Amruta Khanvilkar has made a stunning impact on ongoing Colors TV reality show Jhalak Dikhhla Jaa 10.
The actress has dazzled audiences every week with her delightful dance skills and impressive range as a performer. By combining diverse dance disciplines with powerful acting and masterful storytelling, she has regularly been in the top tier of a hugely competitive series. It adds to varied film and TV projects for the versatile star, who has been entertaining audiences for the last 16 years.
Eastern Eye caught up with her during an intense rehearsal schedule to speak about her interesting journey, Jhalak Dikhhla Jaa brilliance, stage performance and love for leaving the comfort zone.
How do you reflect on your action-packed acting journey?
I started working in 2006, and from then until now the journey has been amazing. I got to work in each medium of television, reality shows, films, and OTT (streaming platform). I am looking forward to big OTT releases the next year on Hotstar and with Applause, so am kicked about it. The journey has been amazing, be it regional cinema or super hit Hindi films. I am slowly and steadily carving a niche for myself. I always wanted to do Jhalak Dikhhla Jaa.
Your work has been diverse…
I’ve been very lucky because not a lot of people who dance well get the kind of offers I have got. And lots of actresses who can dance don’t get the right platform to showcase their dancing talent. But for me, it has always been dance, and acting together. So, I am
really glad about that.
Amruta Khanvilkar in Jhalak Dikhhla Jaa 10
What made you want to participate in Jhalak Dikhhla Jaa 10?
The only thing that made me participate in Jhalak Dikhhla Jaa was that I got to perform in front of Madhuri Dixit. She has been my idol since childhood, and to perform her song in front of her is a different high. It is a different pressure, but also a high altogether.
How much preparation did you do for the show?
Just before Jhalak Dikhhla Jaa was offered I was promoting my film Chandramukhi and performing on stage throughout Maharashtra. There was no special kind of preparation I had to do. I love to dance. It has always been a part of my daily routine, so I don’t think I had to prepare anything for that, but I shed a bit of weight.
What has the experience of being on the show been like?
The experience till now has been amazing. Recently, I got `101 as a ‘guru dakshina’ from Madhuri Dixit, so it’s getting better and better. It gives me immense pleasure to entertain my judges and audiences watching this show.
How much do all the positive reviews of your performance mean?
Comments and positive responses from judges matter to me. It influences the minds of the people who are watching the show; when Madhuri mam, Nora (Fatehi) and Karan (Johar) sir say something, it creates a huge impact on voting because the people understand what kind of dance and concept we are doing. And that’s very important.
Do you feel nervous before going on stage to perform?
I feel extremely nervous before going on stage. Lots of things keep going through my mind. I get all kinds of goosebumps and chills down my spine. I feel very nervous when my performance starts.
What is it like dancing in front of an all-time great like Madhuri Dixit?
Dancing in front of Madhuri Dixit gives a lot of pressure but a different kind of hype too. To perform her song in front of her was amazing. Sometimes, I think about what she must be thinking. We like to surprise her a lot. Recently, we performed Choli Ke Peeche and did a Bolly-Afro dance style, and she was pleasantly surprised. She said I didn’t know that this song can be carried out in such a way. So, this is something very great for me.
Why do you think Jhalak Dikhhla Jaa 10 is so loved?
Jhalak Dikhhla Jaa 10 is loved because people are getting to watch celebrities in a vulnerable light and getting to see them performing. The kind of personal stories every individual on the show has have been very relatable to the audience this time.
Who is your dance hero?
I love to watch Ranveer Singh dance. I love the way he moves. He has so much energy. Also, I love to watch Michael Jackson.
Do you have a favourite dance number from a movie?
I have a lot of favourite dance numbers such as Ek Do Teen, Mera Piya Ghar Aaya, Maar Daala, Kaahe Chhed Mohe, Tattad Tattad and Haye Rama. I love the way these songs are choreographed and performed.
If you could master something new in dance, what would it be?
I want to master a little bit of hip hop style because I come from a semi-classical background – the vibe, flow, and flexibility of hip hop is amazing I feel.
Which other reality TV shows would you like to attempt?
I have done Khatron ke Khiladi and Nach Baliye, so have participated in all the major ones as far as reality shows are concerned. I wanted to do Jhalak as that was the only one remaining. I wouldn’t mind doing game shows because I love playing games.
What is the plan going forward?
There are two big streaming platform releases on the way and an initiative called Amrit Kala
Studio, where I team up and collaborate with dancers and musicians, which I am planning to take ahead.
Do you like pushing yourself out of your comfort zone?
I love pushing myself out of my comfort zone. It is challenging and excites me, be it dance, stunts or characters, it doesn’t matter. I love it all.
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.