Pooja was born in Kochi and raised on a mix of newspapers, pop culture, and too many questions. She studied Communicative English and Journalism before earning her Master’s in Journalism from Amrita Vishwa Vidyapeetham, and began her career interning at The Times of India and Channel I'M — where she later became a news anchor, scripting and presenting her own stories. Between deadlines, she’s worked across digital media platforms, covering politics, gender, pop culture, cinema, and everything in between. She has interviewed actors, creators, and changemakers, and occasionally edits her own video content — thanks to being certified in Photoshop and InDesign. In 2025, she joined the Asian Media Group in her first “official” newsroom gig, where she now covers entertainment, lifestyle, and the layered realities of South Asian identity. She believes storytelling should feel personal — even when it’s public — and likes to write not to please, but to provoke, question, and occasionally stir the pot.
Over the Memorial Day weekend, Disney’s live-action Lilo & Stitch outpaced Tom Cruise’s Mission: Impossible – The Final Reckoning, topping both domestic and global box office charts.
The family-friendly sci-fi comedy pulled in a massive $183 million (₹1,525 crore) in North America and a total of $341 million (£252m/₹2,840 crore) worldwide, making it not only Disney’s biggest opening this year but also the highest-grossing Memorial Day debut ever, surpassing Top Gun: Maverick’s $160.5 million (₹1,335 crore) record from 2022.
Meanwhile, Mission: Impossible – The Final Reckoning, promoted as the final chapter in Cruise’s 28-year run as Ethan Hunt, opened with $77 million (₹640 crore) domestically and $190 million (£150m/₹1,580 crore) globally. Despite it being the franchise’s best-ever opening, it faces a steep climb to cover its reported $400 million (₹3,330 crore) production costs. It’s estimated the film will need to earn at least $1 billion (₹8,320 crore) to break even.
Directed by Dean Fleischer Camp, Lilo & Stitch reintroduces the story of a lonely Hawaiian girl and her chaotic but loveable alien friend. Eight-year-old Maia Kealoha plays Lilo, while original creator Chris Sanders returns to voice Stitch. The cast also includes Sydney Agudong, Courtney B. Vance, and Zach Galifianakis.
The film joins a long list of Disney’s live-action remakes, ranking just behind The Lion King (2019) and Beauty and the Beast (2017) in opening weekend earnings. Though reviews have been mixed, ranging from “delightfully quirky” to “a mess”, audiences clearly showed up in droves.
Cruise’s Mission: Impossible film ties together several past storylines from earlier entries and brings back a wide cast of returning characters, including Simon Pegg, Hayley Atwell, and Ving Rhames. Though Cruise has insisted this is the final outing, there’s still speculation about whether it truly marks the end of the road.
The battle between a beloved Disney alien and an ageing action hero drew large crowds, but it is clear which film captured the spotlight. While Mission: Impossible may yet prove its legs in the coming weeks, Lilo & Stitch has already surfed into record books, reminding everyone that sometimes, heart and nostalgia can outshine even the biggest high-stakes spy games.
Remember when people sneered, "TikTokers? Making movies?" Yeah, toss that script. This isn’t about going viral anymore; it’s about building empires. What started as 15-second clips is now turning into major movie deals, studio projects, and executive producing credits. These creators have crossed over into film and television, landed record deals, voiced animation characters, and in some cases, even produced their own films.
Studios aren’t casting these creators for clout; they’re handing them keys. Why? Because they walk in with what Hollywood’s starving for: armies of fans who actually give a damn!
Here are 10 TikTok stars who didn’t stop at going viral. Instead, they turned their popularity into serious Hollywood power.
1. Charli D’Amelio (157M followers)
From TikTok to Apple TV+ and Disney+
She went from dancing in her room to being the face of a new generation. Charli’s three-season run on The D’Amelio Show gave her fans a closer look at her life, and it worked. More than 70% of her audience followed her to new projects. Now, she’s leading Apple TV+’s The Studio and producing dance films for Disney+. She’s not just performing; she’s making decisions behind the camera too.
