Little English makes big impact with relatable British Asian story
Why Viraj Juneja loved playing the lead in new film adaptation of hit theatre play
By ASJAD NAZIRMar 16, 2023
Acclaimed British Asian film Little English will release in UK cinemas this week, after delighting audiences on the festival circuit.
The heart-warming Pravesh Kumar directed comedy-drama features a great cast that includes talented young lead Viraj Juneja. He stars opposite Rameet Rauli in the story of a Punjabi girl with limited English, trapped with a London-based family, after the man she is supposed to marry runs away, and finds herself in an unlikely love story with his seemingly dangerous younger brother.
The actor, best known for 2019 independent British comedy feature film Get Duked!, along with short films and TV appearances, has great presence as the love interest in the multi-layered movie adaptation of hit theatre play There's Something About Simmy.
Eastern Eye caught up with him to find out more.
What first connected you to acting?
Performing! I’ve always been a performer, okay what I really mean is, I’ve always loved being centre of attention. Doing school plays and short films, knowing the audience was watching me, it was a drug. Since then, I’ve fallen in love with acting as a craft, but yeah that was certainly the origin.
What was the experience of working on Little English?
Unlike anything else! We were shooting in a real house, which presented its own problems but meant we became one massive family. (Laughs) I think we all took turns to nap in that bed upstairs. There was just an incredible synergy. It became such a special place to be. I was buzzing to go to work every morning. Even on my days off I had massive FOMO! I wanted them to call me in so I could just hang out with everyone.
Tell us about the lead character you play?
I play Haripal, or Harry, who has been labelled as a ‘bad egg’ in the local community, however, there’s so much more to him. He’s a young man who’s experiencing some mental health issues having been abandoned in the world. He is struggling to find his authentic self. Deep down there is a lot of good and love in him.
What was the biggest challenge of playing this role?
Harry very much likes to keep himself to himself. He doesn’t have a good relationship with anyone, especially his mum. I, on the other hand am very extroverted and love my mum dearly. Seema, who plays my mum in the film, is phenomenal and being present with her in those scenes really stayed with me.
With Rameet Rauli in Little English
What was it like working with writer/director Pravesh Kumar?
A privilege! Pravesh has championed South Asian voices for the past 20 years and RIFCO (his theatre company) is the home for our stories and audiences. To be a part of his first feature is such an honour. I’d love to work with him again but moreover I’d love to watch more of his work. He has an incredible relatable warmth. Film sets can be chaotic, but he was never fazed by anything.
You and Rameet Rauli are great in the lead roles. What was it like working with her?
She is amazing. We had so much fun working together. She’s brilliant and such a wholesome person to be around. Her bubbly energy is infectious. Her character Simmy is phenomenal - to be lost in a new world alone, be feisty at times and yet comedic, isn’t easy, but Rameet effortlessly nailed every beat with aplomb. I’ve learnt things from working with her. (Laughs) Oh and she’s a massive diva. Sorry Rameet!
Who are you hoping connects with this movie?
Honestly, I feel the film will resonate with everyone who goes to watch it. The characters are so relatable. The story is heartbreakingly beautiful and the music so uplifting. After every screening, people have come up to us saying, ‘you remind me of my brother, sister, aunt, grandad etc.’ This authentic film really takes you on a journey.
What is your own favourite moment in Little English?
To film, definitely the scenes where the family are all together. Ameet (Chana) and Goldy (Notay) had me laughing every time. Seeing everyone in costume and nailing their characters, were the moments when I knew we were creating something special.
How much did being surrounded by good actors in the film help you?
Incredibly so. I feel honoured that I got to work with Madhav Sharma, who plays Bauji (grandad). He’s a living legend with a wealth of experience and would regale me with his endless tales. There was a moment when I sat there and realised ‘Oh sh*t this dude is the Mr Shah from East is East!’ What a privilege it was to have spent time with him.
What inspires you as an actor?
Exploring different sides to myself. We’re human beings and go through so many emotions. I want to embrace them all because you never know when something may help you connect to a character in future. I love the feeling of watching something back and not recognising myself.
Why should we all watch Little English?
Little English is a film with massive heart. We’ve never had a film that so authentically represents South Asian culture on screen before. It will have you laughing, crying, hugging those around you and maybe also dancing in the aisle.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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