Euro: Germany enter knockouts, Albania hold Croatia, Scotland stay alive
In Stuttgart, Germany’s Ilkay Gundogan played a pivotal role in their win over Hungary, as they became the first team to secure a spot in the next round.
Germany advanced to the Euro 2024 knockout stage with a 2-0 victory over Hungary on Wednesday, becoming the first team to secure a spot in the next round.
In other key matches, Albania snatched a dramatic 2-2 draw against Croatia in Group B, and Scotland kept their hopes alive with a 1-1 draw against Switzerland in Group A.
In Stuttgart, Germany's Ilkay Gundogan played a pivotal role in their win over Hungary. Gundogan set up Jamal Musiala for the first goal in the 22nd minute after some poor defending by Hungary.
Musiala, playing in his hometown, hammered the ball into the net via a defender.
Hungary had a goal disallowed for offside in first-half stoppage time and missed several opportunities before Gundogan scored in the 67th minute, sealing the win for Germany.
"You can feel the euphoria of the people," said Germany's goalkeeper Manuel Neuer. "The atmosphere is good and happy it is taking place here."
Hungary's manager Marco Rossi acknowledged the costly mistakes made by his team.
"Teams like Germany and other world-class teams play better than us, we know that," Rossi said. "Germany is possibly the biggest favorite to win the Euro."
In Hamburg, Albania and Croatia played out a thrilling 2-2 draw. Albania's Klaus Gjasula scored a dramatic equaliser in added time after having earlier netted an own goal that put Croatia ahead.
Qazim Laci had given Albania an early lead with an 11th-minute header.
Croatia responded with two quick goals in the 74th minute, including Gjasula's own goal.
"This is why everyone loves football," said Croatia's Andrej Kramaric. "In the last seconds, sometimes you score a goal to win, sometimes you concede."
Albania's coach expressed optimism ahead of their final group game against Spain.
"We know that the game with Spain is very difficult but in football everything is possible," said Gjasula.
Croatia will need a win against Italy to advance. "The first half was very bad but the second much better," said Croatia coach Zlatko Dalic.
"We are still in the game, we shall prepare and do all in our power to go on."
In their Group A match, Scotland held Switzerland to a 1-1 draw, keeping their hopes of reaching the knockout stages alive.
Scott McTominay scored early for Scotland, while Switzerland's Xherdan Shaqiri equalized with a stunning strike.
Both teams had chances to win, but the game ended level.
"It was a good team performance against good opponents and a good reaction," said Scotland manager Steve Clarke.
Swiss coach Murat Yakin praised his team's efforts but noted missed opportunities.
"We could have won the game, we missed some really big opportunities," Yakin said.
Switzerland will look to secure their knockout stage spot in their final group match.
Aamir Khan returns to the big screen this month in Sitare Zameen Par, a heart-warming Bollywood remake of the Spanish comedy-drama Campiones. He plays a disgraced basketball coach who takes on an unexpected challenge with a team of individuals with special needs.
Sporting a look unlike any from the past decade, the film – due out on 20 June – adds to the many transformations he has embraced over his career, from shifting hairstyles to dramatic facial hair.
Eastern Eye uses this new role as a chance to revisit the superstar’s evolving on-screen appearances.
Yaadon Ki Baarat (1973): An eight-year-old Aamir Khan made his film debut in a song sequence of this smash hit, produced and directed by his uncle Nasir Hussain. It marked the first time cinema audiences saw him on screen.
The actor’s evolving style from youth to maturity getty images
Qayamat Se Qayamat Tak (1988): After working in further films as a child star and assistant director, the baby-faced actor was launched as a leading man with the hit romantic musical. He established himself with that same clean-cut look in subsequent films.
Aamir Khan embracing vintage looks with classic charmgetty images
Baazi (1995): This action thriller failed at the box office but is remembered for Khan dressing in drag. The striking female get-up was arguably the only memorable aspect of an otherwise forgettable film.
Rangeela (1995): In this musical hit, Khan played a street-smart ruffian and debuted a rugged new look with heavy stubble. The image shift helped him fully inhabit the role and showcased a different side of him to audiences.
Bold and dramatic changes defining Aamir Khan’s careergetty images
Ghulam (1998): Heavily inspired by the 1954 Hollywood classic On the Waterfront, this film saw Khan blend ruggedness with a more heroic edge. His portrayal of a hoodlum with boxing skills left a lasting impact.
Dil Chahta Hai (2001): With its fresh haircuts and urban styling, Farhan Akhtar’s directorial debut introduced a new wave of contemporary cool to Hindi cinema. Khan’s image underwent a complete makeover as part of the film’s trendsetting aesthetic.
