Pakistan on Tuesday (4) elected a close ally of prime minister Imran Khan as its new president, further cementing the ruling party's power after a controversial general election victory.
Former dentist Arif Alvi, one of the founders of Khan's Pakistan Tehreek-e-Insaf (PTI) party, will replace Mamnoon Hussain after the vote by more than a thousand lawmakers from both houses of parliament and the four provincial assemblies.
Former cricket champion Khan became prime minister last month following his party's controversial victory in the mid-July parliamentary elections.
Khan's critics accuse him of having benefited from an underhand intervention by the military in his favour, and from fraud on the day of the vote.
State-run Pakistan television announced the unofficial results just over an hour after the voting ended Tuesday, with Alvi claiming victory in televised remarks. The official result is expected to be announced by the election commission on Wednesday.
Alvi told reporters he was "thankful to God", and vowed to be a president for all of Pakistan. TV footage showed him shaking hands with parliamentarians after the vote, with many handing him sweets in celebration.
Hussain, a close ally of ousted premier Nawaz Sharif, had kept a low profile during his tenure.
Alvi, a father of four and active Twitter user, was shot and wounded during a protest against military dictator Ayub Khan in Lahore in 1969. He still has a bullet embedded in his right arm.
He studied at the University of Michigan and the University of the Pacific in San Francisco, as well as in Lahore, before making a career as a dentist and then entering politics.
He served as PTI's secretary general for eight years from 2006, and was elected an MP in the southern megacity of Karachi in 2013, winning re-election in the July vote.
- Balance of power -
Pakistani presidents wielded more power until president Asif Ali Zardari, the husband of assassinated premier Benazir Bhutto, took office in 2008 and devolved most of his powers to his prime minister Yousaf Raza Gilani.
Political analyst Sohail Warraich said the president's role is now to act as a bridge between the federal government and the provinces, adding that Alvi's status as a member of middle-class Pakistan would endear him further to Khan.
"In Pakistan, middle-class presidents don't revolt against prime ministers," he said.
Alvi's opponent Maulana Fazlur Rehman of the Jamiat Ulema-i-Islam, an opposition party backed by the ousted Pakistan Muslim League-Nawaz (PML-N), came second in the vote.
Nuclear-armed Pakistan, a Muslim giant of more than 207 million people, has seen security improve dramatically in recent years after a decade-long struggle against Islamist extremism.
But Khan's government now faces major challenges, with the country teetering on the edge of a balance-of-payments crisis that analysts say could force it to seek an IMF bailout.
Pakistan is also among the world's worst affected countries by global warming, and is facing a shortage of water exacerbated by its surging population.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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