How Amita Suman chose artworks for Sotheby’s auction
The actress says pictures of deities she saw as a child in Nepal shaped her taste in art
By Amit RoyApr 24, 2023
Sotheby's is holding an auction of contemporary art, but what makes this sale different is 11 of the works have been picked by Amita Suman, 25, the British Asian actress who is making quite a name for herself.
Adrian Ghenie, 'Study for Collector I'
Suman was born in Nepal and came to Brighton, England, with her family when she was seven. She has attracted favourable global attention after being cast in the prominent role of Inej Ghafa in the Netflix series Shadow and Bone, an adaptation of the fantasy books, The Grisha Trilogy and The Six of Crows Duology, by Leigh Bardugo.
Tatler put Suman on its cover for its April issue.
Her TV debut came with a small role in Casualty. Eastern Eye readers might recall that in 2018, Suman made an appearance in the Dr Who episode, Demons of the Punjab, when the Tardis lands in India in the throes of violence over the partition of the country in 1947.
Andy Warhol, 'Campbell's Soup Box Chicken Rice'
In the same year, the actress played Sameera in Channel 4’s comedy-drama series Ackley Bridge.
Suman was born on July 19, 1997, in the remote village of Bhedihari in the Parsa district of southern Nepal to a Bhojpuri family of modest means. She came to Britain and settled in Brighton because her father had met and married an Englishwoman who happened to be visiting the Himalayan country.
She attended Varndean Secondary School and Sussex Downs College (now East Sussex College Lewes) before training at the Academy of Live and Recorded Arts in London and graduating in 2018.
Suman said, “I auditioned for drama school and with a full scholarship, I did a three-year course in acting, and my career began.
“London is one of the major art metropolises in the world. Whether it’s a memorial, a painting, a statue, or even graffiti or a hidden political message, it’s an integral element of the city’s identity.”
Danica Lundy, 'Arena'
In picking Suman for its “contemporary curated auction” this week, Sotheby’s discovered her love of art was planted in her subconscious when she was growing up as a little girl in Nepal.
She said she was transfixed by the murals and sculptures of Hindu deities: “I think my earliest impression of art was beautiful, hand-painted pictures of the many Hindu gods. They’re visually striking. The story of Rama and Sita and all the depictions of Ganesha and Hanumanji were my first experience of art, because that’s the only thing people owned in the village.
Robert Longo, 'Untitled Black Sky'
“I think this is why I have a very specific taste in relation to art. I’ve always been fascinated by colours. If you go to Asia, the colours are vibrant, from multicoloured flowers to glowing sunsets and the deep blue haze of the night sky and the grand presence of a full moon not dimmed by pollution. Even the food would always have so much colour.”
Suman added: “I would not consider myself an art expert. I just see myself as someone who loves art and appreciates it in all its different forms. In my craft, I create through my body, my mind and my soul to tell a story for an audience. I suppose art is very similar but to me, it feels more personal and the narrative is more free. An artist may have intended to portray one thing, but the viewer might interpret it in a completely different way – and that’s the beauty of it.”
Sotheby’s appears pleased with the art works she has recommended for inclusion in the auction. The 11 works cover more than three decades of artistic practice, from two Andy Warhol canvases created in 1986, including Moujik, a portrait of the late designer Yves Saint Laurent’s pet bulldog, to a 2022 petite oil paint study by Flora Yukhnovich.
Banksy, 'Exclamation Rat'
Her selection also features a sensorial figurative canvas by Brooklyn-based artist Danica Lundy. Upon first seeing this work, she said she was drawn to its vibrant palette: “Whether a painting is an abstract, impressionist or even a still life, the colours within have the power to evoke feelings: visually, internally and emotionally.”
Suman also chose an Untitled work on linen by Secundino Hernández, which comes from the esteemed collection of Ingvild Goetz. One of the most dynamic collectors in Germany, she launched her own private museum in 1993.
Growing up in Brighton, the “arbitrary, raw and humorous” street art made a particular impression on Suman. She described the city as “a hub of creativity which has one of the best art scenes in the UK and a space for all manner of self-expression”. Fittingly, her selection includes a work by Banksy, a figure synonymous with the city’s street art scene following his iconic (now removed) Kissing Coppers mural on Brighton’s Prince Albert pub. Banksy’s Exclamation Rat has come to market for the first time, having originally been acquired from the artist at his December 2003 exhibition Santa’s Ghetto at Pictures on Walls Gallery, London.
Asked whether she had any favourite pieces in the auction, Suman replied: “I have a few, in fact – the Andy Warhol is this incredible pop art version of fast food. It’s a great symbol of addiction and mass production, that sickly satisfaction from the colours.
George Condo, 'Untitled'
“The Secundino speaks to me because the sense of time feels infinite. The harshness of the lines clashing against the muted patches feels like two higher political powers at war. And the George Condo reminds me how the obscurity of life is something we all experience.”