Addison broke into acting with He’s All That, which went #1 in 78 countries on Netflix. She followed it up with a role in Eli Roth’s Thanksgiving, showing she can go from high-school cute to slasher scream. With a seven-figure, multipicture deal with Netflix and an upcoming movie with Ryan Reynolds (Animal Friends), she’s clearly not here for just a cameo.
Bella’s journey is proof that one viral video can indeed start a new life. Her hit single Build a Btch crossed 500 million streams, but she didn’t stop at music. She voiced a character in DC League of Super-Pets and is now creating her own anime series for Crunchyroll, involved in every creative decision. It’s not just about fame for her; it’s about building a whole world.
Bryce has always been polarising, and that hasn’t changed in Hollywood. He’s co-starring in Skillhouse, a horror film produced by 50 Cent, but the drama hasn’t stayed on screen. A legal fight over creative control made headlines, and yet, his name keeps getting bigger. Like it or not, people are watching.
Hannah made her name on Vine and YouTube before TikTok, and now she’s turning all that into big-screen moments. She joins Bryce in Skillhouse and even voiced a version of herself on The Simpsons. She’s not trying to go viral anymore; she’s building a career that stretches far beyond short clips.
Rudy didn’t wait for someone to give him a role; he made his own. His Amazon Prime film Música is based on his life, and he wrote, directed, and starred in it. His next two films focus on immigrant stories, and he’s changing how stories are made: TikTok polls helped decide the movie ending, which saved 60% of marketing spend. He’s reinventing indie film, with Gen Z in the front row.
Often living in the shadow of her sister, Dixie’s making her own lane. Her song Be Happy made it to the Billboard charts, and she voiced a lead in StarDog and TurboCat. Alongside Charli, she co-led The D’Amelio Show. She might not be loud online, but she’s working, and it clearly shows.
Loren was once TikTok’s most-followed creator. Now, she’s starring in Netflix’s After Ever Happy and has over 1 billion music streams under her belt. Signed to Virgin Records, she’s one of the few to find real success in both music and acting, without ever losing her online edge.
Noah was a Division I soccer player before TikTok, and now he’s acting in indie movies like The Influence and appearing in an HBO Max reality series. He’s not chasing roles for fame; he’s choosing ones that let him grow, and it’s showing in the way his audience sticks around.
She made her mark with makeup and dance, but Avani’s acting résumé is growing fast. She starred in Bixler High Private Eye on Hulu and voiced a role in Netflix’s Marmaduke. She also won the 2019 Streamy for “Dance Creator of the Year.” She’s quietly becoming a reliable face in teen films, and producers are taking notice.
This isn’t about influencers "breaking into" Hollywood. It’s about Hollywood breaking open. These creators aren’t guests anymore; they’re building their own tables. Horror films. Rom-coms. Animation. Music. Production deals. They keep it real, know their fans like family, and won’t apologise for taking space.
It’s easy to dismiss viral fame as a trend. But these ten prove otherwise. They didn’t just ride a wave; they built boats. And now they’re steering them straight into Hollywood.
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Fans celebrate Vidya Balan’s makeover while critics question shift from body positivity message
Vidya Balan debuts a bold new look for The Peacock Magazine’s July cover.
The actor's transformation has received both praise and criticism online.
Some fans hailed it as a refreshing style change; others questioned the shift from her past body positivity stance.
The shoot comes on the heels of Vidya’s recent film success in Bhool Bhulaiyaa 3.
Bollywood actor Vidya Balan has sparked a flurry of reactions online after her striking new avatar on the cover of The Peacock Magazine’s July 2025 edition. Known for championing traditional handloom saris and body positivity, the 46-year-old’s dramatic transformation, complete with a bold pink sequin dress and short, styled hair, has left the internet dazzled.
The look, part of a cover story titled A Force to Reckon With, was shared on 14 July by the magazine and Balan herself. It marks a significant departure from her signature earthy elegance and instead leans into high-fashion glamour.
