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India orders death sentence for rapists of eight-year-old

An Indian court on Tuesday (21) sentenced two men to death for the gang-rape of an eight-year-old girl that sparked angry protests.

The sentence was one of the first ordered under a new law allowing for fast-track trials and capital punishment for child rapists.


Crowds chanted "Death to rapists!" after the brutal attack on the child in the central state of Madhya Pradesh two months ago. The victim is still in hospital with critical injuries.

The suspects picked up the child outside her school in Mandsaur as she waited for her father.

They took her to a secluded spot where she was raped, had her neck slashed and was left to die. Her life was saved by locals who found her and rushed her to hospital.

A court in Mandsaur passed the sentence on the men, aged 20 and 24.

India in April made the rape of children aged up to eight a capital offence following widespread outrage over earlier cases.

The last execution for rape was 14 years ago in Kolkata in eastern India. Dhananjay Chatterjee, a building guard, was hanged for the 1990 rape and murder of an 18-year-old.

Sexual violence is rife in India, with nearly 40,000 rape cases reported in 2016. Activists say this is just the tip of the iceberg.

India has been the focus of international attention since the 2012 gang-rape and murder of a student on a Delhi bus sparked nationwide protests and highlighted its poor record on sexual violence.

(AFP)

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  • Martin Parr, acclaimed British photographer, died at home in Bristol aged 73.
  • Known for vivid, often humorous images of everyday life across Britain and India.
  • His work is featured in over 100 books and major museums worldwide.
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Martin Parr, the British photographer whose images of daily life shaped modern documentary work, has died at 73. Parr’s work, including his recent exhibition Only Human at the National Portrait Gallery, explored British identity, social rituals, and multicultural life in the years following the EU referendum.

For more than fifty years, Parr turned ordinary scenes into something memorable. He photographed beaches, village fairs, city markets, Cambridge May Balls, and private rituals of elite schools. His work balanced humour and sharp observation, often in bright, postcard-like colour.

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