Ranveer Singh: Chameleon like actor’s colourful career
By Asjad NazirJun 30, 2022
BIRTHDAY SPECIAL COUNTDOWN OF ALL THE BOLLYWOOD STAR’S FILMS
This week Ranveer Singh turns a year older on July 6 and celebrates his 37th birthday. The popular actor will receive good wishes from all those who have been entertained by his movies, since he made a winning debut in 2010 film Band Baaja Baaraat.
Eastern Eye decided to mark the occasion by looking back at the chameleon-like actor’s diverse body of work and ranking all his movies as a lead star. (The list doesn’t include films where he made a guest appearance or extended cameos like Finding Fanny (2014) and Sooryavanshi (2021).
14. Jayeshbhai Jordaar (2022): An interesting concept was poorly executed in what turned out to be the actor’s biggest commercial failure. The story of a man who finally stands up for his wife, after she is repeatedly forced to abort female foetuses, had its heart in the right place but was poorly told. Everything from the badly written lead character to the questionable messaging and lacklustre music didn’t work on a film that is best left forgotten. Thankfully, his fourteenth film is a minor blip in a successful career.
13. Befikre (2016): All most people remember about Ranveer’s ninth movie is that it had a stunning soundtrack. Beyond the catchy songs, the largely France set film about a couple getting together and breaking up received scathing reviews. Not surprisingly, the romantic comedy-drama that tried too hard to be youthful was a huge box office disaster. Aditya Chopra hasn’t directed a film since then.
12. Kill Dill (2014): The actor’s sixth film saw him star alongside Ali Zafar, Parineeti Chopra, and Govinda. Although interesting, the action-comedy about two assassins who have their world turned upside down when one falls in love with a woman was average. The film starts strongly, but then kind of gets struck in a formula-driven territory and never reaches its potential.
11. Gunday (2014): After four strong films, the actor had a surprise misfire with his fifth outing as a leading man. This action-drama didn’t meet up to sky-high expectations, despite having some engaging moments. He stars alongside Arjun Kapoor, Priyanka Chopra and Irrfan Khan in the story of two villainous but firm friends, who go on a collision course after falling in love with the same woman.
10. Dil Dhadakne Do (2015): Director Zoya Akhtar assembled a strong star cast for the comedy-drama set aboard a cruise liner. Ranveer stars alongside Anil Kapoor, Priyanka Chopra, Anushka Sharma, Farhan Akhtar and Shefali Shah in a story of a family on holiday, who go on their own voyage of discovery. The actor’s seventh film had entertaining moments, some strong music, and engaging characters.
9. 83’: The surprise box office bomb deserved a lot more love than it got at cinemas. The sports drama revolving around India’s history-making cricket World Cup win in 1983 received rave reviews upon release and included one of Ranveer’s career best performances as legendary all-rounder Kapil Dev. His thirteenth film was a fine blend of patriotism and sports.
8. Lootera (2013): This third outing starring the actor opposite Sonakshi Sinha perhaps doesn’t get the credit it deserves. The critically acclaimed drama based on O Henry short story The Last Leaf revolves around a man who badly cons a woman, and then later through circumstance is brought back to her. The beautifully shot film boasted a strong performance from the actor.
7. Ladies vs Ricky Bahl (2011): His successful second film saw him play a suave man who cons women and how three of them team up to take revenge with an audacious hustle. Ranveer stars opposite Anushka Sharma, Parineeti Chopra, Dipannita Sharma and Aditi Sharma in a deliciously devilish comedy filled with great moments, which was an indicator that he had star quality.
6. Goliyon Ki Raasleela Ram-Leela (2013): The interesting Bollywood adaptation of William Shakespeare classic Romeo And Juliet was a huge turning point for the actor. He met future wife Deepika Padukone on his hugely successful fourth film, which entertained audiences and elevated him into the top tier. The colourful tragic romance was also the start of a dream partnership with director Sanjay Leela Bhansali.
5. Simmba (2018): The actor’s eleventh outing as a leading man is a remake of hit 2015 Telugu language film Temper. The commercial entertainer sees him play a corrupt cop, who is triggered to do the right thing. The Rohit Shetty directed police drama became a big box office success when it released and saw him reprise the same role with an extended cameo in Sooryavanshi.
4. Gully Boy (2019): The rap musical won multiple awards and was India’s official entry to the Oscars. The actor delivers one of the best performances of his career as an aspiring rapper from an impoverished background trying to make his mark. His twelfth film was a perfect combination of great songs, strong storyline and powerful performances from a cast that included a standout turn from Alia Bhatt.
3. Band Baaja Baaraat (2010): The actor made a dynamic debut in this romantic comedy opposite Anushka Sharma about two warring wedding planners, who eventually team up and then fall in love. There is great chemistry between the two stars, wonderful music, and an engaging story in what remains one of his finest films to date.
2. Padmaavat (2018): The tenth frontline film of the actor made it three blockbusters in a row with Sanjay Leela Bhansali and Deepika Padukone. He takes on a magnificently memorable role as the villainous Alauddin Khalji in the 13th century set historical epic about an evil ruler trying to defeat a rival king, just so he can have his beautiful wife. Everything from the music, costumes, battles, and performances to the captivating story worked in the film, which included a standout performance from Shahid Kapoor.
