AS tempers cool after an alarming confrontation between India and Pakistan, analysts say their leaders have emerged stronger -- with Narendra Modi burnishing his nationalist credentials and Imran Khan cast as a peacemaker.
Some 400,000 people have signed petitions for Khan, the former playboy cricketer and prime minister since August, to get a Nobel prize, while Modi's political stock has also risen ahead of looming elections.
Kashmir has been split between India and Pakistan since 1947, and two of the Asian nations' three wars have been over the Muslim-majority mountainous territory.
An insurgency since the late 1980s -- stoked by Islamabad, New Delhi says -- in the part of Kashmir that India administers has killed tens of thousands of people, most of them civilians.
On February 14 a suicide bombing claimed by a Pakistan-based militant group killed 40 Indian troops. Twelve days later Indian aircraft hit what New Delhi called a terrorist training camp deep inside Pakistan.
In aerial skirmishes over Kashmir the next day, at least one Indian jet was shot down and its pilot captured by Pakistan. India said it also downed a Pakistani aircraft, a claim Islamabad denied.
As the world held its breath, Khan, 66, made the surprise announcement that the captured pilot, handlebar-moustached Wing Commander Abhinandan Varthaman, would be freed in a "peace gesture".
Deadly shelling over the de-facto frontier and clashes between Indian security forces and militants notwithstanding, Abhinandan's release on Friday looks to have taken the sting out the standoff for now.
Khan's actions disarmed his opponents in parliament and on social media alike, with The News daily noting a "rare bonhomie ... between government and opposition".
Assuming it was Khan's decision to free the pilot -- never a given in a country where the military plays such an outsized role -- "it was the first correct one of (Khan's) political career", tweeted Gul Bukhari, a columnist who strongly opposes the government.
Modi "looks like a war-mongering minuscule leader, while the Pakistani prime minister looks like a statesman," said analyst Mosharaf Zaidi.
Fahd Husain, a leading analyst and executive director of The Express Tribune, told AFP he has been "very pleasantly surprised" by Khan's attitude.
"It would have been very easy for him to go the aggressive route. People would have applauded it", he said.
Zaidi said, however, that once the dust settles, politics will be back with a vengeance.
"Pakistan has many problems: education, water, etc. And Imran Khan is the prime minister of all these problems", he added.
Huma Yusuf, from the Wilson Center, cautioned that the challenge of initiating dialogue with India remains.
"This incident has been tactfully handled, but the India-Pak relation has gone worse, no matter how well Imran Khan has handled it," she added.
No one is putting Modi forward for a Nobel but his tub-thumping rhetoric has won him some much-needed political points before India goes to the polls in a few weeks.
Contrasting the more conciliatory sounding Khan, Modi has talked tough, saying that his "new India" would "fight as one" and deliver a "jaw-breaking response".
Even doubts about the efficacy of the air strikes inside Pakistan and the embarrassing shooting down of the pilot have failed to dampen the national enthusiasm for Modi's response.
The opposition Congress party -- which before the crisis was looking increasingly confident ahead of the election -- criticised only how it was kept out of the loop, but not the air raid itself.
Omar Abdullah, a former chief minister of Jammu and Kashmir as well as a Modi critic, was full of praise.
"That's a strike deep inside Pakistan and is hugely embarrassing for (Pakistan)," he tweeted.
Tavleen Singh, a veteran journalist, also lavished praise on the prime minister.
"If India had not avenged the Pulwama massacre, I would have been angry and ashamed. I believe I speak for most Indians when I say this," she wrote in a column for the Indian Express daily on Sunday.
Many pollsters say the air strikes have given Modi just the boost he needed ahead of the election.
Political scientist Yashwant Deshmukh said Modi's right-wing Bharatiya Janata Party could see a five-percent swing in support thanks to the nationalistic fervour gripping the country.
"Modi has the skill to keep the nationalist frenzy kicked off by this act of getting even with Pakistan going for some time," T. K. Arun, the editor of Economic Times daily, said in a column.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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