From rugged to refined Aamir Khan’s versatile appearancesgetty images
Mangal Pandey The Rising (2005): After a four-year hiatus, Khan returned with his most dramatic transformation yet – long hair and an epic moustache that brought to life the spirit of the 19th-century freedom fighter.
Rang De Basanti (2006): This story of youthful defiance gave Khan a refreshed haircut. In historical flashbacks, he adopted other appearances inspired by the past, adding further layers to his portrayal.
Ghajini (2008): In this remake of a Tamil film – itself inspired by Hollywood drama Memento – Khan adopted a dramatic new look with a muscular physique and buzz cut that intensified the film’s emotional and action-driven edge.
Memorable film moments showcasing Aamir Khan’s unique stylegetty images
3 Idiots (2009): Khan turned back the clock in this record-breaking film, transforming his appearance to convincingly play a young engineering student. He changed his weight, hairstyle and mannerisms to suit the role.
Delhi Belly (2011): Producing this crime caper, Khan made a cameo in a song sequence where he donned a retro disco look. Funky glasses, glittery costumes and exaggerated 70s flair helped him stand out in yet another memorable appearance.
Talaash The Answer Lies Within (2012): As a serious police officer, Khan adopted a subdued look – short hair, a neatly trimmed moustache and a haunted expression, completed by a simple police uniform.
Dhoom 3 (2013): To play identical twins with different personalities, Khan adopted a muscular physique, sharp haircut, tight outfits, a bowler hat and intense expressions. This gave him another memorable identity.
Aamir Khan’s blend of classic and contemporary fashiongetty images
PK (2014): Portraying an alien, Khan had to create an entirely unfamiliar look. He did this by pushing out his ears, widening his eyes and pairing innocent expressions with mismatched clothes to enhance the character’s quirky charm.
Dangal (2016): Although he appeared as a younger, muscular version of his character, Khan’s look in this record-breaking movie was defined by older age. He transformed himself with extra weight, grey hair and weather-worn expressions.
Secret Superstar (2017): In this acclaimed film, which he also produced, Khan played a flamboyant music director. Leather jackets, tight trousers, eccentric hairstyles, earrings, facial hair and a rockstar swagger made it one of his most over-the-top looks.
Thugs of Hindostan (2018): The actor pierced his nose for this swashbuckling period film. With long curly hair, a scruffy beard, old-fashioned clothes and roguish expressions, he embraced the character’s mischief and flair.
Aamir Khan’s dedication to authentic character portrayals getty images
Laal Singh Chaddha (2022): In this remake of Forrest Gump, Khan portrayed his character across different stages of life. From clean-shaven youth to a heavily bearded older man, he showcased a broad spectrum of looks in a single film.
Sitare Zameen Par (2025): In the Hindi remake of Campiones, Khan plays a short-tempered basketball coach. After decades of dramatic transformations, the 60-year-old returns to a look that closely mirrors his everyday appearance.
Rang De Basanti (2006): This story of youthful defiance gave Khan a refreshed haircut. In historical flashbacks, he adopted other appearances inspired by the past, adding further layers to his portrayal.
Ghajini (2008): In this remake of a Tamil film – itself inspired by Hollywood drama Memento – Khan adopted a dramatic new look with a muscular physique and buzz cut that intensified the film’s emotional and action-driven edge.
3 Idiots (2009): Khan turned back the clock in this record-breaking film, transforming his appearance to convincingly play a young engineering student. He changed his weight, hairstyle and mannerisms to suit the role.
Delhi Belly (2011): Producing this crime caper, Khan made a cameo in a song sequence where he donned a retro disco look. Funky glasses, glittery costumes and exaggerated 70s flair helped him stand out in yet another memorable appearance.
Talaash: The Answer Lies Within (2012): As a serious police officer, Khan adopted a subdued look – short hair, a neatly trimmed moustache and a haunted expression, completed by a simple police uniform.
Dhoom 3 (2013): To play identical twins with different personalities, Khan adopted a muscular physique, sharp haircut, tight outfits, a bowler hat and intense expressions. This gave him another memorable identity.
Cinematic milestones reflected in Aamir Khan’s on-screen imagegetty images
PK (2014): Portraying an alien, Khan had to create an entirely unfamiliar look. He did this by pushing out his ears, widening his eyes and pairing innocent expressions with mismatched clothes to enhance the character’s quirky charm.