1. Bajirao Mastani (2015): The actor hit top gear with his eighth film. He once again teamed up with ace director Sanjay Leela Bhansali and Deepika Padukone in this eye-catching historical romance based on Marathi novel Rau. It documents the deeply emotional love story between a married ruler and a warrior princess, who becomes his second wife. The lavishly mounted film is filled with eye-catching costumes, grand sets, wonderful music, and pitch-perfect performances, including a stellar turn from Priyanka Chopra. The film won multiple accolades and remains the actor’s best effort.
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.
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Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.
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Each character in the set has been carefully designed to reflect cultural narratives
British-Bangladeshi prop maker Anika Chowdhury has designed a handcrafted glow-in-the-dark chess set celebrating heritage and identity.
The limited-edition set, called Glowborne, launches on Kickstarter in October.
Each piece draws from South Asian, Middle Eastern, and African cultural references, re-rooting chess in its origins.
The project blends art, storytelling, and representation, aiming to spark conversations about identity in play.
Reimagining chess through heritage
When Anika Chowdhury sat down to sculpt her first chess piece, she had a bigger vision than simply redesigning a classic game. A British-Bangladeshi prop maker working in the film industry, she grew up loving fantasy and games but rarely saw faces like hers in Western storytelling.
“Chess originated in India, travelled through Arabia and North Africa, and was later Westernised,” she explains. “I wanted to bring those forgotten origins back to the board.”
The result is Glowborne — a limited-edition, glow-in-the-dark fantasy chess set that blends craft, identity and cultural pride.
Anika Chowdhury says she has many ideas to further fuse craft and culture in future projects Glowborne
Crafting Glowborne
Each character in the set has been carefully designed to reflect cultural narratives: Bengali kings and pawns, Indian bishops with bindis, Arab knights, and African queens. Chowdhury sculpted each piece by hand, drawing on her prop-making training at the National Film and Television School.
Once sculpted, the pieces were cast in resin, painted, and finished with South Asian-inspired motifs filled with glow-in-the-dark pigment. “The characters glow both literally and metaphorically,” she says, “as a chance for them to take the stage.”
Cultural pride and visibility
For Chowdhury, the project is about more than gameplay. “Fantasy doesn’t need to fit into the Western mould to tell a great story,” she says. “South Asian, Middle Eastern and African stories are just as powerful, and they can transform something as traditional as chess by reconnecting it with its roots.”
She hopes Glowborne will resonate with South Asian and Eastern African communities as a celebration of identity and belonging. At the same time, she sees it as a bridge for wider audiences — chess enthusiasts, collectors, and design lovers who appreciate craftsmanship and storytelling.
A personal journey
Chowdhury’s career in film and prop-making has influenced her creative process, but Glowborne marks her first independent project. She created it outside her film work, after hours and on weekends.
“At 28, I finally feel like I’ve found my voice,” she reflects. “For a long time I felt pressure to hide my identity, but now I see my culture as a superpower. This project is about using art to express that.”
Looking ahead
Launching this October on Kickstarter as a collector’s edition, Glowborne is only the beginning. Chowdhury says she has many ideas to further fuse craft and culture in future projects. “This is the proof of concept,” she says. “I can’t wait to create more stories that blend heritage, art and play.”
Banksy’s ‘Piranhas’ artwork, painted on a police sentry box, is being stored ahead of display at London Museum.
The piece was originally one of nine works that appeared across London in August 2024.
It will form part of the museum’s new Smithfield site, opening in 2026.
The City of London Corporation donated the artwork as part of its £222m museum relocation project.
Banksy’s police box artwork in storage
A Banksy artwork known as Piranhas has been placed in storage ahead of its future display at the London Museum’s new Smithfield site, scheduled to open in 2026. The piece features spray-painted piranha fish covering the windows of a police sentry box, giving the illusion of an aquarium.
From Ludgate Hill to Guildhall Yard
The police box, which had stood at Ludgate Hill since the 1990s, was swiftly removed by the City of London Corporation after Banksy confirmed authorship. It was initially displayed at Guildhall Yard, where visitors could view it from behind safety barriers. The Corporation has since voted to donate the piece to the London Museum.
Museum’s first contemporary street art
London Museum’s Head of Curatorial, Glyn Davies, said:
“With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art. This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”
Formerly known as the Museum of London, the institution closed its London Wall site in December 2022 as part of its relocation. It rebranded as the London Museum in July 2024, with £222m allocated by the City of London Corporation to support the move. The project is expected to attract two million visitors annually and create more than 1,500 jobs.
Part of Banksy’s animal-themed series
Piranhas was one of nine animal-themed works Banksy created across London in August 2024. The series also featured a rhino on a car, two elephants with interlocked trunks, monkeys swinging from a bridge, a howling wolf on a satellite dish, and a goat painted on a wall. Some of the artworks were later vandalised, removed, or covered up.
Preserving street art for the public
Chris Hayward, policy chairman of the City of London Corporation, said:
“Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions. By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”