AFGHANISTAN's Rashid Khan claimed four wickets as Gujarat Titans became the first team to qualify for the IPL play-offs with a 62-run thrashing of Lucknow Super Giants.
Indian opener Shubman Gill made 63 off 49 deliveries to steer Gujarat to 144 for four on Tuesday (10) after electing to bat first on what seemed like a tough pitch to score in Pune.
Afghanistan leg-spinner Rashid then returned figures of 4-24 -- his best in IPL -- to dismiss the opposition for 82 in 13.5 overs as Gujarat, in their debut season, bounced back from two losses to top the 10-team IPL.
Hardik said they learnt from being complacent in their previous loss to Mumbai Indians by five runs.
"In the last game we thought the game was already over before it was over. That was the learning which we took," said Hardik.
"Even in this game when they were eight down, I said, 'Let's be ruthless. This game is beautiful. If it's not over, it's not over. If they're down, let's keep them down, get this done and relax post-game.'"
Hardik Pandya of Gujarat Titans (Sportzpics/PTI Photo)
Both Gujarat -- owned by global capital venture fund CVC Capital -- and Lucknow are new additions to the IPL this season.
Gujarat reclaim the top spot from Lucknow who slip to second but are still in with a strong chance of making the play-offs.
The top four teams will make the play-offs starting May 24.
Gill set up victory after he lifted Gujarat from 51-3 to build key partnerships including a 52-run fourth-wicket stand with David Miller (26) and 41 unbroken for the fifth with Rahul Tewatia (22 not out).
Mohsin Khan had removed opener Wriddhiman Saha for five before Avesh Khan caused further trouble by sending back Australia's Matthew Wade, for 10, and Hardik, for 11.
Gill smashed seven boundaries and Miller hit the only six of the innings to guide Gujarat to a total that looked under-par but proved enough for victory.
"Coming into the season, not many people gave us a chance or thought we'd qualify but here we are sitting on top of the table so it feels pretty good," said man of the match Gill.
Lucknow made a mess of their tricky chase after they fell to 33-3 with opener Quinton de Kock (11) and skipper KL Rahul (eight) back in the dug out.
Wickets kept tumbling and Australian all-rounder Marcus Stoinis was out after a mix up with Deepak Hooda who made a valiant 27 before falling to Rashid's leg-spin.
Left-arm spinner Sai Kishore took two wickets before Rashid wrapped up the innings.
An outbreak of norovirus at a primary school near Winchester has resulted in three children being admitted to hospital, local authorities have confirmed.
Seven pupils from a single class at Compton All Saints Church of England Primary School were affected by the highly contagious virus, which causes vomiting and diarrhoea. The outbreak prompted the children to stay home from school on Thursday, with three requiring hospital treatment.
Hampshire County Council confirmed the incident, stating that the school has taken precautionary measures following advice from Public Health. The 120-pupil school, which caters to children aged 4 to 11, said it had been advised to isolate the affected class from the rest of the school. However, as this was not feasible due to logistical constraints, the school opted to close the class on Friday.
A deep clean has been scheduled at the school, which was already due to close on Friday afternoon for the half-term break. Parents have been informed of the outbreak and provided with information about norovirus from Public Health England.
Norovirus, often referred to as the winter vomiting bug, is a common cause of gastroenteritis and is highly infectious. While it is most prevalent during the colder months, it can spread at any time of the year. Symptoms typically include the sudden onset of nausea, vomiting, and diarrhoea, and usually last around two days.
Public Health officials are continuing to monitor the situation at the Winchester-area school. The deep cleaning and class closure are intended to limit further transmission and ensure the premises are safe for pupils' return after the break.
Jimmy Donaldson, better known online as MrBeast, has done what few could imagine: become a billionaire not by keeping, but by giving. At just 27, he's now the youngest self-made billionaire, having built an empire from scratch through YouTube videos that mix wild challenges with generosity.
