Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Their famous romance lasted years but never led to marriage
Pacino now calls her the one who got away
They lived close but never spoke after splitting
Keaton herself thought marriage was a bad idea
Both had children but never married anyone else
Diane Keaton passed away, and Al Pacino is struggling with it. A friend says he is filled with regret. He should have married her. This was the love of his life. Now it is too late. That chance is gone forever. Their story is a classic Hollywood tale. What might have been. It is a question with no answer now.
From Godfather set to heartbreak Pacino mourns Diane Keaton as the love he never married Getty Images
What happened between them?
It went on for years, on and off, since the 1970s. They met on the Godfather set. He was Michael Corleone. She was Kay Adams. It was a big Hollywood story. Everyone watched their romance unfold. It finally ended for good in 1990. She wanted to get married. He did not. So she left. That was that. No big dramatic fight, perhaps. Just an ending. He made his choice, and she made hers. But choices have consequences. He is feeling the weight of that now.
Al Pacino’s lifelong regret over Diane Keaton reveals the one romance he’ll never get back.Getty Images
Why no marriage?
He just would not do it. Simple as that. Now he wishes he had. He is left with this empty feeling. A friend told the Daily Mail he will forever regret not making his move. He held onto a small hope for years, whispering to himself, “If it is meant to happen, it will find a way.” Not anymore. That door is shut. But Keaton saw things differently. She said it was probably for the best. "It would have been a nightmare for him," she once admitted to the Sunday Times. They were both too set in their ways, too independent. He needed a caretaker. She needed one too. But neither of them wanted to take that step. Maybe it just was not meant to be.
Al Pacino admits Diane Keaton was the love of his life and he let her slip away foreverGetty Images
How is Pacino coping?
Not well, according to friends. This has hit him hard. He always thought there might be more time, another chance. That is gone now. They lived in the same Beverly Hills area for years but never spoke. Not a word. Can you imagine? So close, yet completely disconnected. Why? He felt everything had already been said between them. All the words had been used up. What more was there to say? Now there is plenty he would probably like to say, but no one to hear it.
Pacino and Keaton remained close in Beverly Hills but never spoke after their breakupGetty Images
What about Keaton's view?
She loved him once, that is clear. She told People magazine she was "mad for him." She called him charming, hilarious, a nonstop talker. But love is not always enough. It does not always build a life. She built her life her own way. She never married. She adopted two children in her 50s, Dexter and Duke. She found her family without a wedding ring. He found his too: three kids from previous relationships, plus a new little one, Roman. But no wife. Ever. Makes you think, does it not?
Dexter Keaton, Diane Keaton, and Duke Keaton attend the "And So It Goes" premiereGetty Images
What now?
He has to live with his choice. They both built lives without each other. He honoured her once at an AFI event. "You’re an artist, Di," he said. "I love you, forever." He has his kids, his work. But a friend says he is facing the truth now. Looking back, he knows Diane was the love of his life, an incredible woman. And he let her slip away. That is the kind of thing that stays with you.
AI can make thousands of podcast episodes every week with very few people.
Making an AI podcast episode costs almost nothing and can make money fast.
Small podcasters cannot get noticed. It is hard for them to earn.
Advertisements go to AI shows. Human shows get ignored.
Listeners do not mind AI. Some like it.
A company can now publish thousands of podcasts a week with almost no people. That fact alone should wake up anyone who makes money from talking into a mic.
The company now turns out roughly 3,000 episodes a week with a team of eight. Each episode costs about £0.75 (₹88.64) to make. With as few as 20 listens, an episode can cover its cost. That single line explains why the rest of this story is happening.
When AI takes over podcasts human creators are struggling to keep up iStock
The math that changes the game
Podcasting used to be slow and hands-on. Hosts booked guests, edited interviews, and hunted sponsors. Now, the fixed costs, including writing, voice, and editing, can be automated. Once that system is running, adding another episode barely costs anything; it is just another file pushed through the same machine.
To see how that changes the landscape, look at the scale we are talking about. By September 2025, there were already well over 4.52 million podcasts worldwide. In just three months, close to half a million new shows joined the pile. It has become a crowded marketplace worth roughly £32 billion (₹3.74 trillion), most of it fuelled by advertising money.
