Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Ricky Gervais now has his own star on the Hollywood Walk of Fame, but it wouldn’t be a Ricky moment without a few jabs that made the room a bit tense. Known for pushing buttons with his jokes, the 63-year-old comedian didn’t hold back during his acceptance speech, which mixed dry humour with some edgy digs.
Looking around at the star-studded pavement, he jokingly pointed out some controversial names, including Michael Jackson, Bill Cosby, and Fatty Arbuckle, all of whom have faced serious allegations. Gervais, with a smirk, seemed to be making a comment on how celebrity and scandal often go hand in hand, especially in a place like Hollywood.
Ricky Gervais stands beside his newly unveiled Hollywood Walk of Fame starGetty Images
But beneath the usual sarcasm, Gervais did show a bit of sincerity. He said the honour left him “humbled” and credited his success to “luck, persistence, and going against the grain.” True to form, he also joked about his casual outfit, saying he wasn’t trying to be edgy, he just didn’t own a suit that fit.
The comedian’s place on the Walk marks him as the 2,813th inductee, joining names from Bob Marley to Stevie Wonder. His long career includes hits like The Office, Derek, and After Life, and he’s picked up multiple Emmys, BAFTAs, and Golden Globes along the way, the latter of which he’s hosted in infamous fashion.
Ricky Gervais adds his name to Hollywood Boulevard with a signature smirkGetty Images
Controversy has never been far behind him. His Netflix special Armageddon drew backlash even before release, with thousands signing a petition over jokes targeting terminally ill children. But Gervais brushed it off, saying people were reacting to headlines, not the actual performance. “They’re hecklers,” he said in an interview, dismissing the outrage as manufactured.
He’s defended his comedy by insisting it’s never personal and is just ideas explored through humour. “People often confuse the topic of a joke with its target,” he explained. His work, including darker series like After Life, often circles around deeper themes like death, grief, and morality, all wrapped in wit.
Fans gather to celebrate the star unveiling in classic Gervais fashionGetty Images
Whether you find him sharp or just plain insensitive, Ricky Gervais doesn’t plan to change his approach. He believes comedy should provoke, even if it ruffles feathers. And now, with a star on Hollywood Boulevard, he’s left a permanent mark, both on the pavement and the industry.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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