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Laal Singh Chaddha: Aamir Khan and Kareena Kapoor Khan to romance on a song titled Jugnu

Aamir Khan and Kareena Kapoor Khan are all set to reteam for the third time in the film Laal Singh Chaddha. It is one of the most awaited films of the year, and according to a report in a daily, we will get to see Aamir and Kareena romance on a song titled Jugnu in the film.

While talking about the song, director Advait Chandan said, "We had a blast shooting Jugnu which is a feel-good romantic song with Aamir sir and Kareena ma'am. They have such amazing chemistry that I didn’t want to call cut! I cannot wait for people to watch the song. I have half a mind of leaking it myself."


Well, on Aamir Khan Valentine’s Day had posted a poster featuring Kareena Kapoor Khan and had written that he would like to romance her in all his films. Both the actors have earlier worked together in movies like 3 Idiots and Talaash. Their jodi is liked by the audiences.

Laal Singh Chaddha is a remake of Hollywood film Forest Gump. The movie is slated to release on Christmas 2020. It was supposed to clash with Akshay Kumar starrer Bachchan Pandey, but Aamir requested Akshay and the producer of the film, Sajid Nadiadwala to postpone their film. So, now Laal Singh Chaddha will enjoy a solo release.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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