Baazigar bad guy that turned Shah Rukh Khan into a big star
Fun facts about the classic movie to mark its 30th anniversary
By Asjad NazirNov 08, 2023
ALTHOUGH Shah Rukh Khan made his Bollywood debut in 1992, it was his 1993 release Baazigar, which gained him big global attention.
His dastardly portrayal of a duplicitous individual, who goes on a murderous revenge mission, kick-started a rapid rise to the very top of Hindi cinema for the actor. It also showed that he was a new kind of leading man, who was willing to do things differently and play a negative role. That is why this film will be celebrated by his global fanbase on its 30th anniversary on November 12.
Eastern Eye decided to mark three decades of the movie with 30 fun facts connected to it.
Baazigar was an unofficial remake of Hollywood film A Kiss Before Dying (1991), which itself was an adaptation of a 1953 novel of the same name. There had also been a 1956 American movie with the same title.
Scenes from the film
Years later, actor Deepak Tijori alleged that he had originally shown the Hollywood film to directing duo Abbas-Mustan and producer Pahlaj Nihalani in the hope they would make it with him in the lead role. They were impressed with the subject but opted to produce the movie without him.
A number of actors including Akshay Kumar, Salman Khan and Anil Kapoor turned down the lead role because the character was villainous.
Abbas-Mustan wanted the writers to narrate the story to Shah Rukh Khan, but he insisted the duo do it themselves. They said: “When we finished, we expected him to say the usual, ‘I’ll think about it and let you know in two days.’ But he jumped up and said, ‘I’m doing the film’ and started showing us how he would enact certain scenes.”
The mother track in the story with Rakhee was introduced later into the movie to add extra emotion and sympathy for the villainous protagonist. AbbasMustan had said: “If the mother-son relationship is explored and justified properly on screen then it definitely strikes a chord with audiences. If a son is taking revenge for his mother, then his everything is forgiven. And it worked well with the audience.”
Another promo image
Shooting for Baazigar was supposed to commence in full shortly after the launch in December 1992, but Mumbai communal riots caused by the Babri Masjid destruction prevented that from happening.
The film finally started shooting in March 1993 and wrapped up by May-June. It was supposed to be in cinemas for July, but was finally released later that year in November.
Although Shah Rukh Khan had got noticed with 1992 films like Deewana and Raju Ban GayaGentleman, Baazigar became the big turning point in his career and put him on the radar of bigger banners.
Baazigar was the first film starring Shah Rukh Khan and Kajol. They would go onto act together in record breaking films like Dilwale Dulhania Le Jayenge(1995) and Kuch Kuch Hota Hai (1998).
The directors initially considered casting Sridevi in a double role, before opting for newcomers Shilpa Shetty and Kajol to play the sisters.
Ayesha Jhulka had starred in AbbasMustan hit film Khiladi (1992) and was approached for Kajol’s role, but she declined it.
Juhi Chawla turned down the role that was played by Shetty because she didn’t think it was substantial enough. Madhuri Dixit also declined the same role and so did Madhoo, who said, “I didn’t do Baazigar because I was doing some other movie”.
Shah Rukh Khan withKajol and Shilpa Shetty in a promo image of Baazigar.
Siddharth Ray, who played the key police inspector role was the grandson of filmmaking legend V Shantaram. He sadly died in 2004 aged just 40.
Shetty made her debut in the film and signed for it without auditioning. The actress would have cosmetic surgery after the movie and appeared in her next film with a different looking nose.
Shetty revealed that her first shot was for the song Ae Mere Humsafar and said Shah Rukh Khan taught her about how to face the camera.
Musician Daboo Mallik, who is the father of popular music stars Armaan Malik and Amaan Mallik, played a small role in the movie.
Two endings for Baazigar were filmed, including one where Shah Rukh Khan’s character is arrested. But they opted for the more dramatic one where both he and the villain die.
In another version, Priya (Kajol) was supposed to kill Ajay (Khan), like in the original plot, but they opted not to use it.
The famous Shah Rukh Khan contact lens scene was inspired by something similar that happened in classic movie Satte Pe Satta (1992), with Amitabh Bachchan.
Most of the comedy by Johnny Lever was improvised in the film. Shah Rukh Khan also improvised scenes to add more intensity to his role.
Many years later, Gauri Khan revealed that she had designed her husband Shah Rukh Khan’s eyecatching look in the song Ye Kaali Kaali Aankhen.
A lot of musicians and DJs have sampled the Baazigar song Yeh Kaali Kaali Aankhen, including M.I.A on her Matangi Mixtape.
The song Saamajh Kar Chaand was filmed, but edited out of the final cut because the directing duo felt the film was too long.
With over 10 million units sold, Baazigar became one of the bestselling soundtracks of 1993.
There was a 1990 magazine promotional image of the film Jurm that featured Vinod Khanna wearing sunglasses, with a picture of Meenakshi Sheshadri on one lens and Sangeeta Bijlani on the other. The idea was recreated for the Baazigar poster with Shah Rukh Khan, Shetty, and Kajol. The same concept would later be used in some Hollywood films.
The romantic thriller was released 42 days before blockbuster hit Darr, which was the second movie to see Shah Rukh Khan successfully play a villainous role.
Despite obviously being inspired by A Kiss Before Dying, Robin Bhatt, Aakash Khurana and Javed Siddiqui won a Filmfare Best Screenplay award for Baazigar.
The movie also won Filmfare awards for best actor (Shah Rukh Khan), best male playback singer (Kumar Sanu for Yeh Kaali Kaali Aankhen) and best music director (Anu Malik).
Baazigar became the fourth highest grossing film of 1993 after Aankhen, Khalnayak and third placed Darr.
Baazigar was later remade in Telugu as Vetagadu (1995), in Tamil as Samrat (1997) and as Kannada film Nagarahavu (2002).
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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