Vanushan Balakrishnan of Waylands and Ilyas Suleiman of St Jeromes Grove, Hillingdon, both 18-year-old, were sentenced at the Old Bailey on Wednesday (10)
Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
Two teenagers have been sentenced to life in jail after they were found guilty of killing a 16-year-old boy who they mistakenly thought belonged to a rival gang.
Vanushan Balakrishnan of Waylands and Ilyas Suleiman of St Jeromes Grove, Hillingdon, both 18-year-old, were sentenced at the Old Bailey on Wednesday (10) for the murder of Rishmeet Singh, the Met Police said in a statement.
Balakrishnan was sentenced to serve a minimum of 24 years. Suleiman was told he must serve at least 21 years, with both having their jail time reduced for the time they have already been in custody.
They were both found guilty of murder in March at the Old Bailey.
The court heard that the attackers stabbed Singh 15 times after chasing him through a park in Southall, west London, on the evening of November 24 2021.
The victim came to the UK in October 2019 with his mother and grandmother to seek asylum from Jalalabad in Afghanistan.
Vanushan Balakrishnan (Photo: Met Police)
His father was killed by the Taliban six months prior to that, and shortly after they tried to kidnap Singh, forcing the family to flee to the UK.
In a statement, his mother Gulinder said: “Rishmeet was my only child, and he had his whole life ahead of him. No words could ever explain or put into context how I have felt since Rishmeet was taken from us. He has been raised with so much love and now he’s gone. I am struggling to understand as to how and why this happened to my baby boy. I feel I have lost everything and my life is over.
“I will never get over losing him in this way. I have been robbed of so many future events."
Ilyas Suleiman (Photo: Met Police)
She added that her son was attending college completing a Public Service course and his ambition was to become a police officer, and all he wanted to do was to help people.
"He was well loved by all that knew him, he was a faithful boy and was very caring in his nature," she further said.
“I have lost my husband and now I have lost my only child, my son. Justice is finally served for Rishmeet but their sentence will never be enough for me. They have taken my whole life away from me and Rishmeet will never come home again.”
On the day of the attack, Balakrishnan and Suleiman had set out armed with a 1m-long (3ft) machete and a Rambo knife, the court heard.
Singh, who had spent the evening with friends in a park and was heading home, saw them running towards him and ran back towards his friends to warn them. But he tripped and fell in Raleigh Road, where he was stabbed in an attack lasting 27 seconds.
His attackers then fled, leaving his bloodied and injured body on the ground.
Balakrishnan was arrested on suspicion of murder at his home address on 2 December 2021. According to police, Suleiman had gone into hiding as he knew he was wanted for Singh's murder.
He was eventually arrested at an address in Edgware on 9 December 2021.
After pleading guilty to intentionally causing severe physical harm, Balakrishnan was sentenced for his involvement in an assault on a fellow inmate during his time in custody. The incident, which occurred in July last year, resulted in the victim suffering significant brain damage.
"There is never an excuse to murder someone in cold blood, but this case is made even more tragic by the fact that Rishmeet was wrongly targeted by his attackers," said Laura Semple, detective inspector from the Met’s Specialist Crime Command.
"My thoughts remain with Rishmeet’s family and friends, who have shown extraordinary courage throughout, including during the trial where they were forced to re-live Rishmeet’s horrific last moments."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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