Australia were staring at defeat in the first Test Sunday after losing four wickets in their record run chase at the Adelaide Oval after being set a target 323 to win by India.
At stumps Australia were 104 for 4, needing another 219 for an unlikely victory with their fate resting on the shoulders of Shaun Marsh, who was not out 31, and local boy Travis Head who remained unbeaten on 11.
India amassed 307 in their second innings with vice-captain Ajinkya Rahane smashing 70 and first innings century-maker Cheteshwar Pujara a composed 71.
A late collapse got the crowd on their feet and gave Australia a flicker of hope, with India's last four wickets falling for just four runs.
Spinner Nathan Lyon was the pick of the bowlers, taking six wickets for 122 runs off 42 overs. It was his 13th five-wicket haul in Tests. Mitchell Starc snared 3 for 40.
Australia need to make history to win. The only successful fourth innings Test run chase of more than 300 at Adelaide came in 1902, when the hosts made 315 to beat England, with the biggest in modern times the 239 West Indies managed in 1982.
The home side can take some comfort, though, by Western Australia in a domestic match last month scoring 313 to beat South Australia here when Marsh scored 163 not out.
Opener Aaron Finch -- who survived being given out lbw second ball when a review showed Ishant Sharma had overstepped the crease -- made just 11 in his second failure of the match.
He was caught behind off spinner Ravichandran Ashwin when the ball whistled past his glove. He chose not to review the decision, which was a mistake. Replays showed the third umpire would have overturned it.
Debutant Marcus Harris matched his first innings score of 26, hitting three crunching boundaries before he was caught by Rishabh Pant off Mohammed Shami, getting an edge on an attempted cut shot.
Australia desperately needed the experienced Usman Khawaja to stick around but he decided to run down the pitch to an Ashwin delivery on nine and sliced it to Rohit Sharma, who took a difficult catch.
And when Handscomb miscued a pull shot off Shami on 14 to Pujara, they were in deep trouble.
Play had started 30 minutes early to make up for rain disruptions on Saturday, with Australia desperate for an early breakthrough to build on the momentum after Virat Kohli fell to Lyon near the close on day three.
But two fours from Pujara off Josh Hazlewood in the second over of the day set the tone.
The right-hander brought up 50 -- his 20th in Tests -- with a three off Lyon and hardly looked troubled until the off-spinner fooled him half an hour before lunch and Finch caught him off bat and pad.
It was a crucial 87-run partnership with Rahane, who survived a bat-pad catch decision off Lyon on review. The vice-captain rubbed salt in the wound by smacking the next ball for four and brought up his 16th half-century with another boundary.
He was eventually out going for a needless reverse sweep off Lyon, with Starc picking up the catch.
The aggressive Pant went in search of quick runs as India's lead approached 300, whacking three fours and a six in succession off one Lyon over.
But when he went for another big hit and fell for a quick-fire 28, it prompted a collapse from 282 for 5 to 307 all out.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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