That combination of a huge market plus near-zero marginal costs creates a simple incentive: flood the directories with niche shows. Even tiny audiences become profitable.
What mass production looks like
These AI shows are not replacements for every human program. They are different products. Producers use generative models to write scripts, synthesise voice tracks, add music, and publish automatically. Topics are hyper-niche: pollen counts in a mid-sized city, daily stock micro-summaries, or a five-minute briefing on a single plant species. The episodes are short, frequent, and tailored to narrow advertiser categories.
That model works because advertisers can target tiny audiences. If an antihistamine maker can reach fifty people looking up pollen data in one town, that can still be worth paying for. Multiply that by thousands of micro-topics, and the revenue math stacks up.
How mass-produced AI podcasts are drowning out real human voicesiStock
Where human creators lose
Podcasting has always been fragile for independent creators. Most shows never break even. Discoverability is hard. Promotion costs money. Now, add AI fleets pushing volume, and the problem worsens.
Platforms surface content through algorithms. If those algorithms reward frequency, freshness, or sheer inventory, AI producers gain an advantage. Human shows that take weeks to produce with high-quality narrative, interviews, or even investigative pieces get buried.
Advertisers chasing cheap reach will be tempted by mass AI networks. That will push down the effective CPMs (cost per thousand listens) for many categories. Small hosts who relied on a few branded reads or listener donations will see the pool shrink.
What listeners get and what they lose
Not every listener cares if a host is synthetic. Some care only about the utility: a quick sports update, a commute briefing, or a how-to snippet. For those use cases, AI can be fine, or even better, because it is faster, cheaper, and always on.
But the thing is, a lot of podcast value comes from human quirks. The long-form interview, the offbeat joke, the voice that makes you feel known—those are hard to fake. Studies and industry voices already show 52% of consumers feel less engaged with content. The result is a split audience: one side tolerates or prefers automated, functional audio; the other side pays to keep human voices alive.
When cheap AI shows flood the market small creators lose their edgeiStock
Legal and ethical damage control
Mass AI podcasting raises immediate legal and ethical questions.
Copyright — Models trained on protected audio and text can reproduce or riff on copyrighted works.
Impersonation — Synthetic voices can mirror public figures, which risks deception.
Misinformation — Automated scripts without fact-checking can spread errors at scale.
Transparency — Few platforms force disclosure that an episode is AI-generated.
If regulators force tighter rules, the tiny profit margin on each episode could disappear. That would make the mass-production model unprofitable overnight. Alternatively, platforms could impose labelling and remove low-quality feeds. Either outcome would reshape the calculus.
How the industry can respond through practical moves
The ecosystem will not collapse overnight.
Label AI episodes clearly.
Use discovery algorithms that reward engagement, not volume.
Create paywalls, memberships, or time-listened metrics.
Use AI tools to help humans, not replace them.
Industry standards on IP and voice consent are needed to reduce legal exposure. Platforms and advertisers hold most of the cards here. They can choose to favour volume or to protect quality. Their choice will decide many creators’ fates.
Three short scenarios, then the point
Flooded and cheap — Platforms favour volume. Ads chase cheap reach. Many independent shows vanish, and audio becomes a sea of similar, useful, but forgettable feeds.
Regulated and curated — Disclosure rules and smarter discovery reward listener engagement. Human shows survive, and AI fills utility roles.
Hybrid balance — Creators use AI tools to speed up workflows while keeping control over voice and facts. New business models emerge that pay for depth.
All three are plausible. The industry will move towards the one that matches where platforms and advertisers put their money.
Can human podcasters survive the flood of robot-made showsiStock
New rules, old craft
Machines can mass-produce audio faster and cheaper than people. That does not make them better storytellers. It makes them efficient at delivering information. If you are a creator, your defence is simple: make content machines cannot copy easily. Tell stories that require curiosity, risk, restraint, and relationships. Build listeners who will pay for that difference.
If you are a platform or advertiser, your choice is also simple: do you reward noise or signal? Reward signal, and you keep what made podcasting special. Reward noise, and you get scale and a thinner, cheaper industry in return. Either way, the next few years will decide whether podcasting stays a human medium with tools or becomes a tool-driven medium with a few human highlights. The soundscape is changing. If human creators want to survive, they need to focus on the one thing machines do not buy: trust.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.