Dangal (2016): Although he appeared as a younger, muscular version of his character, Khan’s look in this record-breaking movie was defined by older age. He transformed himself with extra weight, grey hair and weather-worn expressions.
Secret Superstar (2017): In this acclaimed film, which he also produced, Khan played a flamboyant music director. Leather jackets, tight trousers, eccentric hairstyles, earrings, facial hair and a rockstar swagger made it one of his most over-the-top looks.
Thugs of Hindostan (2018): The actor pierced his nose for this swashbuckling period film. With long curly hair, a scruffy beard, old-fashioned clothes and roguish expressions, he embraced the character’s mischief and flair.
Laal Singh Chaddha (2022): In this remake of Forrest Gump, Khan portrayed his character across different stages of life. From clean-shaven youth to a heavily bearded older man, he showcased a broad spectrum of looks in a single film.
Sitare Zameen Par (2025): In the Hindi remake of Campiones, Khan plays a short-tempered basketball coach. After decades of dramatic transformations, the 60-year-old returns to a look that closely mirrors his everyday appearance.
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Jos Buttler raises his bat as he walks to the pavilion after losing his wicket, LBW bowled by West Indies' Alzarri Joseph. Reuters/Lee Smith
FORMER captain Jos Buttler scored a superb 96 off 59 balls, and Liam Dawson took four wickets on his international return, as England beat West Indies by 21 runs in the T20 series opener at Durham's Riverside ground on Friday (6).
After making a 3-0 winning start to Harry Brook's captaincy in the one-dayers, England kept the momentum in the shorter format with an innings of 188-6 after winning the toss and batting first.
West Indies finished on 167-9, with Romario Shepherd caught on the final ball of the match.
Buttler, in at number three with England 16-1 after Ben Duckett was caught by West Indies captain Shai Hope off Shepherd, brought up his half century from 25 balls in the eighth over.
He had earlier smashed three sixes and scooped a four from the first four balls of a devastating sixth over with Alzarri Joseph bowling.
The 34-year-old, who stepped down as white-ball captain last February following England's group-stage exit from the Champions Trophy, continued to look like a man relieved of a heavy burden as he hit six fours and four sixes.
Needing just four for the century, he was out lbw to Joseph in the penultimate over.
The tally was Buttler's highest T20 international score on home soil.
West Indies were 33-2 off 5.2 overs after losing Johnson Charles for 18, stumped by Buttler off Dawson, and Hope caught by Duckett, who repaid his own dismissal in like-for-like fashion, for three off debutant Matthew Potts.
England restricted the visitors to 44-2 at the end of the powerplay, compared to 78-1 at the same stage of the home innings.
Evin Lewis hit West Indies top score of 39 off 23 balls, before being caught by Brydon Carse with Jacob Bethell bowling.
Dawson, back in the side at 35 and playing his first England match since 2022, claimed his second and third wickets when Duckett caught Sherfane Rutherford (2) and Roston Chase (24) in quick succession.
The left-arm spinner wrapped up with a fourth wicket, for 20 runs from his four overs, by bowling Rovman Powell as West Indies slipped to 115-6 on a tough night in the north-east.
"I feel really good. Really pleased to contribute to a really good win," said Dawson after being declared player-of-the-match.
"When you get 190 on the board, you can go out there and simplify everything. You can bowl defensively and they've got to come to you. Tonight, it worked.
"It's been maybe three-and-a-half years since I played. I was nervous going into the game but I'm happy to contribute."
Hope said his side had not bowled as well as they had wanted to and needed also to perform better with the bat.
"We've got to put this behind us and we've got two games to win the series," he said.
(Reuters)
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India's prime minister Narendra Modi. (Photo by MONEY SHARMA/AFP via Getty Images)
CANADIAN prime minister Mark Carney invited his Indian counterpart Narendra Modi to the upcoming Group of Seven summit in a phone call on Friday (6), as the two sides look to mend ties after relations soured in the past two years.
The leaders agreed to remain in contact and looked forward to meeting at the G7 summit later this month, a readout from Carney's office said.
India is not a G7 member but can be invited as a guest to its annual gathering, which will be held this year in Kananaskis in the Canadian province of Alberta, from June 15 to 17.
"Glad to receive a call from Prime Minister (Carney) ... thanked him for the invitation to the G7 Summit," Modi said in a post on X.
Modi also stated in his post on Friday that India and Canada would work together "with renewed vigour, guided by mutual respect and shared interests."
Bilateral ties deteriorated after Canada accused India of involvement in a Sikh separatist leader's murder, and of attempting to interfere in two recent elections. Canada expelled several top Indian diplomats and consular officials in October 2024 after linking them to the murder and alleged a broader effort to target Indian dissidents in Canada.
