Paul Mescal, Barry Keoghan & more: Sam Mendes’ Beatles Biopics' cast revealed for the epic four-film event in 2028
The highly anticipated films will explore the lives of each band member with a star-studded cast and unprecedented access to The Beatles' music and life stories.
The Beatles - A Four-Film Cinematic Event, directed by Sam Mendes
Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Hollywood is about to take us on a journey like never before through the lives of ‘The Beatles,’ one member at a time! Director Sam Mendes, known for films like 1917 and Skyfall, has revealed the actors who’ll step into the shoes of John, Paul, George, and Ringo in four separate biopics, all hitting theatres in April 2028.
Harris Dickinson will play John Lennon, Paul Mescal takes on Paul McCartney, Barry Keoghan becomes Ringo Starr, and Joseph Quinn transforms into George Harrison. The announcement came at CinemaCon in Las Vegas, where Mendes and the cast surprised the crowd. Instead of cramming the band’s epic story into one movie or stretching it into a series, Mendes chose a different approach: four interconnected films, each diving deep into a different Beatle’s life.
“This isn’t just one story—it’s four,” Mendes said. “The Beatles didn’t just make music, they changed everything. And to really understand them, we need to see them from every angle.” He called them “the greatest band of all time,” a legacy that still connects and continues today.
The project has full backing from Paul McCartney, Ringo Starr, and the families of John Lennon and George Harrison, marking the first time Apple Corps has allowed a scripted film full access to their life stories and music.
Casting rumours had been swirling for months. Last year, Ridley Scott (who directed Mescal in Gladiator II) accidentally let slip that Mescal was playing McCartney. Mescal later admitted it would be “a dream come true.” Ringo himself hinted at Keoghan’s role, joking, “I believe he’s taking drum lessons—hopefully not too many!”
The films will cover the band’s rise from Liverpool clubs in 1960 to their 1970 breakup, exploring their music, fame, and personal struggles. Previous Beatles films, like A Hard Day’s Night and Let It Be, focused on specific moments, but this will be the first time their full stories are told in a major cinematic event.
With Dickinson, Mescal, Keoghan, and Quinn leading the way, Mendes plans to bring a fresh, intimate look at the men behind the music. As he put it: “There’s still so much left to discover and we’re going to show it like never before.”
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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