Hailing from a small town in North Carolina, Jimmy started uploading videos to YouTube at 12. His early content was simple, like gaming clips, reaction videos, and goofy stunts. Then came a game-changer: a 44-hour-long video of him counting to 100,000. It was bizarre, oddly addictive, and wildly popular. That viral moment unlocked a formula: doing something ridiculous, filming it, and tying it all to massive giveaways.
— (@)
But this wasn’t just about fame. MrBeast quickly leaned into over-the-top generosity as his brand. Whether it was tipping delivery drivers with houses or giving £800,000 (₹8.4 crore) to the last person touching a briefcase of cash, each stunt pushed the line between entertainment and philanthropy. And viewers couldn’t get enough.
— (@)
Today, his main channel boasts 270 million subscribers, the highest for any individual creator, with his other channels, including Beast Reacts and MrBeast Gaming, pushing the total to over 415 million. But YouTube is just one piece of his empire.
MrBeast turned that attention into business gold. He launched Beast Burger, a virtual fast-food chain, and Feastables, a chocolate brand, both multi-million-pound ventures. He’s also invested in up-and-coming creators and crypto, showing he’s not just generous but also sharp with money.
Still, what sets Jimmy apart is his mindset. He’s often said that he doesn’t aim to stack wealth for luxury but to use it for good. His foundation, Beast Philanthropy, runs food drives, builds homes, and even funds surgeries. It’s not just a side project, it’s central to his identity.
Court documents in 2024 revealed his businesses generated hundreds of millions, officially confirming his billionaire status. Yet on a podcast earlier this year, he casually noted he barely keeps any money for himself.
MrBeast Is now a billionaire after giving away more than anyone on YouTubeGetty Images
MrBeast isn’t following a blueprint; he’s making one. He built a fortune on kindness, and in doing so, redefined what modern success can look like: not how much you keep, but how much good you can do.
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This was part of a broader emigration trend led by Indian nationals, followed by Chinese nationals at 45,000. (Representational image: iStock)
THE LATEST UK migration statistics show a significant number of Indian students and workers leaving the country over the past year, as tougher visa and immigration rules come into effect.
Figures released on Thursday by the Office for National Statistics (ONS) show that in 2024, around 37,000 Indians who arrived on study visas, 18,000 who came for work, and 3,000 who entered for other reasons, left the UK. This was part of a broader emigration trend led by Indian nationals, followed by Chinese nationals at 45,000.
Other major nationalities leaving the UK included Nigerians (16,000), Pakistanis (12,000) and Americans (8,000). The overall result was a fall in net migration by 431,000 last year – nearly half of what it was the year before.
“Among people emigrating, Indian was the most common nationality,” reads the ONS analysis, based on UK Home Office data.
“Study-related emigration was the most common reason for the five most frequent non-EU (European Union) nationalities to emigrate in YE (year-ending) December 2024. The increase in long-term emigration of non-EU+ nationals who originally arrived on study-related visas is primarily being driven by the large numbers of Indian and Chinese nationals leaving in YE December 2024,” it notes.
Mary Gregory, director of population statistics at the ONS, said the fall was mainly due to fewer people coming to the UK to work or study, especially student dependants.
“There has also been an increase in emigration over the 12 months to December 2024, especially people leaving who originally came on study visas once pandemic travel restrictions to the UK were eased,” she said.
The UK government welcomed the drop in net migration, an issue that has drawn attention amid political pressure and the recent rise of the anti-immigration Reform party.
“Under the Tories net migration reached nearly 1 million – roughly the size of the population of Birmingham. I know you are angry about this, and I promised you I would change it,” prime minister Keir Starmer said in a social media statement.
“Today's stats show we have nearly halved net migration in the last year. We're taking back control,” he said.
Experts say the drop is the biggest for any 12-month period on record and the most significant annual fall in net migration since the early days of the Covid pandemic.