New Delhi has denied the allegations, and expelled the same number of Canadian diplomats in response.
India is Canada's 10th largest trading partner and Canada is the biggest exporter of pulses, including lentils, to India.
Carney, who is trying to diversify trade away from the United States, said it made sense for the G7 to invite India, since it had the fifth-largest economy in the world and was at the heart of a number of supply chains.
"In addition, bilaterally, we have now agreed, importantly, to continued law enforcement dialogue, so there's been some progress on that, that recognizes issues of accountability. I extended the invitation to prime minister Modi in that context," he told reporters in Ottawa.
Four Indian nationals have been charged in the killing of the Sikh separatist leader.
(Reuters)
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The Ancient India: Living traditions exhibition at the British Museum
The British Museum’s Ancient India: Living Traditions is among the most significant displays for Hindus, Jains, and Buddhists living in the UK.
Eastern Eye was given a tour of the exhibition by its curator, Dr Sushma Jansari, the Tabor Foundation curator of South Asia at the British Museum, and Kajal Meghani, the project curator, who has completed a PhD on the contributions of South Asian collectors to the museum.
A seated Jain enlightened teacherAshmolean Museum, University of Oxford
Highlights in the exhibition include: Ardhanarishvara, “lord who is half woman” – Shiva and Parvati combined in one deity – dated about 1790–1810; the Bimaran casket, about 1st century; Gaja-Lakshmi (“Elephant Lakshmi”), goddess of good fortune, about 1780; Ganesha made in Java from volcanic stone, about AD 1000–1200; the head of a grimacing yaksha, about second or third century; Naga, about 17th century; a sandstone figure of Ganesha from Uttar Pradesh, about AD 750; a seated Jain enlightened teacher in meditation, about AD 1150–1200; and a silk watercolour painting of the Buddha from China, about AD 701–750.
Ganesha from JavaAshmolean Museum, University of Oxford
Jansari said one of the aims of the exhibition was to connect the figures with visitors, especially practitioners of Hinduism, Jainism and Buddhism in the UK.
She said: “Most of them don’t know a great deal about Indian religions, so (this is) just to say that these might be ancient images, but they are and have always been under veneration. People do venerate them. This isn’t all about just one religious tradition. It’s about three of the indigenous religions of the subcontinent. You’ve got the Buddha, Ganesh and a Jain enlightened teacher (in close proximity).
A Chinese silk painting depicting the BuddhaAshmolean Museum, University of Oxford
“It was important for me, as a member of the South Asian diaspora, that I didn’t want to split up these traditions. I wanted very much to look at our collections and ask, what are the commonalities between Jainism, Hinduism and Buddhism.
“What are their artistic origins? Just as we live alongside each other, it was the same in the ancient past. It was even more fluid because you didn’t subscribe to just one particular religion. You would venerate at different shrines. You’d subscribe to different aspects of these different religions.”
ArdhanarishvaraAshmolean Museum, University of Oxford
She stopped at one point: “We wanted you to feel the atmosphere of ancient India. We’re in early India, maybe about the second century BCE. Most of the population live in the countryside. There are obviously some amazing cities as well, but we’re looking at the countryside.
Head of a grimacing yakshaAshmolean Museum, University of Oxford
You’re living in an agrarian society. The failure of your crops means famine, and the success of your crops means you are likely to survive another year with your family, and you will prosper. And we’re just trying to evoke that.”
In Indian mythology, a yaksha is a class of supernatural beings, often nature spirits or deities, that can be benevolent, mischievous, or even malevolent. They are frequently associated with water, fertility, trees, the forest, treasure, and wilderness. Yakshas are often depicted as guardians of places or treasures and can be found in Hindu, Jain, and Buddhist texts, as well as in temples throughout South and Southeast Asia.
“You can hear the sounds of nature,” continued Jansari. “Maybe you’re walking through a dappled forest, and then you encounter the yakshas, the yakshis and the (snake gods) nagas and the naginis. And these are some of the earliest images of deities in the subcontinent, shaped in human form, which is incredibly important, but it doesn’t mean that they’re consigned to the past. This is not ancient and long gone, like an exhibition of beautiful Greek or Roman art, but those deities are no longer under active worship. These have a long continuous life.”
NagaAshmolean Museum, University of Oxford
The yakshas and the yakshis were “not all lovely, happy figures,” said Jansari. “Actually, they need to be placated. You’ve got these grimacing yakshas here, and they’re clutching sacrificial animals.”
