Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
LABOUR gathers this weekend for its annual conference, with the centre-left party currently on course to return to power in a general election expected next year.
Labour, led by Keir Starmer, goes into the four-day event -- which starts on Sunday (8) in Liverpool, northwest England -- well ahead of the governing Tories in opinion polls.
After this week's chaotic Tory conference, which hampered prime minister Rishi Sunak's bid to kick-start a resurgence of his beleaguered party, experts say the primary objective of Labour's meet is a simple one: do nothing that jeopardises its lead.
"The main thing will be don't cock up. No hostages to fortune, no signs of dissension," said political scientist Anand Menon.
Labour last held the keys to 10 Downing Street in 2010 and is readying itself to govern again following a vote that must be held by January 2025 at the latest.
Starmer, 61, has revived the fortunes of a party that suffered a landslide defeat to the Tories at the last election in 2019 under former far-left leader Jeremy Corbyn, by pulling it back to the centre ground.
A recent European trip, including a meeting with French president Emmanuel Macron, was seen by many as Starmer projecting himself as a prime minister-in-waiting.
Labour has enjoyed double-digit poll leads for months, with Britain locked in a cost-of-living crisis and plagued by strikes, and with Tory infighting leading to three prime ministers in little over a year.
Recent surveys, though, have showed the gap narrowing after the announcement of populist policies by Sunak that attempt to draw clear dividing lines between the Tories and their opponents.
Starmer, a former chief state prosecutor, is regularly accused of being too cautious, and observers are keen to see whether he adopts a bolder stance in Liverpool.
"The only interesting thing I think will be the degree to which Starmer feels pressured into trying to be a bit more assertive in terms of spelling out a vision," Menon said.
Starmer has dropped several pledges made during his successful 2020 leadership bid, including plans to scrap university tuition fees, citing the economic climate.
Labour has also backed away from tax increases, allowing Conservatives to accuse Starmer of flip-flopping on several issues.
Starmer has ruled out taking Britain back into the European Union but has pledged to seek "a much better deal for the UK" with the bloc. The post-Brexit Trade and Cooperation agreement struck by former premier Boris Johnson is due for review in 2025.
In July, he laid out his party's "five missions for a better Britain" that will form the backbone of its election manifesto.
They include making Britain a green energy superpower and building a national health service "fit for the future".
Political experts expect the Labour leader to put more flesh on the bones of these policies when he speaks at the conference Tuesday, which could be the last annual gathering of the party before voters go to the polls.
"One would expect one or two quite symbolic policies from the conference, things to associate Starmer with over the next few months. I think that will be important," said Karl Pike at Queen Mary University of London.
But with opinion polls suggesting that only Labour can blow the party's chances now, Starmer may feel it is wiser to keep his cards close to his chest until nearer the election, which experts have speculated could occur in the spring or autumn of 2024.
Economic constraints mean Labour may also be reluctant to commit to major spending pledges they might not be able to meet if elected.
Starmer will also have to decide whether to engage with the Tories over so-called "culture wars" on immigration and gender rights, which home secretary Suella Braverman ramped up with her conference speech on Tuesday (3).
"The question for him is how safety first is he going to be, at the conference and over the next few months," said Pike.
"How much is it going to be about what Labour wants to do for the country? And how much is it going to be about just attacking the Toris?"
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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