“These figures show a big increase in returns of failed asylum seekers and foreign national offenders, record levels of illegal working penalties, and the asylum backlog and hotel use coming down,” said home secretary Yvette Cooper.
Long-term immigration to the UK dropped below 1 million for the first time in around three years. It was estimated at 948,000 in the year ending December 2024, down from 1,326,000 the year before.
At the same time, emigration rose by about 11 per cent to 517,000, up from 466,000 in the previous year.
Former home secretary James Cleverly, who served under the Conservative government led by Rishi Sunak, said the drop in net migration was due to policies he had introduced.
“This drop is because of the visa rule changes that I put in place,” he said.
A new play based on Asian author Sathnam Sanghera’s novel traces generations and communities, offering insight into British society, its director has said.
Published in 2013, Marriage Material delves into the experiences of an immigrant family in the UK, as a young man navigates the tensions between his dual British and Punjabi identities, his family’s past, and the life he has built for himself.
Marriage Material has been adapted for the stage under the same name by Gurpreet Kaur Bhatti and is directed by Iqbal Khan.
The play follows the journey of a Sikh family across generations. It begins in the late 1960s in Wolverhampton, where they run a corner shop, and continues through to the present day.
Gurpreet Kaur BhattiHelen Murray
In an interview with Eastern Eye, Khan said, “The play tracks and parallels my life in many ways, because I was born in Birmingham to Punjabi Pakistani parents, and so many of the themes are resonant with what I’ve lived. So, it’s a very significant story.”
He added, “Gurpreet has made changes (from the original version) and it has a slightly different end. Interestingly, there are no stereotypical elements.
“One of the most compelling aspects of Gurpreet’s writing was where the story begins. “Typically, such plays start with the patriarch and matriarch figures from the older generation, often portrayed as duty-bound and lacking passion. But that’s not the case here. We begin with a relatively young couple in their early to mid-30s, deeply in love – and unafraid to show it.
“The play then explores how the pressures of living in British society gradually erode their physical health and what their children inherit from them, both emotionally and culturally.”
Actresses Kiran Landa and Anoushka Deshmukh in a poster of Marriage MaterialHelen Murray
Khan, who is in his early fifties, and is the associate director of Birmingham Rep, said the play speaks direct to Sikh and Punjabi communities, especially those in the Midlands and London.
He said, “Like any great piece of theatre, this story, however, goes beyond one community. It’s about a family, about Britain, and about the journey of identity in today’s world.”
But, he added, “This isn’t just a story about British Asians – it features a range of characters and reflects the wider story of who we are as a country today, shaped by our past. Anyone interested in that journey, or who comes from an extended family or immigrant background, which includes most of us, will find something familiar in it. It’s a warm and funny play, using humour to bring people together and celebrate our differences. It builds bridges across generations and cultures, and I truly believe it will resonate with everyone, no matter their background. It’s a story for all.”
Describing the “inner strength” of the novel, Khan said, “Great writers often use the family and the domestic sphere as a metaphor for the world. This is also very much present in Sanghera’s original novel. By focusing on the family, you create an image of the world and of society. So, it’s not just about a Sikh Punjabi family in Wolverhampton; it’s also an image of how society has developed over time. The more specific we are, the more resonant the story becomes with universal truths – about the world, society, and what makes Britain what it is today.”
Khan explained how in the play’s second half, set in the present day, the youngest son faces questions about who he really is – how he balances his Asian heritage with his British life. He’s also in a relationship with a white British woman, which brings up issues that are still very relevant.
“I hope anyone who enjoys smart comedy, moving drama, and quality theatre will come. It’s a rich, heartfelt story that can connect with people from all walks of life,” the director said.
Khan has been working in the industry for more than three decades. He said the production team used movements and music to show transitions among different time periods in the play.
“Honouring the complexity of that narrative is a significant challenge. Another is the structure – the first half jumps forward in time, sometimes five or 10 years at a stretch. Staging those shifts while maintaining narrative clarity is demanding. We’re not relying solely on realism either; we’re also working to preserve the poetic and lyrical qualities of the piece,” he said.
