Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
BOOHOO has claimed that Mike Ashley’s Frasers Group is leveraging its significant stake in the online retailer, as well as its interests in other companies, to further its own “commercial self-interest” rather than acting in the interests of all shareholders.
Ashley, a Boohoo shareholder with a 27 per cent stake, has been pressing for a seat on Boohoo’s board since the company announced a strategic review of its operations, which include brands like PrettyLittleThing, Karen Millen, Oasis, and Warehouse.
Recently, Ashley called for limits on any asset sales without prior shareholder approval, citing this as necessary to “protect the interests of Boohoo, its shareholders, and stakeholders.”
Boohoo, currently undergoing a strategic review following CEO John Lyttle’s announcement to step down, stressed its commitment to transparent communication with shareholders while expressing reservations about Frasers' influence due to its stakes in competing brands like ASOS.
Last week, it appointed Dan Finley as its new chief executive. Finley, previously the CEO of Debenhams since 2022, has taken over immediately from Lyttle, who led the fast-fashion company since 2019.
Boohoo has requested several commitments from Frasers to prevent any conflicts of interest, including assurances that Frasers’ representative would not influence decisions at Boohoo’s competitors.
A similar pledge was made by Boohoo’s co-founder Mahmud Kamani, who holds a significant stake, confirming he has no intention to make an acquisition offer for Boohoo, effectively restricting such actions for six months.
Kamani, along with his son, Umar, has about 15.5 per cent of the shares in the online retailer.
Boohoo said that recent actions clearly demonstrated Kamani’s commitment to maximising value for all shareholders. The company urged Frasers to make similar commitments or to clarify any reasons for being unwilling or unable to do so.
The retailer stressed that any board appointment would be restricted to a suitable non-executive director, with necessary governance safeguards in place to protect commercial decisions.
Frasers has criticised Boohoo's board for the recent fall in share price and, in a letter published on Wednesday (6), accused the board of ignoring shareholder concerns.
Boohoo responded by stating that Frasers’ “ongoing legal challenges and public statements are unhelpful” to creating value for all investors and urged Frasers to engage constructively with the board.
Frasers did not immediately respond to requests for comment.
Raj almost wasn’t Indian, Tom Cruise was the idea.
The title? Kirron Kher just threw it out there.
Pigeon scene: Totally SRK winging it. Kajol freaked a little.
Mehendi Laga Ke Rakhna got added last minute. Can you imagine?
Maratha Mandir. Playing. Every day. Since 1995. Fans love it.
You might think you’ve seen it all in DDLJ. Raj, Simran, the songs, yes, we all know them. But there’s a lot behind the camera that most people have no clue about. Some of it was luck. Some of it Shah Rukh Khan just winging it. And some… well, Aditya Chopra being a little crazy. Here’s the stuff nobody really tells you.
How Dilwale Dulhania Le Jayenge became a Bollywood legend: 10 untold stories Youtube Screengrab
1. Raj almost had a totally different face
Aditya Chopra literally imagined an American guy and an Indian girl and had Tom Cruise in mind. But then his dad, Yash Chopra, stepped in and said, “Nope, Indian boy.” And then the story completely changed. Suddenly, it wasn’t Hollywood, but NRIs, family, love, and all the cultural stuff that actually hits you in the gut.
2. Kirron Kher named the film
That long, unforgettable title? Shah Rukh Khan thought it was clunky. But the rookie director, Aditya, heard it from Kirron Kher and went with his gut. And yes, she got a credit in the opening titles.
3. Script written in a month
Three years of thinking, then all of a sudden, the final script was done in three or four weeks. Can you imagine? The blueprint for the biggest romantic film of the ’90s, completed in less than a month.
4. Accidental magic
That pigeon-feeding scene with Amrish Puri? Totally improvised by Shah Rukh. Even Kajol’s shocked face in Ruk Ja O Dil Deewane was not planned. Aditya kept it a secret to get a real reaction. And it worked big time. Fans don’t even know half the story behind that moment.
5. Director hiding in a car
During the Zurich car ride, Aditya wasn’t just lurking behind the camera. No. He was lying flat in the back of the red convertible, flat out of frame, watching every move. Can you imagine lying like that for hours? Wild.
6. Raj’s leather jacket wasn’t a costume
Raj’s iconic leather jacket? The one every guy copied? Uday Chopra just bought it from a Harley shop in California and cost 400 bucks. Not a big fancy wardrobe magic, it was just a cool jacket he found.
7. Mehendi Laga Ke Rakhnaalmost didn’t happen
That wedding song everyone hums? Almost didn’t exist. It got added at the very last second, borrowed from another Yash Raj project. Imagine weddings without it!
8. Kajol’s towel moment
Kajol wasn’t a fan of that towel scene. She seriously didn’t want to shoot it, but the director insisted. And that white skirt in the song? The director said it looked frumpy. Manish Malhotra, the designer, had to take scissors and cut it shorter on the spot.
9. Shah Rukh’s prophecy
After reading the script, Shah Rukh told Yash Chopra: “This will define my stardom.” And he nailed it. Spot on.
10. The first “making of” documentary
Before YouTube, before making-of reels, they aired a half-hour documentary on Doordarshan.
Chaudhary Baldev Singh Dilwale Dulhania Le Jayenge Shah Rukh Khan Kajol www.easterneye.biz
24*7- for 365 days
And then there's Maratha Mandir. This old theater in Mumbai. It's still showing the film. Every. Single. Day. For 30 years. Tickets are 50 rupees. Fans go to watch it like a ritual, some book the gallery for birthdays or anniversaries. People even fly in from abroad. Iconic, right?
30 years later, Raj and Simran are on stage in Come Fall in Love – The DDLJ Musical in Manchester. 18 original English songs. Same story. Same magic. New audience. And people are loving it.
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