Vidya Balan sets internet abuzz with glam makeover as few fans question her weight loss journeyInstagram/thepeacockmagazine
The Peacock cover that turned heads
Styled in a flamingo pink ombré gown covered in sequins, Balan paired the ensemble with a feather-trimmed stole and statement jewellery. Her newly cropped hair, styled in a sleek bob with soft waves and blonde highlights, added to the overall transformation. The makeup was equally polished: glossy mauve lips, shimmered eyelids, and highlighter-accented cheekbones.
While some fans celebrated the fresh styling, many were simply shocked by the actor’s appearance. “She looks stunning, finally styled the way she deserves,” read one popular comment. Another added, “This look gives serious movie star energy, we need more of this from her.”
Vidya Balan’s high-glam cover sparks praise and pushback over evolving beauty standardsInstagram/thepeacockmagazine
Praise and backlash over her weight loss
But it wasn’t all praise. A small section of social media questioned the actor’s visible weight loss, especially in light of her past interviews where she openly criticised the industry’s obsession with size and looks.
Comments poured in expressing concern. “Didn’t she once say women shouldn’t have to shrink themselves to be accepted? What happened to that?” one Reddit user asked. Others accused her of abandoning her earlier message of embracing natural bodies. “It’s her choice, but when you become a symbol of body positivity, the expectations change,” one tweet read.
The debate brings back conversations around the pressure on public figures, especially women, to constantly evolve, often in response to the industry’s narrow beauty standards.
Fans compare Vidya’s latest shoot to her past saree-clad appearancesGetty Images
How Vidya explained her weight transformation
In an earlier interview, Vidya Balan had spoken candidly about her weight journey. She clarified that her weight loss wasn’t the result of intense gym routines but rather due to treating an underlying inflammation through dietary changes. “I realised I wasn’t just carrying fat; it was inflammation,” she had said.
Still, the timing of the transformation, paired with the glam-heavy shoot, has prompted questions about whether public figures can maintain a consistent message on body image while navigating an industry known for its harsh scrutiny.
Vidya Balan’s glam transformation for Peacock Magazine sparks online debate over body imageGetty Images
A strong year on the professional front
While the online chatter continues, Balan’s professional graph remains strong. She was recently seen in Bhool Bhulaiyaa 3, alongside Kartik Aaryan and Madhuri Dixit, which grossed over £38 million (₹400 crore) at the box office. Her performance in the romantic comedy Do Aur Do Pyaar also earned critical acclaim.
As The Peacock Magazine features her as a cinematic force who continues to shape mainstream Bollywood, the larger question remains: can actors redefine their image without being held hostage by past narratives?
A unique travelling film festival focused on gender equity is set to tour the UK this month. SamaBhav UK 2025, curated by Harish Sadani, founder of India’s Men Against Violence and Abuse (MAVA), will run from 19 to 28 July across Leeds, London and Bristol. Through powerful films and open conversations, the event aims to spark dialogue on masculinity, care, and gender justice within South Asian communities.
Curated by Harish Sadani, founder of Men Against Violence and Abuse (MAVA), the festival invites audiences into dialogue on gender equity, homophobia, and toxic masculinity, all rooted in a South Asian context.
SamaBhav UK 2025 invites young people and queer voices to speak on gender equity
SamaBhav aims to reshape how masculinity is seen
Harish Sadani, who has worked with boys and men in India for over two decades, says engaging men in gender equity work is key. “Men have always been viewed as the problem,” he explains, “but we need to involve them in the solution-making process too.” Through SamaBhav, he hopes to challenge stereotypes and redefine masculinity in a more inclusive and peaceful direction.
SamaBhav UK 2025 film festival opens with urgent call for gender justice in South Asian communities www.easterneye.biz
Films spark meaningful conversations after every screening
This year’s line-up includes titles like Call Me Dancer and Riha (Unlocked), each selected to provoke reflection and honest discussion. After the screenings, attendees join reflection spaces and panels with filmmakers, youth speakers, queer voices and social workers. Sadani will personally facilitate every discussion.
Activist Chris Green OBE, a UK-based ally of the movement, lends his voice as a festival partner: “I want to live in a society free of homophobia and rigid gender rules that box in how a man should behave. That’s why I support this.”