“I hope it’s a beautiful, playful set, with a poetic element. The great thing about theatre is that it’s inherently non-naturalistic. If you want naturalism or realism, you go to TV or cinema. Theatre is a poetic form; it allows you to suggest truths and transition between moments. The design conveys more than just the setting or period. Without giving too much away, the play does shift across time.”
Khan said it’s an “exciting time” for people from Asian and minority communities to be in the arts.
“When I started in the industry, there were a few leading figures like Jatinder Verma (theatre director and activist), but opportunities were limited, especially in the mainstream. The types of stories being told were quite narrow. That has changed a lot. Today, the arts are far more open and eager for a wider range of stories, not just those focused on trauma, but joyful and celebratory ones too. The next big step is encouraging people from all backgrounds to tell any story they feel passionate about, not just ones linked to their heritage,” he said.
“If you’re creative with a strong voice, don’t feel restricted. Tell the stories you want to tell. Don’t limit your ambitions or dreams. Be bold, and don’t be afraid to bring activism into your work. In the past, work from marginalised communities was seen as financially risky, but that view is shifting – and will continue to change faster if the next generation stands firm and refuses to compromise.
“We now have inspiring leaders like Indhu Rubasingham and Natasha Kathi-Chandra, who are genuinely excited about bold, honest, and sometimes challenging stories that reflect the world we live in. So yes, it’s a very exciting time to be in the arts.”
Marriage Material will run at Lyric Hammersmith Theatre until June 21, and at Birmingham Rep from June 25 to July 5.
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England's Shoaib Bashir celebrates with teammates after taking the wicket of Zimbabwe's Craig Ervine, catch taken by Harry Brook Action Images via Reuters/Peter Cziborra
ZIMBABWE made a positive start as they began their reply to England’s imposing first-innings score, reaching 73 for one wicket at lunch on the second day of the one-off test at Trent Bridge on Friday (23).
The 21-year-old Brian Bennett was unbeaten on 36 off 38 balls alongside captain Craig Ervine (30 not out) at the end of the morning session, trailing by 492 runs after England had declared their first innings on 565-6.
Bennett hit three boundaries in the first over off debutant Sam Cook and was aggressive as the visitors looked to put behind them an attritional opening day for their bowlers on Thursday (22).
But Cook did get a first test wicket as he squared up Ben Curran, who got a thick edge to steer the ball to Harry Brook at second slip in the fifth over of the Zimbabwe innings. Curran, whose two brothers have played test cricket for England, made six runs.
Essex paceman Cook, 27, rewarded for a career that had yielded 321 first-class at an average of 19.5 before this match, was the first England debutant to send down the opening over of a Test innings since James Kirtley at Trent Bridge in 2003.
Zimbabwe had been pummelled on the opening day as their poor bowling was sent to all corners by a rampant English batting line-up, who amassed 498-3 with Ben Duckett, Zak Crawley and Ollie Pope all scoring centuries.
England batted for a further 45 minutes on the second day, losing three wickets in the 8.3 overs they faced on Friday morning before declaring.
Pope, eyeing a double century after being 169 not out overnight, added only two runs to his total before a faint edge off Tanaka Chivanga to wicketkeeper Tafadzwa Tsiga saw him depart nine balls into the new day’s play.
Captain Ben Stokes, in his first knock since the December test against New Zealand, was bounced out by the tall seamer Blessing Muzarabani for nine, falling to a good catch at fine leg by Curran squinting into the sun.
Brook was dropped on the ropes by substitute fielder Wellington Masakadza off Chivanga before rushing to his half century off 48 balls.
But when he played on to Muzarabani two balls later and was out for 58, England declared with Jamie Smith unbeaten on four at the other end after being dropped by Tsiga off Chivanga in the previous over.
Muzarabani was the best of the Zimbabwe bowlers with 3-143 off 24.3 overs.