She pointed out a figure of “a voluptuous woman draped in jewellery. There’s lots of floral imagery. You are thinking about fecundity and plenty. But then you look a bit more closely at her hair, there are weapons emanating out. These are powerful, independent goddesses with a martial quality.”
The Bimaran casketAshmolean Museum, University of Oxford
Jansari spoke about snakes and why in many societies in India, particularly in rural parts, they tend not to be killed.
She explained: “The nagas and the naginis were independent, really powerful gods. And in a society where the monsoon is incredibly important for the success or failure of your crops, the snakes are vital. You’ve got lovely plenty of water, which means your crops are growing, which means there are more rodents and frogs. So having lots of snakes around is a really healthy sign. They were venerated. They were not killed. It was considered very bad karma to kill a snake. And even now, you still don’t kill snakes. Within nature spirits, it’s not only yakshas and yakshis and nagas and naginis it’s also animal-headed deities.” She talked about the genesis of the exhibition: “I really wanted to show the connections between this ancient religious art and nature, but also the religions themselves. There are so many similarities. There are also key differences. I wanted to make sure that this exhibition is not seen as ancient objects from abroad which have no meaning or purpose here in the UK. They absolutely do for large portions of our society. This is very much part of British culture. That’s how Belgrave Road (in Leicester) happens.”
Meghani looked at “how these faiths and the practices travelled, not just from India to the UK, but there is this weaving through East Africa and other places, and how these traditions change and are adapted to these spaces, how it allows people to maintain a sense of connection with their families and also their faith.”
The curators had consulted places of worship in the UK. They included the Buddhapadipa temple in Wimbledon, the BAPS Shri Swaminarayan Mandir in Neasden in north London, as well as the Oshwal Association of the UK in Potter’s Bar in Hertfordshire.
Meghani said: “This is one of the films we created with a community partner in Potter’s bar. Manjula Shah, who volunteers at Potter’s Bar, wakes up at the crack of dawn to get to the temple for 7 am. She’s preparing sandalwood paste, and she’ll use that in the ceremony.
“And we wanted to include sites in the UK to show how South Asians are still carrying on their veneration practices within Britain today.
” In Ancient India: Living traditions is at the British Museum until October 19, 2025.
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FILE PHOTO: Piyush Chawla. (Photo by INDRANIL MUKHERJEE/AFP via Getty Images)
VETERAN leg-spinner Piyush Chawla, who played key roles in India's 2007 T20 World Cup and 2011 ODI World Cup victories, announced his retirement from all forms of cricket on Friday (6) after more than two decades in the sport.
The 36-year-old made the announcement through an Instagram post, describing his decision as the end of an "incredible journey" while hinting at a new unspecified venture ahead.
"After more than two decades on the field, the time has come to bid adieu to the beautiful game," Chawla wrote. "Though I step away from the crease, cricket will always live within me. I now look forward to embarking on a new journey, carrying with me the spirit and lessons of this beautiful game."
Chawla represented India across all three formats, playing three Tests, 25 ODIs and seven T20 internationals, claiming 43 wickets in total. However, his most memorable contributions came as part of India's World Cup-winning squads in 2007 and 2011.
"From representing India at the highest level to being part of the victorious 2007 T20 World Cup and 2011 ODI World Cup squads, every moment in this incredible journey has been nothing short of a blessing," he said. "These memories will forever remain etched in my heart."
The spinner enjoyed particular success in the Indian Premier League, playing for four franchises during his career - Punjab Kings, Kolkata Knight Riders (KKR), Chennai Super Kings and Mumbai Indians. He was part of KKR's 2014 IPL championship team and famously hit the winning runs in the final against Punjab Kings in Bengaluru.
Chawla paid tribute to the IPL franchises who showed faith in him, describing the tournament as "a truly special chapter in my career". He also thanked his coaches, particularly K.K. Gautam and the late Pankaj Saraswat, for nurturing his development.
The Uttar Pradesh player burst onto the cricket scene as a teenager, making his competitive debut at just 15 and his first-class debut at 17. He gained national attention when he bowled out batting legend Sachin Tendulkar with a googly during the Challenger Series in 2005-06.
In domestic cricket, Chawla accumulated over 1,000 wickets across all formats, representing India Under-19 and Uttar Pradesh Under-22 teams during his early career.
"Today is a deeply emotional day for me as I officially announce my retirement from all forms of international and domestic cricket," he said, paying special tribute to his late father. "A special mention to my late father, whose belief in me lit the path I walked. Without him, this journey would never have been possible."