Community-driven and part of South Asian Heritage Month
Backed by the South Asian Heritage Trust, UNESCO, SOAS and more, SamaBhav UK is part of this year’s South Asian Heritage Month programming. The Leeds leg begins this weekend (19–20 July), followed by screenings in London (23–24 July) and Bristol (28 July). Tickets are priced at £10 (₹1,050) and are available via Eventbrite.
Festival organisers are now calling on local communities, collectives and cultural workers to attend, share, and help amplify these much-needed conversations.
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Sanjay Dutt says he was wasted in Leo Lokesh Kanagaraj admits the role could have been better
Sanjay Dutt recently said he was “angry” at Lokesh Kanagaraj for underusing him in Leo.
Lokesh admitted he “probably made a mistake” and acknowledged flaws in his writing.
The director revealed Sanjay called him after the clip went viral and clarified it was a light-hearted comment.
Lokesh promised to give Sanjay “one of his best roles” in a future collaboration.
Filmmaker Lokesh Kanagaraj has addressed Sanjay Dutt’s recent statement about being underused in Leo, admitting he might have made a mistake while writing the veteran actor’s character. Dutt, who played the antagonist Antony Das in the Vijay-led film, had said during a promotional event that he felt the director “wasted” his talent by not giving him a stronger role.
The Leo clip, shared widely on social media, sparked discussions around casting big stars in brief parts. Lokesh has now responded with humility, acknowledging the criticism and calling it part of his learning curve as a filmmaker.
Lokesh Kanagaraj reacts to Sanjay Dutt’s Leo remark admits writing flaws in the filmX/Lokesh Kanagaraj
Sanjay Dutt’s ‘wasted’ comment was taken out of context, says Lokesh
In a recent interview, Lokesh said Dutt personally called him after the comment gained traction online. “He told me, ‘I made the comment very funnily, but people just cut it and shared it. It looks awkward, and I didn’t mean it like that, Loki." I said, ‘No problem, sir.’
Despite the light-hearted intent behind the remark, Lokesh didn’t shy away from taking accountability.
— (@)
Lokesh Kanagaraj says he’s still learning
The director admitted that Dutt’s character may not have been fully fleshed out, explaining, “Probably, I would’ve done better. I’m not a genius or the greatest filmmaker in the world who always gets it right. I’ve made many mistakes in my films. It’s a process of learning.”
He went on to suggest that he wants to work with Dutt again, this time with a more substantial role: “I’ll probably do one of the best roles with Sanjay Dutt, sir.”
Lokesh Kanagaraj responds to Sanjay Dutt’s criticism over Leo role with honest admissionInstagram/ lokesh.kanagaraj
Dutt says he enjoyed working with Vijay, but wanted a bigger role
At the press meet for his upcoming Kannada film KD – The Devil, where he appeared with Shilpa Shetty and Dhruva Sarja, Sanjay Dutt spoke about his experience on Leo. “I loved working with Thalapathy Vijay,” he said, “but I’m angry at Lokesh because he didn’t give me a big role. He wasted me.”
Dutt also praised southern cinema legends, saying, “I look up to Rajinikanth and Kamal Haasan. I’ve worked with Rajini sir multiple times; he’s one of the most humble people I’ve met.” He also called Ajith Kumar a close friend.
In Leo, Dutt’s character Antony Das was positioned as the father of Vijay’s protagonist. Despite being pitched as a key antagonist, many viewers felt his appearance was limited and lacked impact.
— (@)
Lokesh’s next film Coolie set for box office clash with War 2
Lokesh Kanagaraj is now focused on his upcoming action film Coolie, starring Rajinikanth. The ensemble cast includes Nagarjuna, Upendra, Shruti Haasan, Soubin Shahir, Sathyaraj, and Reba Monica John. A cameo by Aamir Khan and music by Anirudh Ravichander are also part of the film’s appeal.
Coolie is slated for release on 14 August 2025, where it will go head-to-head with Ayan Mukerji’s War 2, starring Hrithik Roshan and Jr NTR. Whether Lokesh redeems himself with a meatier role for Sanjay Dutt in the future remains to be seen, but for now, the filmmaker’s honest admission and promise of a better collaboration has struck a chord with fans.