And about her favourite artists, Suman said: “My answer to this question changes often. I just visited a museum in Paris and saw works from Odilon Redon. I was completely and utterly transported. I also really liked Paul Gauguin’s work from his early days in Tahiti. It was really beautiful, and actually quite refreshing seeing 19th century portraits of people who were of a completely different part of the world. It was reviving to see other representations of ethnicity. I relate to him moving to a completely different country and immersing himself and giving himself up to it. We would have a lot to talk about.”
On artists from her native Nepal, she said: “In terms of Nepalese artists, Krishna Manandhar captures colour so well.There is a beautiful mistiness in his abstract view of the mountain ranges. I love that his artistic expression is enriched by the study of natural forms and rhythms. He even manages to capture the soundscape of village serenity compared to Kathmandu. He conveys the vibrations of transcendental values of Nepalese life. I’m not in touch with that any more, so when I see it in a painting, it is a beautiful reminder.
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.
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Each character in the set has been carefully designed to reflect cultural narratives
British-Bangladeshi prop maker Anika Chowdhury has designed a handcrafted glow-in-the-dark chess set celebrating heritage and identity.
The limited-edition set, called Glowborne, launches on Kickstarter in October.
Each piece draws from South Asian, Middle Eastern, and African cultural references, re-rooting chess in its origins.
The project blends art, storytelling, and representation, aiming to spark conversations about identity in play.
Reimagining chess through heritage
When Anika Chowdhury sat down to sculpt her first chess piece, she had a bigger vision than simply redesigning a classic game. A British-Bangladeshi prop maker working in the film industry, she grew up loving fantasy and games but rarely saw faces like hers in Western storytelling.
“Chess originated in India, travelled through Arabia and North Africa, and was later Westernised,” she explains. “I wanted to bring those forgotten origins back to the board.”
The result is Glowborne — a limited-edition, glow-in-the-dark fantasy chess set that blends craft, identity and cultural pride.
Anika Chowdhury says she has many ideas to further fuse craft and culture in future projects Glowborne
Crafting Glowborne
Each character in the set has been carefully designed to reflect cultural narratives: Bengali kings and pawns, Indian bishops with bindis, Arab knights, and African queens. Chowdhury sculpted each piece by hand, drawing on her prop-making training at the National Film and Television School.
Once sculpted, the pieces were cast in resin, painted, and finished with South Asian-inspired motifs filled with glow-in-the-dark pigment. “The characters glow both literally and metaphorically,” she says, “as a chance for them to take the stage.”
Cultural pride and visibility
For Chowdhury, the project is about more than gameplay. “Fantasy doesn’t need to fit into the Western mould to tell a great story,” she says. “South Asian, Middle Eastern and African stories are just as powerful, and they can transform something as traditional as chess by reconnecting it with its roots.”
She hopes Glowborne will resonate with South Asian and Eastern African communities as a celebration of identity and belonging. At the same time, she sees it as a bridge for wider audiences — chess enthusiasts, collectors, and design lovers who appreciate craftsmanship and storytelling.
A personal journey
Chowdhury’s career in film and prop-making has influenced her creative process, but Glowborne marks her first independent project. She created it outside her film work, after hours and on weekends.
“At 28, I finally feel like I’ve found my voice,” she reflects. “For a long time I felt pressure to hide my identity, but now I see my culture as a superpower. This project is about using art to express that.”
Looking ahead
Launching this October on Kickstarter as a collector’s edition, Glowborne is only the beginning. Chowdhury says she has many ideas to further fuse craft and culture in future projects. “This is the proof of concept,” she says. “I can’t wait to create more stories that blend heritage, art and play.”
Banksy’s ‘Piranhas’ artwork, painted on a police sentry box, is being stored ahead of display at London Museum.
The piece was originally one of nine works that appeared across London in August 2024.
It will form part of the museum’s new Smithfield site, opening in 2026.
The City of London Corporation donated the artwork as part of its £222m museum relocation project.
Banksy’s police box artwork in storage
A Banksy artwork known as Piranhas has been placed in storage ahead of its future display at the London Museum’s new Smithfield site, scheduled to open in 2026. The piece features spray-painted piranha fish covering the windows of a police sentry box, giving the illusion of an aquarium.
From Ludgate Hill to Guildhall Yard
The police box, which had stood at Ludgate Hill since the 1990s, was swiftly removed by the City of London Corporation after Banksy confirmed authorship. It was initially displayed at Guildhall Yard, where visitors could view it from behind safety barriers. The Corporation has since voted to donate the piece to the London Museum.
Museum’s first contemporary street art
London Museum’s Head of Curatorial, Glyn Davies, said:
“With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art. This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”
Formerly known as the Museum of London, the institution closed its London Wall site in December 2022 as part of its relocation. It rebranded as the London Museum in July 2024, with £222m allocated by the City of London Corporation to support the move. The project is expected to attract two million visitors annually and create more than 1,500 jobs.
