Rohit Sharma on Sunday (20) described his maiden Test double century as "most challenging" after he lifted India out of early trouble and put the hosts in command of the third match against South Africa.
Sharma made 212 as India declared their innings on 497 for nine on a weather-interrupted day two in Ranchi.
The in-form Sharma, who hit twin centuries on his debut as Test opener at the start of the series, was involved in a crucial 267-run fourth-wicket stand with Ajinkya Rahane, who made 115.
The hosts slipped to 39 for three on day one after an inspirational spell of fast bowling by Kagiso Rabada, who claimed two early wickets before Sharma took charge.
"I (have) played only 30 Tests," said Sharma. "In terms of what was thrown at me, I would definitely say it was probably the most challenging one."
"Having played only three Tests as an opener, I know I have a long way to go. Of course I will take a lot of positives but I'm not reading too much into it," he added.
The tourists were in trouble at nine for two, with Indian fast bowlers sending the opposition openers back to the pavilion.
Zubayr Hamza, on nought, and skipper Faf du Plessis, on one, were at the crease when bad light stopped play for the second successive day.
Mohammed Shami got the left-handed Dean Elgar caught behind for nought and fellow paceman Umesh Yadav sent Quinton de Kock trudging back to the pavilion for four.
- Sharma praises Rahane -
The day belonged to Sharma who moved from 199 at tea to 200 with a six off paceman Lungi Ngidi in the third over of the final session as the raucous home crowd stood up and applauded.
The in-form opener hit another six off Ngidi before falling to Rabada and returned to the pavilion with handshakes from the South African side.
The senior batsman surpassed his previous best of 177 on his debut against the West Indies in 2013.
Sharma, who has three double centuries in his already illustrious one-day career, smashed the ball all around the park as he hit 28 fours and six sixes in his 255-ball stay.
But Sharma credited vice-captain Rahane, who recorded his 11th Test hundred, for his team's rescue act that started with the batting duo's marathon stand.
"We have seen him for a long time. The way he has taken forward his Test career. He has always rescued the team from difficult circumstances," said Sharma.
"He has not done this in just one or two innings, but he's been doing it consistently. It shows how strong mentally he is and the hunger for runs. We have seen this not only in India and outside."
Rahane, who started Sunday on 83, became debutant spinner George Linde's first Test victim.
Linde got good turn with his left-arm spin in an extended afternoon session as he claimed Ravindra Jadeja for 51.
He returned figures of 4-133 and said his team will fightback despite their bad start.
"Obviously was a bad start. It's not the way we wanted it to go but tomorrow is another day," he said with a smile.
"We were positive. Guys were smiling in the dressing room, so we are ready for tomorrow. We are not going to sit back and relax, we will try to take the challenge on."
India is aiming for a whitewash after taking an unassailable 2-0 lead in the three-match series.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.