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Beyoncé performing during her Cowboy Carter tour in Atlanta
Choreographer Christopher Grant and dancer Diandre Blue’s rental car was broken into on 8 July in Atlanta.
Five hard drives with Beyoncé’s unreleased music, show visuals, and setlists were among the stolen items.
Police tracked the location of missing devices and issued an arrest warrant, but no suspect has been publicly named.
The incident occurred two days before Beyoncé’s four-night tour stop at Atlanta’s Mercedes-Benz Stadium.
Just two days before Beyoncé was set to take the stage in Atlanta for her Cowboy Carter tour, a major security breach rocked her team. Unreleased music, private show material, and luxury items were stolen from a rental vehicle used by her choreographer and dancer, police confirmed.
Atlanta authorities say the break-in happened on 8 July around 8 pm in a parking garage near Krog Street Market. The SUV, a black Jeep Wagoneer, was briefly left unattended by choreographer Christopher Grant and dancer Diandre Blue while they grabbed food. When they returned, the rear window had been smashed, and two suitcases containing sensitive material were missing.
Beyonce attend the Louis Vuitton's Menswear Ready-to-wear Spring-Summer 2026 collectionGetty Images
Jump drives contained unreleased Beyoncé music and show visuals
The stolen items included five hard drives loaded with unreleased, watermarked tracks by Beyoncé, as well as detailed visual plans and setlists for her ongoing Cowboy Carter tour. According to the official police report, the drives held both past and upcoming show footage, material Beyoncé typically keeps under tight wraps to avoid leaks.
Also taken were personal laptops, designer clothing, and Apple AirPods. A tracking ping from the AirPods helped police briefly locate a suspect vehicle, which moved across several zones in Atlanta. While fingerprints and CCTV footage were collected from the scene, it’s not yet clear if any of the stolen contents have been recovered.
Beyoncé continued her Cowboy Carter tour in Atlanta despite the setbackGetty Images
An arrest warrant has been issued, but no suspect named
Police have issued an arrest warrant, but the name of the individual involved has not been publicly disclosed. Officers reportedly stopped a "suspicious" individual near the pinged AirPods location, but no official confirmation of an arrest has followed.
The investigation is ongoing, with authorities relying on fingerprints, surveillance footage, and digital tracking from the stolen devices. Beyoncé’s team has not released any public statement so far.
Beyoncé’s choreographer and dancer reported sensitive materials missing from their rental carGetty Images
Beyoncé has a history of tight security around her unreleased music
Known for her secrecy around new projects, Beyoncé’s entire approach to album releases has revolved around maintaining complete control over when and how her music is heard. Her 2013 self-titled album dropped without warning, revolutionising the “surprise release” strategy.
In more recent years, fans even refused to leak her 2022 album Renaissance when it briefly appeared online early, a gesture Beyoncé acknowledged with gratitude. In that context, this Atlanta theft is particularly damaging, threatening to derail the rollout of potential future material.
Beyoncé’s team hit by major theft in Atlanta as unreleased music goes missingGetty Images
Cowboy Carter tour continues as planned despite setback
Despite the incident, Beyoncé carried on with her Atlanta residency at the Mercedes-Benz Stadium, performing across four nights from 10 to 15 July. Her husband Jay-Z made a surprise appearance during one of the shows, and the tour remains on track to conclude in Las Vegas on 26 July.
The Cowboy Carter album, released earlier this year, marked Beyoncé’s bold entry into country music while celebrating its Black roots and went on to win the Grammy for Album of the Year.
Christopher Grant and Diandre Blue, both longstanding collaborators, remain active members of the Cowboy Carter tour team. Grant has worked with artists like Shakira, while Blue featured prominently alongside Beyoncé in a Super Bowl ad earlier this year tied to the album’s release.
As the tour progresses, fans and industry insiders alike will be watching closely to see whether Beyoncé addresses the theft or modifies any show elements as a result of the stolen material.