoking memories of past dark times, a state of emergency has been in place since April 21 with the return of some wartime restrictions on free movement.
Sri Lanka's army chief Lieutenant General Mahesh Senanayake has said his troops will ensure that this year's commemoration goes ahead peacefully.
"As much as we mourn the soldiers who were killed in the war, (minority Tamil) civilians also have a right to commemorate their war dead," he said on Thursday.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.