Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Hugh Grant was spotted napping during the Djokovic vs Cobolli quarter-final at Wimbledon 2025.
The actor sat in the Royal Box just behind Queen Camilla and her sister.
Social media erupted with memes, jokes, and criticism, calling it the “£700 (₹74,200) nap.”
Novak Djokovic made history in the match, advancing to his record-breaking 14th Wimbledon semi-final.
British actor Hugh Grant unexpectedly stole attention from Wimbledon 2025’s quarter-finals, not for a performance, but for taking a mid-match nap. The 64-year-old was captured on camera dozing off in the Royal Box on Wednesday, 9 July, during Novak Djokovic’s high-stakes match against Flavio Cobolli.
Wearing dark sunglasses and seated next to his wife, Anna Elisabet Eberstein, Grant leaned into a deep slouch with his hands in his lap. What made the moment even more of a social media spectacle was his location, just behind Queen Camilla and her sister, Annabel Elliot.
Hugh Grant and wife Anna Eberstein seated in the Royal Box at Centre CourtGetty Images
Fans call it the ‘£700 nap’ as Hugh Grant goes viral
While Wimbledon is known for its A-list guest list, few moments have gone as viral as Grant’s sleepy slump. Social media platforms lit up with reactions, some amused, others annoyed.
“Not convinced Hugh Grant is awake,” quipped one user on X, alongside a screenshot from the live broadcast. Another joked, “It’s the most expensive nap in human history.” Yet another user chimed in, “There are fans who queue since 3 am to get into Wimbledon, and Hugh Grant slept through a tiebreak!”
One of the more popular memes labelled it the “£700 (₹74,200) nap,” referencing the estimated cost of premium Wimbledon access. The BBC Sport account cheekily joined in, tweeting: “It’s all got a bit too much for Hugh Grant.”
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Hugh Grant chats with Queen Camilla moments before dozing off
Before nodding off, Grant had been seen animatedly chatting with Queen Camilla and her sister. The trio shared smiles in the Royal Box, basking in the summer sun. The sudden shift from conversation to shut-eye added fuel to online jokes, with some playfully nicknaming the moment “Nodding Hill.”
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Despite the sleepy slip-up, other attendees, including Cate Blanchett, Joe Alwyn, and Glen Powell, managed to stay fully alert during the tense match.
Djokovic defeats Cobolli to set new Wimbledon semi-final record
The match Grant slept through was far from dull. Serbian tennis star Novak Djokovic bounced back after losing the first set to beat Italy’s Flavio Cobolli in four sets: 6-7 (8), 6-2, 7-5, 6-4. With this victory, Djokovic reached his 14th Wimbledon semi-final, surpassing Roger Federer’s record.
“Obviously, my body is not the same today like it was before,” Djokovic said after the match. “The real impact or effect of what happened, I will feel tomorrow.”
The 38-year-old tennis legend now faces Jannik Sinner in the semi-finals, a rematch that tennis fans have been eagerly anticipating. Sinner has defeated Djokovic in their last four meetings, including the 2025 Roland Garros semi-final and the 2024 Australian Open.
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Reactions mixed: Some say it’s relatable, others find it disrespectful
Not everyone found Hugh Grant’s nap disrespectful. Some social media users found the moment charming, saying, “Finally, someone real,” and “When you’re old and rich, you can sleep wherever you want.” Others joked, “We usually sleep during his movies too.”
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Still, there was underlying criticism. “Why even bother showing up if you’re just going to sleep through it?” one fan asked. Wimbledon’s Royal Box access is limited and highly coveted, granted via invitation from the All England Club’s chair and affiliated bodies.
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Though brief, Grant’s nap became one of the day’s biggest talking points, overshadowing even a record-breaking Grand Slam performance.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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