Singer, songwriter, and composer Charan has made significant strides blending contemporary sounds with traditional melodies. He has built on the success of his breakthrough song Vekh Sohneyaa with popular solo releases and cutting-edge collaborations with diverse artists.
Most recently, he teamed up with Delara, Talal Qureshi, and BEAM for Kalash Reimagined.
Eastern Eye got the young artist – someone you are sure to hear more from in the years ahead – to select 10 songs he loves.
Abhi Mujh Mein Kahin by Sonu Nigam: This film song from Agneepath, composed by Ajay–Atul, leaves me inspired with every listen. It is one of my favourite Hindi songs. I love it for its otherworldly vocals, intricate melodies, and grounding, relatable lyrics.
Tum Hi Ho by Arijit Singh: Whenever I hear this song from Aashiqui 2, it feels like Arijit is singing not to a lover, but to God. Mithoon’s composition holds both love and heartbreak in equal measure. I suppose to love is, inevitably, to feel pain.
Malang by Charan: This one’s my own, and I love it for its simplicity. I wrote it about the moment I first met my wife – when I knew it was something deeper than a fleeting weekend romance. Malang tries to capture that feeling, like bottling a moment in time.
Krwlng (Mike Shinoda Reanimation) by Linkin Park & Aaron Lewis: Linkin Park released a remixed, re-animated version of their debut album, and I fell in love with this take on Crawling. It has cinematic grandeur while still capturing the band’s signature sound. The production and songwriting are top-notch.
You Need Me, I Don’t Need You by Ed Sheeran: He is easily one of my top five musical influences. I love how rebellious this track feels – it is a rap song, but arranged and produced with a singer-songwriter’s touch. And, of course, Ed absolutely slams it vocally.
New Day by Karnivool: This song takes its time with the listener. Its catchy melodies, stunning vocals, and rich production keep you hooked. By the end, I can’t help but sing out loud, “It’s a new day.” It’s a kind reminder that, yeah, it really is.
Kun Faya Kun by AR Rahman, Javed Ali & Mohit Chauhan: I cannot put into words what this song from Rockstar means to me. AR Rahman is a genius.
Alright by Kendrick Lamar: This track was my gateway into the black hole that is Kendrick’s music. I love the flow, subject matter, and how powerfully it is expressed. And I love Kendrick!
God’s Plan by Drake: When Drake said, “There’s a lot of bad things that they’re wishing on me,” I felt it. This song, with its eternally positive vibe, will always be in my top 10.
Vekh Sohneyaa by Charan and Bombay the Artist: Another one of my own – a song I consider godsent. It connected deeply with audiences and brought a lot of new attention to my music. It is a reminder to always give my best and stay true to that intention.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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