Part of Banksy’s animal-themed series
Piranhas was one of nine animal-themed works Banksy created across London in August 2024. The series also featured a rhino on a car, two elephants with interlocked trunks, monkeys swinging from a bridge, a howling wolf on a satellite dish, and a goat painted on a wall. Some of the artworks were later vandalised, removed, or covered up.
Preserving street art for the public
Chris Hayward, policy chairman of the City of London Corporation, said:
“Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions. By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”
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Aditya Chopra (right) with his father, Yash Chopra
BOLLYWOOD filmmaker Aditya Chopra was last Thursday (21) named among the nominees of the UK Stage Debut Awards for his Come Fall in Love – The DDLJ Musical, performed at Manchester’s Opera House earlier this year.
Chopra delivered a blockbuster in 1995 with Dilwale Dulhania Le Jayenge, popular as DDLJ, with Kajol and Shah Rukh Khan in the lead roles. It was adapted to a theatrical production and had its UK premiere in May.
Chopra reprised his role as director of the English stage production, which revolves around the love story of Simran and Roger.
Shah Rukh Khan visits the cast of Come Fall in Love The DDLJ Musical during rehearsals in London Danny Kaan
“This year’s nominees embody the future of British theatre, and I can’t wait to celebrate their achievements,” said Alistair Smith, editor of The Stage theatrical publication.
“This year there are several individuals with south Asian heritage being recognised for their excellence in directing: among the nominees is Amit Sharma for Ryan Calais Cameron’s Retrograde (in the Best Creative West End Debut category),” said the awards panel in a statement.
Also nominated are Adam Karim for Guards at the Taj at the Orange Tree Theatre, London, and visionary Indian filmmaker Aditya Chopra for Come Fall In Love at Manchester’s Opera House, who are both in the running for the best director category, the statement added.
The winners will be announced on September 28.
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The group have introduced fresh orchestral elements and added instruments to expand their live sound
The Shahbaz Fayyaz Qawwal Group return to the UK with a nationwide tour after viral success online.
The ensemble of brothers blend centuries-old qawwali traditions with fresh improvisations that connect with young audiences.
From Pakistan to the USA and UK, their performances have won acclaim for their electrifying energy and spiritual depth.
Fans can expect new instruments, reimagined classics, and the same message of love and harmony at this year’s shows.
From viral sensation to global stages
When a performance goes viral, it can change an artist’s career overnight. For the Shahbaz Fayyaz Qawwal Group, their stirring renditions of Bhar Do Jholi and B Kafara propelled them from local fame in Pakistan to global recognition, amassing millions of views across platforms. What set them apart was not just the power of their voices, but the way their music resonated with younger listeners who were hearing qawwali with fresh ears.
That viral momentum soon carried them beyond borders, leading to major performances in the United States and the UK. “It wasn’t just one track,” the group explained. “We revived older gems like Kali Kali Zulfon and Dil Pukare Aaja in our own style, and those went viral again, showing that qawwali still speaks across generations.”
Heritage, family and style
The Shahbaz Fayyaz Qawwal Group’s uniqueness lies in their roots. Composed of seven brothers and joined by fellow musicians from respected musical families, the ensemble was trained by their late father, himself a master of the art form. On stage, as many as 15 to 20 performers create a sound that is both deeply traditional and daringly modern.
Their shows are alive with improvisation. In the middle of a devotional track, harmonium player Shahbaz might suddenly weave in a melody from a contemporary Bollywood hit, while lead vocalist Fayyaz channels his energy into unrestrained movements and audience interaction. “When different styles meet, something new emerges,” they said. “That’s what keeps the music vibrant.”
UK audiences and the international journey
Having performed across the USA, the Middle East and Europe, the group describe UK audiences as particularly electric. “Each time we perform here, the atmosphere is charged. People don’t just listen – they become part of the performance,” they said.
Their repertoire often draws requests from fans who expect to hear viral favourites alongside traditional classics. “Sometimes, if organisers don’t allow us to perform songs like B Kafara or Dil Pukare Aaja, the audience won’t let the show continue. That’s the level of passion here,” they recalled with a laugh.
Keeping qawwali alive for new generations
While the roots of qawwali stretch back centuries, the group see their role as carrying the tradition into the present. By fusing tabla, harmonium and handclaps with newer instruments and arrangements, they appeal to younger listeners without losing the music’s essence.
“We want every audience to feel peace, harmony and love when they leave our concerts,” they said. “An artist should never belong to just one group of people – music is for everyone.”
What fans can expect this tour
This year’s UK tour promises new surprises. The group have introduced fresh orchestral elements and added instruments to expand their live sound. Fans can expect a mix of beloved classics, spontaneous improvisations, and the chance to hear qawwali reimagined for today’s world.
For Shahbaz Fayyaz Qawwal Group, the mission remains unchanged: to honour their heritage, embrace new audiences, and spread the universal message at the heart of their art. As they put it: “We look forward to growing together with our fans. Let’s celebrate qawwali as a tradition that belongs to everyone.”